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대중문화의 병리적 측면과 샤덴프로이데 -영화 〈헝거게임: 판엠의 불꽃〉을 중심으로
김시은(Kim, Si-eun),이효원(Lee, Huo-won) 글로컬창의산업연구센터 2019 글로컬창의문화연구 Vol.8 No.2
This study is to examine the pathological aspect of popular culture and the association between Shadenfreude, focusing on Gary Ross"s film 〈The Hunger Games, 2012〉 based on Suzanne Collins"s 『The Hunger Games, 2008』. First, this study examines Shadenfreude and the cases where Shadenfreude"s emotion were maximized in the actual society, examines the feelings and essence of Shadenfreude, and secondly, examined the pathological phenomenon of popular culture and popular culture, and thirdly, examines how the pathological phenomenon of popular culture and Shadenfreude are revealed in the film. This study is to say that there is a Shadenfreude in the pathological phenomenon of popular culture, and that it is also a pathological phenomenon of popular culture to freely enjoy Shadenfreude. In addition, Shadenfreude is a natural instinct that humans have learned from evolving, but it isn’t necessary to deliberate to induce it in popular culture and to become a cultural phenomenon, and we should develop an attitude to objectively look at popular culture as a cultural subject.