패션모델지도자의 비언어적 커뮤니케이션 활용에 따른 수업몰입과 수업만족도와의 관계

이민주Lee, Min-Joo 한국모델콘텐츠학회 2020 한국모델콘텐츠학회지 Vol.1 No.2

The purpose of this study is to find theoretical basis that self-management of male fashion models can get self-confidence on doing fashion show by making them aware of the importance of self-management and be immersed on their job by studying how self-management has an effect on the model immersion and the confidence of the fashion show. To get to the purpose, the survey was conducted by male fashion models who have experienced domestic collection fashion show at Seoul and Gyeonggi area. 243 questionnaires were used for analysis excluding unreliable responses questionnaires. For hypothesis verification, the date was collected by Frequency Analysis, Correlation Analysis and Multiple Regression Analysis. The level of statistical significance for hypothesis verification was set up as a<.05 and the result came out as below. First, in the effect on model-immersion by self-management of male fashion models, generally mind-management, practice-management, and life-management except for physical-management as a subordinate factor of self-management were shown to have a positive (+) effect on model-immersion. Second of all, in the effect on fashion show confidence by self-management of male fashion models, mind-management and life-management except for training-management and physical-management as a subordinate factor of self-management were shown to have a positive (+) effect on social/environmental and physical/mental ability confidence as a subordinate factor of fashion show confidence. Finally, in the effect on fashion show confidence by model-immersion of male models, the model-immersion was shown to have a positive (+) effect on social/environmental and physical/mental ability confidence as a subordinate factor of fashion show confidence. It can be seen that steady self- management raise immersion in model's work and enhances self-confidence. Male fashion models' efforts toward self- improvement and improvement of capacity will have a positive impact on model performance improvement factors. 이 연구는 패션모델지도자의 비언어적 커뮤니케이션이 수업몰입 및 수업만족도에 미치는 영향을 알아보기 위해 실시하였다. 연구대상은 국내 대학 패션모델전공 대학생을 대상으로 하였다. 조사도구는 설문지를 사용하였으며, 총 300부를 배포하였다. 수집된 자료 중 275부를 실제 분석에 사용하였다. 분석은 SPSS 18.0 Version을 이용하 여 빈도분석(Frequency analysis), 탐색적 요인분석(Exploratory Factor analysis)과 신뢰도 분석(Reliability analysis), 상관관계분석(Correlation analyze), 다중회귀분석(Multiple Regression)을 실시하였으며, 모든 통 계적 유의성은 p<.05 수준으로 설정하였다. 결과로는 첫째, 패션모델지도자의 비언어적 커뮤니케이션이 수업몰입 에 유의한 영향을 미치는 것으로 나타났다. 둘째, 패션모델지도자의 비언어적 커뮤니케이션이 수업만족도에 유의 한 영향을 미치는 것으로 나타났다. 셋째, 학생들의 수업몰입은 수업만족도에 유의한 영향을 미치는 것으로 나타 났다. 결론적으로 이 연구는 패션모델전공 대학생의 수업몰입 및 수업만족도 증가를 위해 패션모델지도자들의 다 양한 비언어적 커뮤니케이션 활용 방법에 대한 논의가 필요함을 시사한다.

肖像畵를 통해 본 麗末鮮初 冠服

이민주(Lee, Min-joo) 포은학회 2011 포은학연구 Vol.8 No.-

麗末鮮初의 복식연구는 한국복식사에 있어서 가장 취약한 부분이다. 이는 자료의 부족이 가장 큰 원인이라 할 수 있다. 특히 시각자료는 더욱 제한 적이어서 고려시대의 복식을 완벽하게 밝히는 데에는 한계가 있다. 이러한 상황에서 포은 정몽주 초상화를 비롯하여 한국학중앙연구원 장서각에 기증기탁된 자료 중 여말선초에 활동했던 성주 이씨 가문의 초상화 및 현전하는 여말선초의 초상화들은 여말선초의 복식형태를 밝히는 중요한 자료이다. 이에 본 연구에서는 여말선초의 관복이 어떻게 도입ㆍ제정되었으며, 관복의 용도 및 형태가 어떻게 변화되었는지를 문헌고찰과 함께 시각자료를 연구대상으로 하여 고찰하였으며, 그 결과는 다음과 같다. 첫째, 여말선초는 우리나라의 관복이 호복을 혁파하고 명대복식의 영향을 받아 관복이 개정된 시기로 관복은 사모와 단령으로 구성되었으며, 여기에 品階에 따라 帶를 띠고 靴를 신었다. 둘째, 고려말 명에서 들여 온 관복은 公服으로서의 역할을 담당하였다. 이에 삭망ㆍ진하ㆍ사신접대 등에 착용하였으나 점차 대사ㆍ동지 등 그 용도가 다양해지면서, 공복으로서의 관복은 시사복으로서의 역할을 담당하였다. 이에 복색에 있어서도 담홍색으로 변화하는 등 공복의 착용이 허술해지자 복식의 정비가 요구되었으며, 이에 따라 단령에 흉배를 달아 常服으로 착용하게 되었다. 셋째, 현전하는 여말선초 인물들의 초상화를 분석한 결과 모자는 립과 사모가 공존하다가 조선초가 되어 사모로 바뀌게 되었으며, 단령은 복색과 帶의 소재에 따라 품급을 구별하였다. 또한 단령의 형태는 바튼 단령으로 여말선초의 변화는 보이지 않으며, 소매의 형태는 길고 좁으며, 화는 검은색 목화를 신었다. The study of official costume of the End of Koryo Dynasty and the Early Years of Joseon Dynasty is the weak part in the history of Korean dress. The main reason is because of the lack of data. Moreover, the visual data are more limited, so it has the limitation to completely discover the garments in the Koryo Dynasty. In this circumstance, I researched the shapes of the official outfits in the End of the Koryo and the Early Years of Joseon based on the Portraits of Jeong Do-Jeon, Lee Ji-Ran, etc. as well as the Portraits of Sungju Lee’s family donated at Jang Seo Gak in The Academy of Korean Studies. Above all, the Portraits, which were drawn by the painters when these figures were determined as the meritorious subjects at the founding of a dynasty, are especially useful as the research materials, even though they were retraced various times. Therefore, this study will show how the official outfits were introduced and determined in the End of the Koryo and the Early Years of Joseon, how the usages and shapes of them had been changed with researching the references as well as studying the Portraits as the objects of study, and the results are as follow. First, the End of Koryo and the Early Years of Joseon is the time when the Korean official outfits broke the Chinese garments and were revised with the influence of the garments of the Ming Dynasty. The Korean official outfits were composed of Samo(the official hat) and Danryung(the outfits with the round collar) with Dae(the belt) and Hwa(the shoes) in accordance with the official rank. Second, the official outfits from the Ming at the End of the Koryo had the role of the public outfits. Therefore, the officers wore them at Sakmang (the memorial rites held on the first and the fifteenth days of the lunar monty), Jinha (the celebrations of the national events), receiving the envoys, etc. Later, the outfits had more usages such as the major events, Dongji (the winter solstice), etc. and had the role of the official uniforms. Therefore, the modification of the garments were necessary because the wearing the public outfits was not right like changing the color into rose pink, etc., and they were used as the routine garments with hanging Hyungbae (the embroidered patches on the breast and on the back of official uniforms) at Danryung. Third, according to the results from the analysis of the currently passed down Portaits of the figures in the End of the Koryo and the Early Years of the Joseon, Rib and Samo coexisted first, but in the Early Years of the Joseon, the hats were all changed as Samo. Danruyng was distinguished the official grades by the colors and the materials of Dae. In addition, the shapes of Danryung was the Batton Danryung, which was not changed in the End of the Koryo and the Early Years of the Joseon, the sleeves were long and narrow and Hwa were the black wooden shoes.

노출과 은폐의 문화사

이민주(Lee, Min-Joo) 한국역사민속학회 2009 역사민속학 Vol.- No.31

본 연구는 조선후기 신분을 초월하여 유행한 새로운 스타일인 ‘하후상박’형의 노출형의 복식구조를 통해 각각의 신분에서 표출하고자 한 내면의 욕망을 들여다보고자 하였다. 하후상박형의 복식구조는 상체를 긴박하게 줄이고 하체를 풍성하게 부풀리면서 치마를 걷어 올려 입는 스타일이다. 특히 상의인 저고리를 아주 작고 짧게 만들어 저고리 밑으로 가슴이 드러나 보이게 하고, 심지어는 피가 통하지 않을 정도로 소매를 밀착시켜 또 다른 노출을 만들었으며, 하의인 치마도 다리와 발, 속옷이 보이도록 걷어 올려 입음으로써 신체를 보호하기는커녕 정숙성에 있어서도 치명적인 실루엣을 만들어 냈다. 이는 당시 기생은 물론 반가부녀자와 서민여성에 이르기까지 유행하였다. 패션은 단순히 착용자의 선택의 문제가 아닌 공동체 안에서의 사회적 산물이다. 특히 노출은 단순히 스타일의 변화가 아닌 착용자의 이미지에 크게 영향을 미치는 방법으로 타인을 의식하는 행위이다. 따라서 본 연구에서는 여성의 기본복식인 저고리와 치마의 시대별 변화를 고찰하여 언제부터 노출형의 복식으로 변화하였는지를 복식구조의 변화와 착장법의 변화를 통해 살펴보고자 하였다. 또한 ‘하후상박’이라는 새로운 스타일은 신체부위 중 여성성을 강조하는 허리?엉덩이, 다리?발에 집중되었으며, 그로 인한 각 신체부위의 노출이 갖는 의미를 파악하였다. 그 결과 ‘하후상박’형의 새로운 스타일은 타인을 향한 자신의 내비침과 내보임의 과정에서 발생되는 심리적인 표현방식이며, 그것은 에로티시즘이라는 성적인 태도로 요약된다. 그러나 선도자로서의 기생과 추종자로서의 반가부녀자 및 서민여성이 복식구조를 통해 표출하고자 한 내면의 욕망에는 차이가 있었으며, 그 결과는 다음과 같다. 첫째, 기생은 그들의 성적 매력을 부각하여 기생으로서의 생활보다는 일반인으로서의 삶을 추구하였다. 따라서 그들의 미모와 재주를 이용하고 섹슈얼리티를 강조하여 신분상승을 꾀하고자 하는 욕망을 표출하는 수단으로서 새로운 스타일을 만들어 냈다. 둘째, 반가부녀자들은 에로티시즘이 강조된 복식을 착용함으로써 억압적이고 제한된 삶에서 오는 답답함이나 지루함을 해소하고자 하였으며, 특히 기생의 복식을 선호한 남성들의 관심을 돌려놓기 위한 욕망을 표출하는 수단으로서 새로운 스타일을 채택하였다. 셋째, 서민여성들은 일을 하거나 젖을 물리는 등 자연스러운 일상 속에서 실용적인 목적을 위해 새로운 스타일의 복식을 착용하는 것처럼 보이지만, 그들 역시 의도된 노출을 통해 상류계층 내지는 당시의 패션리더인 기생들과 같은 스타일의 복식을 착용함으로서 그들과 같은 부류에 속한다는 동질성을 통해 그들의 모방심리에 대한 욕망을 충족시키고자 하였다. The research it is to observe the cultural history meaning of ‘Hahusangbak(下厚上薄)’ prevailed surpassing a identity of which exposure dress style at the late period of Choson dynasty. Dress structure of ‘Hahusangbak’ style, it reduces the upper body tensely and swells the lower body abundantly and puts on dress raising a skirt. Specially it makes the jacket which is a coat quite shortly and the breast becomes known in the jacket lower part, make seemed to, furthermore it adheres closely the sleeve with the degree where the blood will not go through and it also makes a different exposure. The skirt/underwear to be visible, it was fatal in feminine modesty regardless of protecting body. Nevertheless, I would like to research the cause of a gisaeng, a noble family woman and the working classes woman adopts a new style ‘Hahusangbak’ prevailed at the time of late period of Choson dynasty and the meaning of expressing them at each identity. The fashion is the social product of the inside community where is not simply the matter of choice of wearing person. Specially the exposure on a large scale is the act which is conscious to the others with the method which affects in the wearing person’s image Consequently, in this study, I have researched that the change of exposure style dress structure has been occurred through the periodic investigation of dress exposure style by change of the jacket and the skirt which is a basic dress of the woman Also the new style ‘Hahusangbak’ in the part of the body which was concentrated to the waist and hip and emphasize the feminine characteristic was researched the meaning of exposure of each part of the body. The result of the new style is the psychological expressive act which occurs from process of radiation and within charge of oneself toward the others, it is summarized as the eroticism of sexual attitude. But there is a difference on desire of one’s inside between the noble woman who follows the dress style and the singing and dancing girl who leads the dress style. A gisaeng emitted the sex appeal of oneself and it made character with means of identity rise. A noble family woman who has been reached the biggest influence from their life by the husband put out the eroticism of the themselves through a counsel of their husband. Also the working classes woman wears the same style clothes of the high-level class or gisaeng who are a fashion leader at that time It leads them belongs in same category homogeneity and fill their imitation psychology.

시드 병합을 통한 테스트 데이터의 압축방법

이민주,전성훈,김용준,강성호,Lee Min-joo,Jun Sung-hun,Kim Yong-joon,Kang Sumg-ho 대한전자공학회 2005 電子工學會論文誌-SD (Semiconductor and devices) Vol.42 No.9

회로가 커짐에 따라 테스트 데이터양이 증가하고, 테스트 적용시간이 길어지고 있다. 따라서 테스트 데이터양과 테스트 적용시간을 줄이기 위해서, 테스트 데이터의 압축/복원을 위한 새로운 방법을 제안하고자 한다. 제안하는 방법은 시드 벡터를 생성할 때, 압축률을 높이기 위해 무상관비트를 사용하는 XOR 트리에 기반을 두고 있다. 시드 벡터가 생성이 되면, 2비트 길이를 가진 코드를 사용하여 시드를 병합한다. 이렇게 병합된 시드는 1 클럭 시간동안에 재사용될 수가 있어, 테스트 데이터 적용시간을 크게 감소시킬 수 있다 제안하는 방법의 효율성은 ISCAS '89 벤치 회로에 대한 실험 결과로 알 수 있다. As the size of circuits becomes larger, the test method needs more test data volume and larger test application time. In order to reduce test data volume and test application time, a new test data compression/decompression method is proposed. The proposed method is based on an XOR network uses don't-care-bits to improve compression ratio during seed vectors generation. After seed vectors are produced seed vectors can be merged using two prefix codes. It only requires 1 clock time for reusing merged seed vectors, so test application time can be reduced tremendously. Experimental results on large ISCAS '89 benchmark circuits prove the efficiency of the proposed method.

니트로메탄의 분자 간 수소결합과 니트로메탄 이합체의 안정화에 관한 이론적 연구

이민주,김지영,Lee, Min-Joo,Kim, Ji-Young 대한화학회 2004 대한화학회지 Vol.48 No.3

For the study of hydrogen bonding phenomenon of high energetic compounds, we have been carried out a theoretical calculations for the nitromethane with the program Gaussian-98. The calculations at levels of restricted BLYP/6-311++G(d,p), B3LYP/6-311++G(d,p) and MP2/6-311++G have been performed to obtain molecular structures, hydrogen bonding effects and vibrational spectra of nitromethane monomer and dimer. The results show nitromethane is favored to make two hydrogen bonds between molecules and the nitromethane dimer is more stable than the monomer about 15.2, 19.4 and 32.6 kJ/mol for the BLYP, B3LYP, and MP2 level calculations, respectively.

An Application of Combining DFT Methods to Calculate the Vibrational Frequencies of All Three Conformers of 3-Chloro-1-butene

이민주,Lee, Min-Joo Korean Chemical Society 2005 대한화학회지 Vol.49 No.1

CO₂와 H₂O의 중성 금속과 금속 이온에 대한 흡착: DFT 연구

이민주,Lee, Min-Joo 대한화학회 2022 대한화학회지 Vol.66 No.5

다고리 방향족 탄화수소의 반응 경로에 대한 DFT 연구 I: 2개의 OH 라디칼에 의한 페난트렌의 분해 반응

이민주,이병대,Lee, Min-Joo,Lee, Byung-Dae 대한화학회 2021 대한화학회지 Vol.65 No.1

In this study, the DFT calculation was performed using the B3LYP/6-31G(d,p) basis sets for the reaction process in which phenanthrene decomposes due to the chain reaction of two OH radicals on phenanthrene in the gaseous state of 298 K at 1 atm. As a result of the calculation, even when two OH radicals act on phenanthrene in a chain, the reaction for producing phenanthren-9-ol is predicted to be more advantageous than the reaction for producing phenanthren-1-ol. On the other hand, it was predicted that the OH addition process at room temperature would be advantageous for the priority of the OH addition and H abstraction process.

<긔묘년 조대비 입궐일기>에 나타난 혼례복식 -처자(處子)에서 세자빈(世子嬪)이 되기까지-

이민주 ( Lee Min-joo ) 한민족문화학회 2020 한민족문화연구 Vol.69 No.-

Queen dowager Cho, daughter of Cho Man Young, has become the crown princess by having a ritual with prince HyoMyung, son of King Sunjo, in year 1812. The process of prince hyomyung going through the ritual can be found in many official documents such as Prince Garyedeungrok(王世子嘉禮謄錄)_, Prince Garye dogamuigwe(嘉禮都監儀軌), The annals of the Joseon Dynasty(朝 鮮王朝實錄), Seungjeongwon Ilgi(承政院日記), Royal Archives(王室 發記). However, as the civillian document < Gimyonyeon Queen Dowager Cho’s Diary of the Royal Court Entry > being found, unknown facts were found and it initiated the movement to perceive the culture of the wedding rite in the royal family in many different perspectives. First, even though there was the king's order not to wear clothes fabricated with better fabric than silk and ramie fabric for women who participate in ceremony, most of them wore luxurious clothes violating the order. However, by wearing the most artless clothes, Gyeon-magi, fabricated with silk throughout the whole ceremony, Queen dowager Cho revealed her family's integrity with her clothes. Second, while Royal Family's clothes are so special that no ordinary people can wear, they are also very hard to know. Therefore, by sending the clothes to those women who surpassed the third ritual, Royal Family acknowledged that they become more closely related to royal family with the clothes. Third, it is already confirmed by the record < list of goods of royal family > that the clothes being used for visiting a secondary palace is made of wonsam. The record also says that, even though gold brocade or gilt is the style of royal family, they have embroided wonsam's big belt in the size of samll ball and made the princess to wear round bag decorated with pearl. However, this should be further researched to know more precise informations. Fourth, After finishing the rite of Dongroi(同牢儀), crown prince took off the ceremonial clothes and wear ordinary clothes. However, for the crown princess, while there exists the record that she took off the Jeok-ui(翟衣), there is no record about what she wears afterwards. Researchers tracked down that crown princess has wear a Red-Jangsam(紅長衫), but this has to be researched further in the future. As it is discussed, < Gimyonyeon Queen Dowager Cho’s Diary of the Royal Court Entry > is an opportunity to understand the unraveled aspects of the royal family’s costume culture and to provide more abundant contents while leaving the necessity for discovering what has been undiscovered. Discovering those private compilation materials will be priceless, as it will fill up the royal family’s unknown culture. Therefore, I expect further research to be continued.

게임을 ‘보는’ Z세대 - 인터넷 게임 방송 시청자의 유형 분류 -

이민주 ( Lee Min Joo ),임대근 ( Great Root Woods ) 동서대학교 일본연구센터 2021 次世代 人文社會硏究 Vol.17 No.-

Generation Z, which grew up interacting with them in an environment surrounded by various digital devices and media, is fundamentally different from the previous generation. As digital natives, they are familiar with digital devices, familiar with images rather than writing, one-way communication, and enjoy games. For Generation Z with these characteristics, Game Broadcasting is one of the most popular content they enjoy. The viewers of the game broadcasting succeeded in attracting not only gamers but also those who did not play the game themselves, and who were not much interested in the game. Now, enjoying games is not tied to the way you play. In addition to playing games, it is also derived by watching game broadcasting Game broadcasting offers new ways to consume game content. In this study, we will look at the types of viewers of Internet game broadcasting, which is dominated by Generation Z, and analyze the fun of watching games and what makes even those who don't play games watch games, and the content of games pay attention to them. This will help draw up implications of the Generation Z and the culture of watching games and thus serve as the basis for research on the net function of the culture of watching games in the future.