『유정』에 나타난 이주와 ‘정(情)’의 연구

이언홍(Li, Yan-hong) 춘원연구학회 2015 춘원연구학보 Vol.0 No.8

中韓近現代詩對牛郎織女故事的接受情況研究 - 以障礙物和助力物為中心 -

이언홍(李彦红),여림(吕林) 중국인문학회 2018 中國人文科學 Vol.0 No.69

The purpose of this dissertation is to study the attitude to the fairy tale of cowherd and weaver girl in Chinese and Korean modern poetry centering on obstacles and facilitators. First of all, this paper studies the attitude to the common obstacle "Milky Way" in the modern poetry of China and Korea. Obstacles mean that they hinder the development of something. Through the study, we can know that in the modern poetry of China and Korea, the "MilkyWay" is not only has the traditional meaning of blocking the love between men and women, but also has the new meanings of feudalism and class-consciousness, division and so on that obstacles to equality and love under the background of the era of China and Korea. The third chapter centers on the facilitators which try to break the barriers and studies the application of facilitators in the modern poetry of China and Korea from two aspects: Realizing the directionality of the realization of meeting and the tendency of breaking through the lonely waiting. It can be said that China and Korea's attitude to the obstacles is positive, and in a variety of ways. There are efforts to meet and fulfilling life in waiting. However, differences also exist. Most of the poems in China have romantic feelings, such as the power of the Weaver Maid and the yellow ox, and the Cowhand's flute. And the Korean poetry is more based on the reality, such as building a bridge of unity, and feeding cattle by Cowhand. And the depiction of these facilitators contains a great deal of imagination, which makes the modern poetry have a great charm that is different from the ancient legends.

<나목>에 나타난 빛깔 이미지 연구

이언홍(Yan Hong Li) 한국현대소설학회 2015 현대소설연구 Vol.- No.59

This article, by analyzing the colors at the full-length novel “The naked tree” by Park Wanso, aims at revealing their deeper and symbolic meaning. This article focuses on the colors that have direct relationships with Lee Kyung, the leading character of the novel. They are black, gray, red and yellow, which respectively symbolize fear and loneliness, depression and suggestion of hope, stimulation and escape, life and hope. These colors are found at all three prime stages of Lee Kyung`s growth, that is, at his childhood, youth and middle age. Through the analysis, these colors are found to have a close relationship with each other. Instead of remaining the same, this relation varies with the hero`s different growth stage. The correlation of these colors and its variability helps us not only better understand the Lee Kyung`s growth process, but also gain more insights into the peoples existential state and way of life of the time.

〈원왕생가〉와 〈선타〉에 나타난 사랑과 수행의 충돌과 합일

이언홍(Li, Yan Hong) 한국현대소설학회 2016 현대소설연구 Vol.- No.63

The purpose of this study is based on buddhist philosophy, studies in the relationship between love and buddhist practice from Kim Dongri’s 〈Won wang saeng ga〉 and Shen Congwen’s 〈Shan tuo〉, and how the novels reflect human’s desire in Nirvana. The second chapter studies the conflict relationship between love and practice from the “Buddhist philosophy and religious precept breaking”structure in these two novels, around the sensual desire and evil behavior. In which the sensitive appetite and evil respectively correspond to the ‘love from desire’ and ‘karma’ from the buddhist practice. First of all, taking the woman’s debut as an opportunity, the heroes of the two novels, respectively, was seized with a desire for the eyes, the body and some other object of the sense organs. Although in contrast with the implication of the 〈Won wang saeng ga〉, the expression of the 〈Shan tuo〉 is explicit, but the content of two novels are similar in the expression of the contradictions about sensual desire with “less desire” requirements from the buddhist practice and the practice about getting rid of the pain. In addition, Eumjang and Alternate Immortal broke the ring through evildoing. Compared with Eumjang who should obey the Ten Commandments, Alternate Immortal should Keep mouth, heart and body immaculate. However, they were in violation of the precepts, suffered pain. In this view, the discovery of the appetency from love and the evildoing impair or damage the buddhist practice separately, and cause the conflict of love and buddhist practice. Although there are many differences in the expression and character set etc between the two novels, but the two novels show the frustrations on the way to Nirvana through he sensual desire and evildoing. We can find a same character through the two novels that they all take the human nature as the center and yearn for nirvana. The love and spiritual practice in the novel is not only in conflict, but also in consistency in some areas. In the third chapter, it takes the love and spiritual practice from the 〈 Won wang saeng ga 〉 as a center to reveal that less desire and effort is the method make the love and spiritual practice together. It’s different with 〈Won wang saeng ga〉, 〈Shan tuo〉 makes the love instead of the spiritual practice. Because in contrast with the conflicts between love and spiritual practice, there are also some homogeneities with the object of “ending suffering”practice in love. However, one is about the practice which experienced the love, in the other the practice is realized by love. In light of this, 〈Won wang saeng ga〉 seek the breadth of Nirvana, and the 〈Shan tuo〉 shows that the earthly love is the Nirvana itself and advocates supremacy of earthly love.

조선왕조 문화의 청 왕조 전파 고찰- 18세기후반과 <열하일기>를 중심으로

김동국,이언홍 중국인문학회 2013 中國人文科學 Vol.0 No.53

本研究以燕岩朴趾源的≪热河日记≫为中心,旨在揭示18世纪韩中文化交流中朝鲜王朝文化在中国清王朝的传播情况。韩国与中国一衣带水,自古关系密切,交流频繁。这些通过秦朝以前至清朝的许多历史著作可以得到确证,其中燕岩朴趾源的≪热河日记≫便是18世纪韩中文化交流中产生的代表性文献。≪热河日记≫在韩中文化交流史上留下了非常重要的一笔,然而,在就文化交流的研究方面,学术界主要研究的是中国清王朝的文化对朝鲜王朝的影响,针对朝鲜王朝文化在中国清王朝传播的相关研究相对薄弱。近年来,中国的韩国语教育中关于韩国学的研究,特别是关于韩国文化的研究日益受到重视。以≪热河日记≫为中心的文化传播研究将成为研究韩国朝鲜王朝的文化在中国清王朝传播这一大课题的重要组成部分。

通过文化交流进行中韩文学文化教育的研究

김동국,이언홍 중국인문학회 2012 中國人文科學 Vol.0 No.50

연암 박지원의 <열하일기>는 18세기 한중 문화교류의 대표작 중의 하나이다. 문화 커뮤니케이션의 유관이론 으로 <열하일기> 중의 한중문화교류를 구조, 내용, 효과 등의 방면으로 분석, 연구해 보면 중국어를 모르는 박지원이 어떻게 성공적으로 한중 문화교류를 진행 했는지에 대해 연구해 볼 수 있다. 또한 그의 작품 중에서 나타나는 박지원의 중국에 대한 태도와 문학 변형사상 등 여러 면을 분석, 연구 할 수 있으므로 오늘날 한중 문화교류 뿐만 아니라 중국에서 한국 문화교육에도 많은 시사점을 준다.

論“醜書”在當代中國文化中的不被兼容 - 對於“射墨”事件引發的“醜書”批判熱潮的反思 -

여림(吕林),이언홍(李彦红) 중국인문학회 2019 中國人文科學 Vol.0 No.72

The purpose of this dissertation is to study the attitude to the fairy tale of cowherd and weaver girl in Chinese and Korean modern poetry centering on obstacles and facilitators. First of all, this paper studies the attitude to the common obstacle "Milky Way" in the modern poetry of China and Korea. Obstacles mean that they hinder the development of something. Through the study, we can know that in the modern poetry of China and Korea, the "MilkyWay" is not only has the traditional meaning of blocking the love between men and women, but also has the new meanings of feudalism and class-consciousness, division and so on that obstacles to equality and love under the background of the era of China and Korea. The third chapter centers on the facilitators which try to break the barriers and studies the application of facilitators in the modern poetry of China and Korea from two aspects: Realizing the directionality of the realization of meeting and the tendency of breaking through the lonely waiting. It can be said that China and Korea's attitude to the obstacles is positive, and in a variety of ways. There are efforts to meet and fulfilling life in waiting. However, differences also exist. Most of the poems in China have romantic feelings, such as the power of the Weaver Maid and the yellow ox, and the Cowhand's flute. And the Korean poetry is more based on the reality, such as building a bridge of unity, and feeding cattle by Cowhand. And the depiction of these facilitators contains a great deal of imagination, which makes the modern poetry have a great charm that is different from the ancient legends.