독일 전설을 주제로 한 낭만주의 오페라 연출의 기호학적 접근: 베버의 <마탄의 사수>를 중심으로

유화정 ( Yoo Hwa-jung ) 한양대학교 공연예술연구소 2016 공연예술연구 Vol.3 No.-

There are various characters and dramatic composition to analyze in the opera < Der Freischutz > by Carl Maria von Weber. This is the most attractive point of this piece in terms of increasing the acting ability for opera singers and making a total new operatic drama of directing. Not only singers, but an acting role, Samiel, appear in the opera. The text automatically helps singers to create musical gestures, which leads the possibility to recreate the theatrical drama. The compositional characteristics of the German mythology and legend will be analyzed in terms of semiotics, also musical semiotic features will be discussed. Most of all, the semiotics of theatre as a directing methodology will be studied for the visual and dramatic effect, suggesting the various possibility of opera directing.

조선후기 풍류방과 기방의 춤문화 비교 연구

유화정 ( Hwa Jung Yoo ) 대한무용학회 2014 대한무용학회논문집 Vol.72 No.4

The purpose of this study is to compare and analyze the structures and the implicationsof dance culture enjoyed by the members of Pungryubang and Gibang in the Latter Periodof Joseon.This study has its significance to provide the basic materials for the independent methodfor appreciation on the Korean traditional dance. As integrated with the current Korean culturalstudies, it is expected to contribute to the popularization of the future Korean traditionaldance more effectively.

Effort-shape 이론을 통한 남·북 기본춤의 움직임 비교 분석 : 《박금슬 기본춤》과 《최승희 기본춤》을 중심으로

유화정 ( Yoo Hwa-jung ),전하윤 ( Chun Ha-youn ) 한국무용교육학회 2018 韓國舞踊敎育學會誌 Vol.29 No.3

This study analyzed Gutgeori movements of Park Kum-sul’s and Choi Seunghee’s basic dance based on Effort-Shape theory. As a result of analyzation, four points of comparison appeared as follows: Flow and Weight Effort of upper and lower body, Space Effort from gaze, Shape Flow from breathing, and Directional Shape and Shaping. After discussing these points, it was discovered that the four points were related to differences in weight bearing and breathing techniques and to preference for stage structure. Although this study compared the two basic dances by four different points, the points would not be separated but integrated into one content. In order to complete a full comparison of Park Kum-sul’s and Choi Seung-hee’s basic dance, further researches in movement as well as in historical and cultural context would be needed.

한국무용사 관련 단행본의 출판 현황 및 특징

유화정 ( Yoo Hwa-jung ) 한국무용교육학회 2017 韓國舞踊敎育學會誌 Vol.28 No.3

The purpose of this study was to fully investigate the books related to Korean dance history which have been publishing to date, comparing the distribution of publications by title, the composition of table of contents, and the monographs of prolific authors. In doing so, this study attempted to examine the trend of books related to Korean dance history and explore its future direction. Twenty three books from various academic institutions and home pages in Korea were collected, catalogued, and sorted in order of publication year. The results demonstrated the insufficient increase in the number of books related to Korea dance history, and the fact that the number of prolific authors accounted for half of the total number, which suggested that the multi-dimensional research development of Korean dance history was urgently required. Moreover, this study also suggested the necessity of publishing a new history book by actively introducing various research perspectives and methodologies such as anthropology, women`s studies, aesthetics, and cultural studies for the advancement of more qualitative research.

LMA 이론에 근거한 탈경계 안무법 교육 모형 연구

유화정(Yoo Hwa-Jung) 한국실용무용학회 2023 한국실용무용학회지 Vol.1 No.2

본 연구는 특정 장르의 움직임에 귀속되지 않는 자유로운 안무법 교육프로그램으로서 LMA(Laban Movement Analysis) 이론을 활용한 ‘탈경계 안무법 교육 모형’을 제시한다. 이를 위해 LMA의 네 가지 카테고리인 Body(신체), Effort(내적충동), Shape(외적형태), Space(공간)의 요소를 활용하여 ‘탈경계 안무법 교육 모형’의 이론적 틀을 구축하고, LMA 이론 및 대학무용교육의 전문가평가를 실시한 뒤, 최종의 교육 모형을 제시한다. 연구 결과는 교육의 정의, 목적, 대상, 그리고 총 6단계로 구성한 교육 내용으로 나타낸다. 교육 모형의 구체적인 절차는 ‘(1)나를 찾기, (2)모티프 발견하기, (3)의미 생성하기, (4)움직임으로 재현하기, (5)안무를 기호화하기, (6)창의적으로 안무하기’이며 전체 교육 내용을 포괄한 교수-학습지도안을 제시한다. 본 연구는 현 시점, 급변하는 대학무용교육 체계에 적응하기 위한 안무법 교육의 이론적 틀 구축 및 모형 제시에 목적을 두었으므로 후속연구에서 실행, 관찰, 성찰의 단계를 거쳐 현장에의 적용으로 나아갈 수 있다. This study presents a 'trans-boundary choreography education model' using LMA theory to devise a new choreography education program that is not attributed to the movement of a specific genre. To this end, the theoretical framework of the trans-boundary choreography education model was established using the four categories of LMA, experts and peer evaluations was conducted, and the final educational model applying them was presented. The results of the study were expressed as the definition, purpose and educational content. The specific procedures of the trans-boundary choreography education model are (1) finding me, (2) discovering motifs, (3) creating meaning, (4) movement expression, (5) symbolizing choreography, (6) final choreograpy.

포스트코로나 시대의 무용 활동 공간, 인터랙티브 댄스 플랫폼

유화정 ( Hwa-jung Yoo ) 대한무용학회 2021 대한무용학회논문집 Vol.79 No.1

Interactive dance platform is the web site where dance performance videos and materials can be posted nonlinearly. Dancers will be able to post various elements of dance just by conveniently placing content on already established web sites. Audiences is free to watch the dance and materials they are interested in by accessing the web platform without time and space constraints. Therefore, the interactive dance platform is valuable as an approach that can create a new wave in the dance industry without the performance style or budget innovation that existing dancers have adhered to.

코로나19 시기를 경유한 가정폭력 피해여성의 경험을 통해 본 피해자 지원시설 운영의 문제점과 개선 방안

유화정 ( Yoo Hwa-jeong ),김효정 ( Kim Hyo-jung ) 부산대학교 여성연구소 2024 여성학연구 Vol.34 No.1

본 연구는 넥스트 팬데믹 등 미래사회의 새로운 위기상황에서 가정폭력피해자 지원시설의 안정적인 운영을 담보할 수 있는 선제적인 방안을 모색해야 한다는 문제의식을 바탕으로, 코로나19 시기를 경유하며 가정폭력 피해자 지원시설을 이용한 피해자들의 경험을 통해 현행 가정폭력 피해자 지원시설의 문제점을 살펴보고 개선 과제를 도출하고자 하였다. 이를 위해 코로나19로 인한 시설 내 감염 예방 조치가 실시된 기간 동안 피해자 지원시설을 이용한 경험이 있는 가정폭력 피해여성 총 15명에 대한 심층면접을 수행하였다. 분석 결과 코로나19 예방을 위해 시행된 사회적 조치들은 피해여성들을 집에 고립시켜 폭력 피해의 위험을 증가시키는 결과를 낳았고, 가정폭력의 맥락에서 피해자에 대한 고립과 통제는 더욱 강화된 것으로 나타났다. 여성들은 고군분투하면서 피해자 지원기관에 도움을 요청하였고, 피해자 지원체계는 피해자들이 폭력 상황에서 벗어나 안전감과 안정감을 되찾는 데 매우 중요한 역할을 한 것으로 나타났다. 그러나 팬데믹 선언 초기, 대면상담 금지, 기관폐쇄 등 피해자 보호시설의 특성을 고려하지 않은 조치들로 인해 피해여성들에게 제공되는 지원서비스는 한정되었고, 재난 대응 매뉴얼의 부재로 인한 초기의 혼란은 안정적인 기관 운영에 상당한 어려움을 초래하였다. 상담소의 경우 대면상담 금지 및 기관 운영 축소로 인한 어려움을 겪었고, 보호시설 경우 팬데믹 발생 이전부터 제시되어 왔었던 공동생활의 어려움과 개인 공간 제공 등의 문제가 강화되는 양상을 보였다. 팬데믹이라는 사회적 재난 속에서 기존의 피해자 지원시설 운영 및 서비스 제공과 연관된 문제들은 더욱 강화되었고, 그 결과 피해여성들의 안전 보장과 일상의 삶으로의 회복은 지체되었다. 이러한 분석 결과를 바탕으로 결론에서는 어떠한 상황에서도 항구적으로 운영되어야 하는 피해자 지원시설 운영원칙에 대한 재확인, 국가적 차원의 콘트롤 타워 운영과 재난 상황에서 즉각적으로 활용될 수 있는 통합매뉴얼 개발 및 배포, 코로나19 이전부터 제기되었던 공동생활에 따른 문제 해소와 시설 운영 방식의 다양화, 피해자의 경험에 기반한 정책 수요 발굴 등을 중장기적 개선 방안으로 제시하였다. This study is based on the critical awareness that preemptive measures must be sought to ensure the stable operation of domestic violence victim support facilities in the next pandemic. The purpose of this study is to examine the problems of the current domestic violence victim support facilities and derive improvement tasks. To do this, in-depth interviews were conducted with 15 female victims of domestic violence who had experienced using victim support facilities during the COVID-19 period. As a result of the analysis, social measures implemented to prevent COVID-19 resulted in an increased risk of violence by isolating female victims at home, and the isolation and control of victims were further strengthened. In this context, the victim support system was found to play a vital role in helping victims escape violent situations and regain a sense of safety and stability. In the case of counseling centers, however, they experienced difficulties due to the ban on face-to-face counseling and the reduction of institutional operations. In the shelters, difficulties in communal living and provision of personal space appeared to be intensifying. Therefore, the safety of victimized women and their recovery to their daily lives were delayed. The conclusion is to reaffirm the operating principles of victim support facilities that must be permanently operated under any circumstances, establish a control tower at the national level, develop and distribute an integrated manual. The mid-to-long-term improvement plans included diversifying facility operation methods and discovering policy demands based on victims' experiences.

코딩교육 소프트웨어를 활용한 움직임 창작 교육프로그램의 의미 탐색

윤지은 ( Ji Eun Yun ),유화정 ( Hwa Jung Yoo ),김현정 ( Hyunjung Kim ) 대한무용학회 2020 대한무용학회논문집 Vol.78 No.4

This paper developed and executed coding education software-related dance program with 12 sessions for dance educators, and explored their significances, drawing on literature reviews and qualitative research methodology. This study argued that the program led them to reflect university dance education, explore the intersection of dance and computer coding, and hope to become an encouraging educator. Bridging the gap between dance research and education, this study as a case study suggests practical ways to develop coding-related dance programs according to learners’ characteristics.

무용과 컴퓨터 코딩 융복합 사례 탐구

김현정 ( Hyunjung Kim ),윤지은 ( Ji Eun Yun ),유화정 ( Hwa Jung Yoo ) 대한무용학회 2020 대한무용학회논문집 Vol.78 No.2

This paper explores foreign cases in the intersection of dance and computer coding. This study examines computational thinking and coding-related concepts and education, and characteristics of the combined dance cases, drawing on literature reviews and internet search and analysis. The cases are categorized into three types of ‘play’, ‘research and education’, and ‘performance’, and show collaboration and scientific approaches to movement and choreography. This paper makes Korean dance world aware of the importance of coding education and contributes to developing interdisciplinary practices of dance and coding.