김환기의 근대기 작품에 나타난 체험과 감각

김인아(Kim In-ah) 한국근현대미술사학회 2015 한국근현대미술사학 Vol.29 No.-

It is prevalent opinion that Kim Whan?ki from the 1930s to the early 1940s was an abstract artist. As well known, Kim had strong ties with the avant-garde communities of Japan when he was a student there as well as when back to Korea while producing abstract works. Kim later formed a neorealism community with Yoo Youngkuk and Lee KyuSang, where he seeked the ‘Neo-Reality’. He also reflected his interest in korean tradition and antiques in his work while having made an exchange with artists, poets, and writers who had worked through ‘Munjang’ that is literature magazine. That much of the academic literature on Kim’s paintings from this period have been focused on abstract and avant-garde art and orientalism may be a natural consequence of his historical trajectory as the above. As the advanced researches tell, Kim Whan?ki’s interest is not the departure from an object but the way ‘abstractifying’ an object, while pursuing the abstract art. This study also begins from the premise that the key element necessary for interpreting Kim’s abstract art is the way rather than the concept. I would like to go even a step further to argue that the form and content of the abstract in Kim’s work reflect the artist’s personal experiences and emotional sensations. And I’ll argue that such personal experiences-which exist on the outskirts of Kim’s abstract art-are imbued with a kind of romanticism. To illuminate these points, I analyze the abstract features of Kim’s work that appear as geometrical designs in conjunction with the social atmosphere of the era, and also interpret the artist’s personal experiences reflected in the work through references to articles, photographs, and related written works published in the literary magazines of the day. I attempt to show that Kim Whan-ki’s painting which abstractly portrayed the city and machines-symbols of the most cutting-edge elements of civilization- are not simply a matter of style but concrete expressions of the artist’s existential interpretations of nature, life, and modern civilization. It may seem unusual for an artist who interprets the world through the lens of existentialism to pursue such an abstract style. However, at that time, this is not unusual. This is because the avant-garde discourse in those days was developed in each artist’s personal understanding. The experiences of the 1930s that appear in Kim’s work were personal and everyday experiences of modern civilization, and this is why his artwork includes hints at the modernist emotional connection with urban life. Kim’s nostalgia for the modern lifestyle he experienced during his student years in Tokyo occasionally appears as a landscape that is in turn representational or contemplative. These approach is similar to imagism in literature. Kim Gi-rim, a leading Korean modernist poet, defines poetry as the expression of not the mental but the “real” world in writing. Similarly, Kim Whan?ki’s work is an expression of reality as created through the artist’s memories and experiences.

여가스포츠 참여대학생들의 각성추구성향이 몰입경험 및 운동지속의도에 미치는 영향

정진배(Joung, Jin-Bae),박정훈(Park, Jeong-Hun),한대호(Han, Dae-Ho) 한국체육과학회 2015 한국체육과학회지 Vol.24 No.3

This study was designed to shed light on the effect of sensation seeking tendency on flow experience and exercise adherence intention in University students’ leisure sports paticipation 283 University students were sampled from Yongin City in Gyeonggido by using convenient sampling method. Results derived from the researches based on the aforementioned methods and data analyses are as follows: First, novelty which is sub factor of sensation seeking tendency had positive effect on all sub factors of flow experience. Second, novelty which is sub factor of sensation seeking tendency had positive effect on exercise adherence intention, but thrill-seeking sub factor of sensation seeking had negative effect on exercise adherence intention, Third, time and space deformation, concentration, action accordance sub factors of flow experience had positive effect on exercise adherence intention.

수상레저스포츠 참여자의 감각추구성향과 몰입경험 및 운동정서의 관계

함도웅(Do Woong Ham) 한국사회체육학회 2012 한국사회체육학회지 Vol.0 No.47

This study are designed to determine the influence of sensation seeking propensity of water leisure sports participants on flow experience and sport emotion. Data is collected by a survey way from hobbyists and general participants, who make use of water leisure sports facilities in Seoul mega-city, Gyunggi and Gangwon provinces, however 342 of the surveyed are put into final analysis work. Surveyed data conducted frequency, exploratory factor, reliability, correlation, and multiple regression analyses by SPSSWIN 18.0 package tool and followed by results: First, there are significant correlation between sensation seeking propensity, flow experience, and sport emotion. Second, novelty of sub-factors of sensation seeking propensity influenced significantly on all subfactors( autotelic experience, sense of control, clear goals, loss of self-consciousness, transformation of time) of flow experience. Third, novelty of sub-factors of sensation seeking propensity had significant effect on all of sport emotion factors(fun, dignity, vigor), thrill had so on vigor factor. Fourth, autotelic of flow experience components had significant influence on all of sport emotion factors(fun, dignity, vigor), loss of self-consciousness had so on dignity, and transformation of time had so on vigor.

일반논문 : 신체감과 신체적 경험의 문화예술교육적 가치

이선 ( Sun Lee ) 인하대학교 교육연구소 2015 교육문화연구 Vol.21 No.6

신경미학에 따르면 미적 인지능력은 ``뇌의 불꽃놀이``로 드러나는 미적 인지작용으로 단순히 일 부 분야에 속하는 능력이 아니라 전방위적 시냅스 활성화에 영향을 주는 것이다. 그렇다면 미적 경험의 인지적 특징은 무엇인가? 이 글은 미적 경험의 인지적 특징을 분석하면서 이 인지미학의 토대로서 신체성을 주장했다. 인지미학의 신체성은 몸 중심의 인지철학인 체험주의와 발제주의로 제시될 수 있다. 몸 중심 의 인지철학을 바탕으로 인지미학은 미적 경험의 신체적 토대를 밝힐 수 있을 뿐만 아니라 미적 인지와 미적 경험의 작동방식을 체화된 인지활동으로 설명할 수 있다. 이 글은 또한 이러한 미 적인 신체감과 미적 신체적 경험으로 선취한 철학적 입장으로 니체의 몸 철학과 벤야민의 도시 경험을 제시했다. 이 논문은 신체감과 신체적 경험을 인지미학적인 접근으로 파악하려는 하나의 시도로서, 우리 가 문화예술교육의 현장에서 일상적으로 ``감(感)이 있다/없다``라고 표현하는 그것의 인지적 내용 을 밝히고자 하는 시도이다. The general thesis of neuroaesthetics determines that the aesthetic cognition gives not only the ``brain-happiness`` aesthetic effect which is limited in specific parts of the brain, but also a major influence of vitalizing the entire synapse. Then, what is a universal mark of aesthetics sensation, perception and experience? In this essay, I try to analyze the aesthetic experience to demonstrate the possibility of cognitive aesthetics that is based on human body. The cognitive aesthetics, which is related to human body, are Experimentalism and Enactivism; Experimentalism alleged a physical basis of aesthetics experience and Enactivism showing the mechanism of aesthetic cognition of human body. The Body-Philosophy of Nietzsche and The City-Experience of Benjamin are presented as the philosophical precedents. This essay is another attempt to understand the aesthetic experience and body sensation, as well as to disclose the implicit meaning of ``good and bad sense`` that commonly used in the education field for the arts.

라이브커머스 소비자의 감각 추구 성향이 충동 구매에 미치는 영향

조승호,박찬자,홍숙영 인문사회 21 2023 인문사회 21 Vol.14 No.3

This study aimed to examine the correlation between sensation-seeking propensity and impulsive buying intention of live commerce consumers and to suggest the direction of the live commerce industry. An online survey was conducted targeting young people residing in the metropolitan area using a questionnaire with 4 items on the impulse buying intention scale and 18 items on the sensation-seeking. A simple regression analysis was conducted to examine the effects of thrill and adventure seeking, boredom sensitivity-seeking, and experience seeking on impulse purchases. Thrill/Adventure-seeking and boredom/sensitivity- seeking factors did not have a significant effect on impulse buying, but experience seeking factors did. The results are expected to suggest a direction for live commerce content production and be used for establishing efficient marketing strategies. This study has a limitation in that it analyzed only the sensation-seeking propensity among the variables of impulse buying. It is hoped that a thorough study will be conducted to examine the psychological components of impulsive buying intentions in live commerce.

음악 청취 경험의 표상성에 대한 옹호

이종희 ( Lee Jonghee ) 한국미학회 2018 美學 Vol.84 No.2

이 글은 피콕의 논의를 중심으로 음악 청취의 경험이 표상적일 수 있는지를 탐구한다. 어떤 경험이 ‘표상적이다’라는 말은 그 경험에 대해 내 느낌이 아니라 세계의 모습에 비추어보아 참/거짓을 가릴 수 있다는 뜻이다. 이 글은 음악경험이 표상적이라고 주장하는 드벨리스의 논변을 살펴본 후 이어 여기에 반대하는 피콕의 논변이 정확히 무엇을 이야기하는지 따져보고 이를 논박하는 논의를 제시한다. 첫째, 색 논변과의 유비를 통해 나는 피콕이 음고나 음정 경험을 전적으로 감각적으로 보았을 리는 없다는 것, 다시 말해 음악 경험이 감각적이라는 피콕의 언급이 그 자체로 음악 경험이 비표상적임을 함축하지는 않는다고 제안한다. 음고나 음정 경험을 결정하는 것이 감각이라는 점을 인정해 준다고 하더라도, 이 경험이 표상적 내용 또한 가진다는 점을 부인할 필요는 없다. 둘째, 음악적 공간감에 대해서는 너스봄의 제안을 따라 가상 공간을 형성하는 음악적 공간의 경험이 표상적임을 받아들인다. 셋째, 분석으로서의 그룹짓기도 피콕의 주장대로 감각의 문제가 아니라 표상적이다. 만약 청취가 이론이 분석하는 대로 일어난다면 이는 문제의 분석이 음악을 제대로 파악하고 있기 때문이다. In this paper, I study whether experience of music listening can be representational. ‘An experience is representational’ means that we can try to know whether the experience reflects the world truly. After considering DeBellis’s claim that experience of music is representational, I examine what exactly Peacocke says and argue against it. Firstly, I suggest by drawing an analogy to color argument, Peacocke couldn’t have seen pitch/interval experience entirely sensational. That is, his saying that music experience is sensational does not entail that it is not representational. Although we admit what determines pitch/interval experience is sensation, we need not deny that pitch/interval experience has representational contents, too. Secondly, I agree to Nussbaum's suggestion that the experience of musical space is virtual and representational. Thirdly, grouping should be considered as representational, not sensational. Usually, theoretical music analysis is based on grouping. If listening conforms to the theoretical analysis, this occurs when that analysis comprehends music properly.

예술로서 시조 체험 교육 연구를 위한 시론 -들뢰즈의 예술론을 바탕으로-

이루리 서울대학교 국어교육연구소 2022 국어교육연구 Vol.49 No.-

This paper attempted to discuss the possibility of establishing Sijo experience education as an art form based on Gills Deleuze's art theory. First, John Dewey’s and Maurice Merleau-Ponty's art theories were examined from the perspective of Deleuze's art theory. The educational value of Deleuze's art theory was also derived. Deleuze's art theory is significant because it reveals the unique characteristics of the art experience as “sensory thinking,” provides supplementary measures for constructivist education by acknowledging the involuntary nature of thought, and regards the “body” as a fundamental way of thinking, fostering appreciation for the learner's body. When learners accidentally encounter Sijo, it becomes an artistic symbol that promotes involuntary thinking. The Sijo experience is the learner’s sensory thought process “to become a textual body.” The expansion of percepts and the generation of affects in the process of "becoming" are instances of "de-territorialization," which generates new sensations. Hence, learners can achieve educational growth through the "re-territorialization" process, which explicitly illuminates thought and generates sensations. 본고는 들뢰즈의 예술론을 바탕으로 예술로서 시조 체험 교육의 가능성을 논하고자 하였다. 먼저 들뢰즈의 예술론에 입각하여 듀이와 메를로-퐁티의 예술론을 살피고 들뢰즈 예술론의 교육적 가치를 도출하였다. 듀이는 미적 체험을 ‘하나의 경험’으로 정의하며, 심미적 질성, 질성적 사고, 직접적 감각을 미적 체험을 이루는 요소로 설명한다. 메를로-퐁티는 ‘보이는 것이 보이지 않는 것으로 전환되는 과정’을 미적 체험으로 보았으며 그 요소로 감각적 관념, 몸의 자기반성, 지각을 언급한다. 들뢰즈는 미적 체험을 ‘감각의 사유에 의한 차이의 생성’으로 정의하며 감각, 감각의 사유, ‘신체-되기’를 미적 체험의 요소로 논한다. 들뢰즈의 예술론은 예술 체험의 고유한 특성을 ‘감각의 사유’로 명확히 밝혔다는 점, 사유의 비자발성에 주목하여 구성주의 교육의 보완책을 제공한다는 점, ‘신체’를 근원적 사유방식으로서 주목하여 학습자의 몸을 감상의 중심에 가져오고 동적인 교실 수업으로 이행할 수 있다는 점, 새로운 감각의 생성을 통해 학습자의 주관적 한계를 넘어서는 도약적 성장을 이룰 수 있다는 점에서 교육적 의의가 있다. 시조와 학습자의 우연한 마주침이 실재적으로 일어날 때 시조는 비자발적 사유를 촉진하는 예술적 기호를 발산한다. 시조 체험은 학습자의 ‘텍스트 신체-되기’를 통한 감각의 사유 과정이다. ‘-되기’의 과정에서 이루어진 지각의 확장과 정서의 생성은 새로운 감각의 생성으로 ‘탈영토화’의 과정이며, 감각의 사유와 감각의 생성을 명시적으로 조명해보는 ‘재영토화’ 과정을 통해 학습자의 교육적 성장이 이루어질 수 있다.

아동의 감각추구성향이 학교폭력 가해경험에 미치는 영향 : 부·모와의 의사소통의 조절효과

오미경,안지영,김지신 한국청소년학회 2013 청소년학연구 Vol.20 No.3

In this study, we investigated the effect of children's sensation seeking on school violence and examined if communication with parents shows moderating effects. The participants, who were 535 students in the fifth and sixth grade of six elementary schools, completed questionnaires on children's sensation seeking, communication with parents, and experience of school violence. Data were analyzed by means of average, standard deviation, Pearson's correlation coefficients, simple and multiple regression, and hierarchical regression analysis. The findings are as follows. First, children's sensation seeking have a significant influence on experience of school violence. Second, children's sensation seeking and communication with their mother show similar relative influences on experience of committing a school violence. Third, the variable of communication with their mother showed the moderating effect while boy's sensation seeking have an influence on experience of committing a school violence. These results highlight that children's sensation seeking, biological variables of children, has an effect on experience of school violence and socialized factors like communication with mother play an important role in moderating effect. 본 연구에서는 아동의 생물학적 변인인 감각추구성향이 학교폭력 가해경험에 미치는 영향을 살펴보고 이 과정에서 부·모와의 의사소통이 조절효과를 나타내는지 검증하고자 하였다. 서울 및 지방 도시의 6개 초등학교 5, 6학년 535명의 아동을 대상으로 설문조사를 실시하여 감각추구성향, 부․모와의 의사소통, 학교폭력 가해경험 자료를 분석하였다. 분석 방법은 평균, 표준편차, 상관관계, 단순회귀분석, 다중회귀분석 및 위계적 회귀분석을 사용하였다. 연구 결과 첫째, 아동의 감각추구성향은 학교폭력 가해경험에 유의한 영향을 미치는 것으로 나타났다. 둘째, 학교폭력 가해경험에 대해 아동의 감각추구성향과 모 의사소통 변인이 미치는 상대적 영향력은 비슷하게 나타났다. 셋째, 모 의사소통 변인은 남아의 감각추구성향이 학교폭력 가해경험에 미치는 영향에서 조절효과를 보였다. 본 연구의 결과를 통해 아동의 생물학적 변인인 감각추구성향은 학교폭력 가해경험에 영향을 미치며, 이 과정에서 남아의 가해경험은 어머니와의 폐쇄적 의사소통과 같은 사회화 요인이 조절역할을 함을 시사하고 있다.

경험재의 브랜드명에 대한 지각적 유창성과 소비자 반응: 감각추구성향의 조절효과

이루리,고민정,손영우 연세대학교 경영연구소 2020 연세경영연구 Vol.57 No.3

An experience good offers sensational and experiential amusement during its consumption. However, since experience goods are intangible, consumers have difficulties to evaluate the value and quality of a product (brand) in advance. Consumers build their attitudes toward an experience good by product (brand) names and other visual elements that are provided by marketers. However, although stimulating consumers with such various marketing tools is important, there are only few studies that focus on the issue. Therefore, this research hypothesizes that perceptual fluency of a brand name positively affects consumer liking of the brand. It also examines the role of sensation seeking as an important moderator on consumer attitude. High sensation seekers tend to have high preference on novel experiences, so are assumed to lead to higher levels of liking nevertheless the level of perceptual fluency of a brand name is low. The results show that high perceptual fluency of a brand name leads to higher liking for the brand, while the interaction effect between perceptual fluency and sensational seeking behavior is not significant. However, when sensation seeking propensity is separate into the two sub-dimensions, one of the dimensions (i.e., boredom susceptibility/disinhibition) takes a significant moderating role. This study provides both theoretical and practical implications. 경험재는 소비과정에 얻는 감각적, 경험적 즐거움이 목적인 제품을 의미하며 경험재에서는사전 자극이 제품에 대한 반응을 형성하게 하는 중요한 요소이다. 특히, 경험재의 대표적사전 자극인 브랜드명은 제품에 대한 소비자의 반응에 미치는 영향이 큼에도 불구하고이에 관한 연구가 부족한 실정이다. 따라서 본 연구는 경험재 중에서도 소비자들의 관심과이용 빈도가 높은 영화를 실험 대상으로 선정하고, 영화의 브랜드명인 영화 제목에 대한지각적 유창성이 높고 낮음에 따라 영화에 대한 호감도에 어떻게 달라지는지 실험을 통해알아보았다. 또한, 경험재 소비와 밀접한 연관이 있는 소비자 특성 변수로 감각추구성향을제시하고, 이러한 감각추구성향에 따라 지각적 유창성이 호감도에 미치는 효과가 어떻게차별적으로 나타나는지를 고찰하였다. 분석 결과, 브랜드명의 지각적 유창성은 브랜드 호감도에 유의한 영향을 미쳤으나, 지각적유창성과 소비자의 감각추구성향 간 상호작용 효과는 유의하지 않은 것으로 나타났다. 그러나 소비자의 감각추구성향을 하위 차원으로 구분하여 살펴보았을 때, 권태민감/탈제지성향과의 상호작용 효과는 유의하게 나타났다. 즉, 권태민감/탈제지성향이 낮은 소비자들은 브랜드명의 지각적 유창성이 높을 때 더 높은 브랜드 호감도를 보였지만, 해당 성향이높은 소비자들은 지각적 유창성에 관계없이 비슷한 호감도를 보였다. 본 연구는 경험재에중요한 사전자극의 지각적 유창성과 이와 관련된 중요한 소비자 특성인 감각추구성향을실증적으로 분석하였다는 점에서 의의를 지닌다.

감각적 추구성향이 에스닉 푸드 소비행동의도에 미치는 영향

김영국(Yeong Gug Kim) 한국호텔외식관광경영학회 2013 호텔경영학연구 Vol.22 No.2

Previous studies has identified that food consumption can be influenced by individual characteristics and sensation seeking as personality traits. This approach has used to examine the relationship between sensation seeking and unfamiliar/novel food and beverages. From this point of views, the current study is to analyze the effects of the psychological characteristic of sensation seeking (SS) on consumers` behavioral intention to try ethnic food and beverages in the context of hospitality and tourism. Also this study attempt to examine a moderating role of gender in the relationship between sensation seeking and consumers` behavioral intention to consume ethnic food. Based on the literature review, the Brief Sensation Seeking Scale (BSSS), suggested by Eachus (2004) was administered to a convenience sample of 210 participants, and then 189 usable questionnaires were obtained. As the result of this study, it was found that even though two dimensions of sensation seeking (e.g., experience seeking; and thrill and adventure seeking) had the significant effect on behavioral intention, there was no significant relationship between disinhibition and behavioral intention; and between boredom susceptibility and behavioral intention. In addition, it was found that gender did not play a moderating function in the relationship between sensation seeking and behavioral intention to consume ethnic food. Finally, the interpretations of the findings and their managerial implications are discussed in the present study.