전자 정보서비스 환경에서의 이용자-정보사서간의 커뮤니케이션에 관한 연구

이숙희 한국문헌정보학회 2003 한국문헌정보학회지 Vol.37 No.1

Examine the communication between user and librarian in the digital reference services and discuss the limitations and possibilities in the quality of reference interview. Along with a comparison of traditional vs. electronic reference interview, 26 digital reference services in academic libraries were investigated. Some strategies were suggested to improve the quality of user-librarian communication in the process of accessing the service, of question negotiation and of responding to the questions. 전자적 정보면담의 효율성에 영향을 미칠 수 있는 이용자 - 정보사서간의 커뮤니케이션 요소들을 분석하고 그 문제점과 개선방안을 논의하였다. 전통적 정보면담과 전자적 정보면담의 커뮤니케이션 특성들을 비교분석한 후 국내 대학도서관의 전자적 정보면담의 실태를 조사하였으며 서비스의 접근, 질문협상 그리고 답변 과정에 적용할 수 있는 커뮤니케이션 기법들을 제시하였다.

임상간호 처치시 실수빈도에 대한 조사연구

이숙희 中央醫學社 1979 中央醫學 Vol.37 No.3

조선조 군례에 사용한 음악의 종류와 성격

이숙희 한국국악학회 2002 한국음악연구 Vol.32 No.-

This study concerns the research of the various kinds of music used during military ceremonies in the Joseon dynasty (1392-1910) and also explores its distinctive characteristics. As we shed some light on the character of this music, rather than thinking of this music conceptually within the general category of military music (gunak, 군악), it is the intent of this study to look at the specific circumstances in which this music was used. Just as military rituals in the early Joseon period differed considerably from those performed in the later Joseon, the same was the case for its music. In the early Joseon period, performance groups were not formed in military camps, instead ensembles formed out of the Jangakwon performed Korean court music(a-ak 아악), court music of post-Tang dynasty China (rang-ak, 당악), and a kind of processional or ceremonial music referred to as kochwi-ak(고취악), literally "drumming and blowing music". However by the late Joseon, military bands called the Chwikosu(취고수), Saeaksu(세악수), and the Naechwi(내취 ) were formed within military camps and mainly performed hyangak(향악, literally, "native Korean music"). In the early Joseon military ceremonies called the Sawusadanui(사우사단의) or "archery ceremony" and Kwan-sawusadanui(관사우사단의) or "public viewing archery ceremony," musical bands such as the Deung-ga(등가), Heon-ga(헌가), and Kochwi(고취) were set up to perform. During the ceremony called Daeyeolui(대열의), music called Kochwiak was performed. During the ceremony called Kyedongdaenaui( 계동대나의) a Jangakwon(장악원) ensemble court musician would perform on an instrument called the koㆍjaengㆍjeok (鼓ㆍ錚ㆍ笛) while someone played the ceremonial role of changsu(唱帥) who performed all the necessary gestures and incantations. In this type of ceremony, military bands did not participate. In one exceptional military ceremony called Chwigakryeong(취각령), the Chwigakin(취각인), who was a member of the military, participated in the ceremony by playing an instrument called the gak( 角). In addition, during an solar/lunar eclipse musicians would play blue, red and white drums and during other types of archery ceremonies called the Hyangsaui and the local musicians would play keumseul ( 琴瑟) instruments. During the archery ceremonies called Sawusadanui and Kwan-sawusadanui, the Deung-ga band played a piece called Seonganjiak(성안지악), while the Heon-ga band played the Seonganjiak piece in addition to Hwa-anjiak(화안지악), Yunganjiak(융안지악), etc., as well as other types of court music. However, after the reign of King Sejong, Seonganjiak, Hwa-anjiak and Yunganjiak were no longer played and instead, the pieces Yeominlakryeong(여민락령), Yeoseong(역성) were performed. As part of Royal processions the front and rear kochwi bands played the pieces Yeominlakman(여민락만), Seongsumugangman(성수무강만), Yeominlakryeong(여민락령), Boheojaryeong(보허자령) and Hwangungak(환궁악) as well other types of tangak (post-Tang dynasty court music) and kochwiak (processional music). What is important here is that the genres of music that were used in the military music of the early Joseon period were a-ak (court music), tangak, and kochwiak. In the case of one of the late Joseon military ceremonies called Daesaw (archery, 대사의), the Deung-ga, Heon-ga and Kochwi bands were formed out of the Jangakwon. In the Yeonsaui(연사의) archery ceremony and in a special military award ceremony and banquet called Chinlimhogweui(친림호궤 의), the Chwikosu(취고수) and Saeaksu(세악수) military bands performed a type of music called koak ( 鼓樂). In the ceremonies called Chinlimyungmudaeshisaui (archery ceremony performed in the Yungmudae, 침림융무대시사의), Daeyeolui, Seongjoui, and Yajoui (military training ceremonies, 대열의, 성조의, 야조의), the genre of chwita (daechwita and sochwita, 취타) was performed. In the archery ceremony called Chinlimshisaui(친림시사의) only the ko(鼓) drum and the jaeng(錚) gong was played. During Guwuolshik(구월식), a ceremony performed to ward against an eclipse, the jaeng(錚) gong was played. In addition, in the military ceremonies of the late Joseon, chwita (daechwita and sochwita) was mainly played during military camp training exercises, where each instrument had a role in skillfully signaling the transmission of orders to the troops. Though it is difficult to know exactly what daechwita and sochwita was like at the time, now the Muryeongjikok(무령지곡) musical score is commonly thought of as daechwita. During the Chinlimhogweui (military award ceremonial banquet), the Saeaksu band played Yeominlak(여민락), Yongsanhoesang(영산화상) and Gunak(군악). Currently, Chwita(취타), Gilgunak(길 군악), Giltaryong(길타령), Byeolujotaryong(별우조타령), Gunak(군악) and other types of haengak (processional music, 행악) are in transmission but there is no record of these exact pieces being be used in the military ceremonies that have been examined in this study. With this in mind, in the late Joseon hyangak (native Korean music) was the primary rype of music used during military ceremonies. In the early Joseon military ceremonies, the performing bands of the Jangakwon mainly played a-ak, tangak, and kochwiak while on the other hand, in the late Joseon the Chwikosu, Saeaksu and Naechwi bands appeared to have performed hyangak (native Korean music). These musical bands also participated in several activities outside of the military camps, thus creating a sphere of activity that was quite broad. Because of this, these bands had a strong influence on the musicians of the late Joseon period. In the future, there is a need to further research the formation, background, origins and music of these late Joseon military camp bands.

발 반사마사지가 노인의 우울과 내장기관의 활성에 미치는 효과

이숙희 한국임상사회사업학회 2008 임상사회사업연구 Vol.5 No.3

본 연구는 발 반사마사지가 노인의 우울과 내장기관 활성에 미치는 효과를 확인하고자 하는 것이 목적이다. 노인요양시설에 거주하는 여성 노인 15명을 대상으로 하여 1주일에 5회 4주 동안 총 20회 발 반사마사지를 실시하였으며, 연구 전과 후에 혈액을 채취하여 노인의 혈청가스트린 수치의 변화와 위 증상의 변화를 살펴보고, 우울정도를 측정하였다. 본 연구결과 혈청가스트린 수치는 발 반사마사지 적용 후 유의한 증가를 보였으며, 위 증상의 변화인 상복부 통증, 상복부 불쾌감, 상복부 포만감, 상복부 팽만감, 트림에서 그 증상이 통계적으로 유의하게 감소하였다. 또한 주당 배변횟수는 통계적으로 유의하게 증가하였고, 우울 증상 또한 발 반사마사지 후 유의하게 감소하였다. 결론적으로, 발 반사마사지가 노인의 위장 소화운동을 촉진시켜 위 배출속도를 정상에 가깝게 함으로써 노인에게 흔히 유발될 수 있는 기능성소화불량증에 효과적인 치료방법이 될 수 있음으로 확인할 수 있었고, 발 반사마사지가 노인요양시설이나 재가 노인들에게 적절하게 수행 할 수 있는 치료요법이라 사료된다. The purpose of this study was to investigate the effect of foot reflex massage on depression and activa-tion of internal organ in elder. The participants of the this study was 15 woman elderly person over 65 years old that was dwelled at nursing home. In this study, 30 minute foot reflex massages were performed on elderly for 4 weeks with the frequency of every other day, blood samples were collected prior to and af-ter the study, and changes in their serum gastrin that represent their stomach conditions were observed. The results of this study showed serum gastrin increased, the upper abdominal pain, upper abdominal dys-phoria, upper abdominal satiation, upper abdominal distention and belching decreased, and weekly fre-quency of defecation increased. All measured item were statistically significant.In conclusion, this study showed the foot reflex massage does positive effect activation of internal or-gan in elderly person. This indicates that the foot reflex massage is an effect on Digesting functional ob-stacle on older person.

Use Case 기반의 컴포넌트 식별 기법

이숙희 서경대학교 산업기술연구소 2011 産業技術硏究所論文集 Vol.27 No.-

The one of main issues is how to identify component in component development. Although various techniques have been introduced, there are many difficulties in real project adaptation. Some techniques have a problem of too theoretical. Others are only applied into some domains or projects. Therefore, we suggest a techniqueof identifying component based on use case, which can be applied into various domains or projects generally and objectively. Also we verify proposed technique through case studies.

메타모델 기반의 프레임워크설계

이숙희 서경대학교 산업기술연구소 2012 産業技術硏究所論文集 Vol.28 No.-

As emerging mobile devices as like smart phone, computing environment is being changed into mobile computing or ubiquitous computing environment. Because of this change software development is being transformed into embedded software development combined into hardware from existing web-based form. Furthermore development paradigm also is being changed into component-based, service-oriented, and framework-based development. However there are few cases of framework-based development in embedded system development. This cannot bring development productivity or reusability of embedded system. In order to these problems, framework-based development is needed. Therefore we propose a technique of framework design to productivity and reusability of embedded system development. Especially we suggest a design technique of framework based on meta-model to improve platform independence and extensibility.

조선후기 취고수의 기능

이숙희 한국음악사학회 2002 한국음악사학보 Vol.29 No.-

After the Hideyoshi Invasion called Imjin waeran 壬辰倭亂 in 1592 and the Manchurian Invasion, Pyo˘ngja horan 丙子胡亂 in 1636, the Choso˘n society was unable to undergo a historical change in terms of social institutions, economic systems, culture, and so on. The military band music was not exceptional in this historical trend of the late Choso˘n period. This paper is, therefore, intended to investigate the function of Ch'wigosu 吹鼓手, which was a kind of military band music appeared in the late Choso˘n period. This paper is based on various literary sources and iconographic materials : e.g. such literary sources as Kihyo sinso˘ 『紀效新書』, Yo˘n-byo˘ng chinam 『練兵指南』, Pyo˘nghak chinam 『兵學指南』, Pyo˘nghak chinam yo˘nu˘i 『兵學指南演義』, Ch'un'gwan t'onggo 『春官通考』, Man'giyoram 『萬機要覽』, Wo˘nhaeng u˘lmyo cho˘ngri u˘igwe 『圓幸乙卯整理儀軌』, etc.; and iconographic materials including Kim Hong-do's 金弘道 (1745-1806) Anru˘ng sinyo˘do 安陵新迎圖, Modang Hong I-sang p'yo˘ngsaengdo 募堂洪履祥平生圖, and so on. In conclusion it is pointed out that there were three functions of Ch'wigosu : 1) command and communication, 2) band music performance, and 3) taking one's turn in office or night duty called ipchik 入直. Instrumentation of Ch'wigosu varied according its function : e.g. Ch'wi-gosu for command and communication consisted of nine instruments such as horn called kak 角, conch horn (nagak 螺角), clarion (nabal 喇叭), conical oboe (hojo˘k 胡笛 or t'aepy'o˘ngso 太平簫), a kind of flute (palla 발라), cymbal (cha˘ng 鉦), small gong (na 나), a kind of percussion (solbal 솔발), and barrel drum (puk 북).

MVC 기반의 모바일 앱 개발방법

이숙희 서경대학교 산업기술연구소 2014 産業技術硏究所論文集 Vol.32 No.-

As increasing the number of smart phone``s users, mobile application``s development is also increasing. Mobile App. has a characteristic that is operated only in mobile platform such like android or ios. Therefore, existing software development method is not applied in mobile app. development. This research propose a MVC-based method of development for mobile app. which is customized in mobile environment.

호주 원주민의 생활과 식민지의 영향

이숙희 실천민속학회 2002 실천민속학연구 Vol.4 No.-

조선후기 지방 군영 취타악대 연구

이숙희 한국국악학회 2006 한국음악연구 Vol.40 No.-

이 논문은 지방 군영 악대 중 취고수 계통 취타악대에 한정하여 여지도서사찬읍지한국근대읍지의 기록을 중심으로 그 분포와 규모, 취타악대의 성격, 음악활동을 살펴 지방 군영 악대의 음악사적 의의를 밝히는 것이 목적이다. 여지도서사찬읍지한국근대읍지에 기록된 내용만으로 지방 군영 취타악대의 성격을 단정적으로 규정하기는 어려우나, 대개 다음과 같은 사실을 알 수 있었다. 취타악대의 분포 지역은 충청도가 가장 적고 전라도가 가장 많으며, 그 숫자는 가장 적은 경우 한 명이고 가장 많은 경우 314명이었다. 모든 군영악대가 취타악기를 사용한다는 공통점이 있으나, 사용한 악기의 종류와 숫자는 지역마다 다르며, 같은 계통의 악기에 대한 명칭도 서로 다르게 나타났다. 또 악대의 명칭도 여러 가지로 사용되었다. 이와같이 조선후기 지방 군영 취타악대는 전국적으로 약 32% 정도 분포되어 있었으나, 규모나 악대와 악기의 명칭 등 그 체제가 일정하지 않은 것이 특징이다. 이와같은 현상은 취타악대가 속해 있던 속오군이 임기응변의 비상조처로 생긴 점, 조선전기부터 전승되는 군영 음악 연주 제도와 조선후기에 도입된 새로운 취타악대 제도가 혼합된 점, 군영 취타악대 제도와 관아 취타악대 제도가 구분되지 않은 점에 기인한다고 본다. 지방군영 취타악대의 명칭은 지역별로 특정 명칭을 사용하는 경향이 있었고, 취고수 계열과 취수 계열의 두 종류로 구분되었다. 취수 계열은 관아 소속 악대의 명칭으로, 취고수 계열은 군영 소속 악대의 명칭으로 나타나는 경향이 있었고, 전반적으로는 취수 계열은 관악기 연주자만을 한정해서 지칭하는 하위 개념으로, 취고수 계열은 취수를 포함한 취타악대 전체를 지칭하는 상위개념으로 해석되었다. 지방 군영의 취타악대는 군영에만 속해 있는 것이 아니라 관아에도 속해 있는 것으로 나타났는데, 이것은 지방 취타악대가 궁중의 내취 기능도 겸했던 것으로 판단된다. 취타악대의 연주자는 신분이 높지 않았으며, 연주와 심부름을 겸하거나 연주와 군역을 겸하는 경우, 잡역을 담당하는 경우가 있었고, 보수를 받는 경우와 받지 않는 경우가 있었다.이상과 같은 특징을 가진 지방 군영의 취타악대는 조선후기 지방 관공서 음악의 한 축을 담당하여 새로운 지방 음악 문화를 창출한 점에서 음악사적 의의를 찾을 수 있다. 즉 지방 군영 취타악대로 인해 각 지방에 새로운 음악문화가 형성되는 계기가 마련되었고, 특히 규모의 크기와는 관계없이 취타악대가 전국적으로 분포되어 있음으로 인해 전국적으로 동일한 음악문화를 공유할 수 있었던 것으로 보인다. 이 논문은 지방 군영 취타악대의 전반적 성격을 처음으로 밝혔다는 점에서 의미가 있다. With a limit to Chwigosu type Chwita music band, this paper aims to examine the distribution, size, characteristics and musical activities of Chwita music band, and to articulate the significance of local military camp music band in music history. As a whole, records regarding local military camp music band were general and lacking in detail which prevented revealing exact information on Chwita music band but the following information could be gathered: Chungcheong Province had the least distribution of Chwita Band and Jeolla Province had the most distribution. In terms of the number of members, it ranged from 1 member to 314 members. The number of musical instruments used and the names of the musical instrument were different by regions. In addition, various names were used for the band. Although Chwita Band was distributed to about 32% of regions, one of its characteristics is that their size, names of bands, and systems were inconsistent. Local military camp Chwita Band was part of both the military camp as well as the government offices. The main reason for this seems to be that some Chwita Band played the role of naechwi for the Royal Court. There are two types of local military camp Chwita Band which are Chwigosu type and Chwisu type. Chwisu is a subconcept with a limitation to wind instrument players and Chwigosu type is the higher concept which refers all Chwita Band including the Chwisu type. Chwita Band players were of lower class and were responsible for both playing the music and running errands. Some were paid and others were not paid. Chwita Band contains the significance in musical history for its role in creating new music culture as it was responsible for music of regional government and public offices during the Joseon Dynasty. This paper is significant in that it has first revealed the characteristics of local military camp music bands.