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전쟁의 우울:『댈러웨이 부인』(Mrs. Dalloway)과 ‘젠더화된’ 신경증
하수정 한국영미어문학회 2018 영미어문학 Vol.- No.131
This paper examines Mrs. Dalloway(1925) written by Virginia Woolf from the perspective of gendered neuroticism and tries to redefine the relationship between the war and human beings. The novel shows how gender ideology aggravates trauma of the war survivors and their family as well as the contemporary European people. The social norm that big boys don’t cry represses Septimus’ normal bereavement process after the loss of Evans and other comrades during the wartime. The prolonged mourning becomes pathological grief called melancholia and then ambivalent feelings towards the lost objects are developed. Clarissa also suffers from the postwar trauma as a contemporary individual person. The suffering enhances women’s oppressive realities in gendered society, the result of which is mental or physical illness. However, female hysteria works as a momentum for recognizing herself and can make her resistant woman subject to crack the dominant patriarchal ideology.
도시 산책자의 눈에 비친 두 도시: 벤야민의 파리와 울프의 런던
하수정 한국영미어문학회 2022 영미어문학 Vol.- No.147
Two Cities Seen by Flâneur and Flâneuse: Benjamins’ Paris and Woolf’s London. Studies in British and American Language and Literature. This paper explores how Walter Benjamin and Virginia Woolf reflected on metropolitan city life in early modern period as a flâneur and a flâneuse. In Arcades Project, Benjamin attempts to reassemble ‘thought images’ from former century’s historical fragments in Paris streets of the 1920s and the 1930’s and make a new literary montage. As a flâneur, he observes the streets flooded with people and the products to get his insights on the consumerism of capitalist production. Virginia Woolf, on the other hand, describes in her essay “Street Haunting: A London Adventure” a flâneuse who comes to intuitively grasp the two faces of the metropolis where wealth and poverty coexist. In “The Docks of London,” she criticizes surging merchandises of New imperialist capitalism which are born and domesticated by relentless human desire. While street walking enables Benjamin to embody thought images, it gets Woolf to feel freedom as an imaginative individual being. Benjamin searches for the meaning of phantasmagoric ‘merchandises’ on Paris street, but Wolf glances deserted ‘lives of people’ veiled with glittering city lights.