http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : 조기영 (검색결과 203 건)
- 무료
- 기관 내 무료
- 유료
-
-
趙麒永 洌上古典硏究會 1995 열상고전연구 Vol.8 No.-
김인후의 시문학은 도학적 세계관에 근거하여 주정적인 당풍보다는 명도적인 염락풍을 지향한 것이 분명하다. 그러나 본 고에서는 김인후의 시학을 총체적으로 이해한다는 차원에서 시작품에 나타나는 당풍의 흔적, 특히 두시를 중심으로 그 수용 양상을 고찰하여 그의 시학에 용해되고 시학이 완성되는 과정을 논의하였다. 이는 염락풍의 도학파 시인이라는 그 동안의 논의의 방향과 상반된 것이 아닐 수 없지만 김인후 역시 시학의 당위적인 과정에서 자들을 위한 모범적인 교재로서 당시의 가치를 인식하고 수용하였다는 보편적인 시인식의 면모를 지니고 있었다. 그리고 김인후는 두보 뿐만 아니라 이백, 하지장, 왕유, 한유, 백거역, 소동파, 구양수 등에 이르기까지 당송 시인의 시작품을 두루 참고하였음을 알 수 있었다. 김인후는 무엇보다 두시에 나타나는 충군사상에 주목하여 그 동질성을 포착하고 체화하려고 하였다. 아정한 교정이나 승유의 한정에 대해서 적극적인 수용의 모습을 보였으며, 아울러 울분을 토하거나 방자한 시심에 대해서는 용납하지 않는 도학적 시의식을 지키고 있었다. 이로 볼 때 우리나라 시인들이 두보를 시성으로 추앙하고 시사로 대우하여 그 시법을 답습하였듯이 김인후도 이러한 입장에서 시학의 과정적인 교재로서 두시를 수용하였음을 알 수 있다.
-
-
-
Rician 페이딩과 동일채널 간섭하에서 최저검파방식을 채택한 16 Square-QAM 신호의 성능해석
조기영,고봉진,김언곤 국립7개대학공동논문집간행위원회 2001 공업기술연구 Vol.1 No.-
The error performance of 16 Square-QAM signal with proposed Optimum Threshold Detection (OTD) and Conventional Threshold Detection (CTD) has been analyzed and simulated for the Rician fading depth and carrier to interference power ratio in Rician fading and cochannel interference environments. And then, to improve the error performance degraded by fading, Convolutional coding and Viterbi decoding was adopted.
-
-
조기영 연세대학교 대학원 1990 원우론집 Vol.- No.17
The Chinese poetry and paintings were originally evolved in the direction of realistic depiction of the natural object as they really are. From many years ago, people has discussed and studied about the interrelationship of the arts. In oriental cultures using chinese characters, poets was usually multiple talents who were skilled both in pictorial art and in calligraphy and in poetry. Hasten paintings and literature were harmonized by the traditional unification spirit such as "poetry and calligraphy and paintings are being one in body and spirit(詩書畵一致)." From ancient times to the sung dynasty(宋), poetry is paintings without form, paintings is poetry in form. It implies the intimate mutuality of two arts : poetry and paintings. Su Tong-P'O(蘇東坡) claimed "Poetry and paintings follow the equal law." They are accord with the process of creation. It is by divine inspiration that they become pure and original. The change of depiction from shape to sound in the poetry and paintings shows that Shanshusi(山水詩) and Chewhasi(題畵詩) were already transferred from the domain of painters to that of poets. Natural scenery reminded the poets of the natural beauty and the natural law in the world. The poets really felt conflict between the world where he lived and nature, but the poets gave a clue to the people that the natural scenery he depicted was jest a painting as "A poem is a drawing without form(詩是無形畵)." This study is to discuss the concept and the extent of Huayilun(畵意論), to research the basis and change in the relative history of poetry and paintings. The poets has his own perspective in apprehending with impression of paintings. He try of present the compositing of the poetry true to nature. In general the poems depend on sensuous perception and imagination. His poetry written on natural scenery are not only pictorial in their depiction but also give us an impression that he was thoughtful creation by his intuition for the nature. In the poetry, the poets think that visual image is upon a higher level than visual description. To be sure the poets think that pictorial image (Huayi) is upon a higher level than any other images. Most of all, the boundary of poetry is based on ch'ing(情) and chins(景). Neither by itself can complete poetry, neither is in conflict with the other. Ch'ins(情) and ching(景) and called by two different names. But they are inseparable in the boundary of poetry. Those who can marvelous work in poetry fuse the two naturally and doesn't leave boundary line. Marvelous work is called by Shin(神). It's the highest level poems and poetry in poetry's boundary. This study is a forerunner of this kind of method and theory in Korea. So this study is composed of from an introduction of the theory in the pictorial image(Huayi) to application of that theory. Finally, this study is very helpful for an essay on Korean's poetry which has many problems to view promising perspectives of poetry.
-
-
-
연직배수공이 설치된 연약지반의 2차원 등가모형에 대한 비교연구 Ⅱ
조기영,정성교 동아대학교 건설기술연구소 1999 硏究報告 Vol.22 No.2
To evaluate consolidation behaviours of soft clay ground incorporating vertical drams. 2D plain strain analysis has been generally used instead of 3D analysis, the reason of which is to reduce times and efforts. In this paper, various 2D eauivalent models for which match 3D flow condition analysis were reviewed. And the results of 2D plane strain analysis using the models were compared with those of axisymmetrical analysis and strict solution. According to the results of comparative studies for Hansbo(1981)'s solution using an existing 2D equivalent model to the axi-symmetric finite element analysis, many problems were found in case of a narrow width of drains. These problems result in considerable differences from axi-symmetric solutions, but Hird(1992)'s solution gives a rough agreement with axi-symmetric solutions.
RISS연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
