박물관 패션전시의 유형화

예민희,임은혁 한국의상디자인학회 2019 한국의상디자인학회지 Vol.21 No.3

Fashion exhibitions in museums are an important media to deliver ideas of fashion. Although it still arouses controversy, museums have become an ideal platform for fashion exhibitions since some fashion exhibitions have garnered successful results in mega museums. This can be considered as a cultural phenomenon and a new paradigm since fashion exhibitions in museums are closely related to new museums and fashion museology. Thus, this study examines the definition of 'fashion exhibitions in museums' based on new museums and fashion museology, and then lays the groundwork for its typology through an analysis of preceding research about fashion exhibitions from the 1970s to the present day. In consequence, fashion exhibitions in museums are categorized into five types; retrospective exhibition, survey exhibition, fashion photography and film exhibition, and consider both virtual exhibitions and fashion brand exhibitions.

패션투어리즘에서의 패션박물관의 역할

예민희,임은혁 한국패션비즈니스학회 2019 패션 비즈니스 Vol.23 No.2

Fashion can be regarded as an effective marketing tool for the promotion of urban tourism. Since fashion is attractive in itself, it can work as a resource which fascinates people and attracts many tourists to the city. This study examines fashion tourism based on the close relationship between fashion and tourism. This study focuses on analyzing the positive effect of the existence of a fashion museum on the advent of fashion tourism, in particular. A fashion museum can be classified in the same category as an art museum, whereby the museum exists as specializing in fashion and is considered a fashion brand museum. Thus, this study examines the current trends and characteristics of fashion museums and analyzes roles of fashion museums in fashion tourism by types, which are based on advanced researches of general tourism including trends in the fashion tourism industry. The results of this study are as follows: First, a fashion museum can help spread the word and educate tourists about fashion culture. Second, a fashion museum can increase the value of its brand by strengthening the city's identity. Lastly, the presence of a fashion museum would encourage tourists to spend more money in the city, which causes a ripple effect on the city's economy such as creating more jobs within the fashion.

럭셔리 패션브랜드의 패션소재에 나타난 디지털-미디어화 -루이비통, 구찌, 프라다를 중심으로-

예민희,임은혁 한국디자인문화학회 2023 한국디자인문화학회지 Vol.29 No.3

본 연구는 새로운 사화문화 현상인 디지털-미디어화의 관점으로 루이비통, 구찌, 프라다 컬렉션에 나타난 패션소재의 표현적 특성을 분석하였다. 그리고 이를 위해 질적 연구와 양적 연구를 병행하였다. 현상분석의 기반이 되는 이론적 틀을 마련하고자 문헌연구를 통해 디지털-미디어화를 고찰하였고, 이에 따라자료를 수집하였다. 그리고 이를 분석함에 있어 주관적 판단을 경계하고자 정량적 데이터를 체계적으로분류할 수 있는 친화도법을 이용해 귀납적으로 연구결과를 추론하였다. 그 결과 본 연구는 패션소재의디지털-미디어화 특성을 스펙터클화, 정면위주의 평면화, 로고 및 레터링, 촉각적 시각화로 도출하였다. 첫째, 스펙터클화는 디지털 화면에서 주목성을 높이기 위해 선명한 컬러의 조합, 패턴 온 패턴, 과도한장식적 소재 등으로 나타난 디자인을 말한다. 둘째, 정면위주의 평면화는 이차원 화면에서 눈을 사로잡을수 있도록 복잡한 구성보다는 평면적인 소재 자체에시선을 집중시키는 것을 의미한다. 셋째, 로고 및 레터링은 디지털 화면에서의 가시성과 디지털 네이티브세대의 과시적 특성에서 비롯된 것으로 보여 지기 위해 혹은 특정한 메시지를 전달하기 위해 나타난 프린트 디자인으로 이는 주로 굵고 명료한 폰트로 나타났다. 넷째, 촉각적 시각화는 디지털 화면에서 느껴지는소재의 시각적 감각을 강조한 디자인을 말한다. 본연구는 패션소재의 변화와 특성을 디지털-미디어화라는 새로운 관점으로 조명함으로써 패션산업에서 차별화된 소재 기획의 접근을 제시한다는 점에서 의미가 있다. This study explores the expressive aspects of fashion textiles within Louis Vuitton, Gucci, and Prada collections through the lens of digital-mediatization, employing both quantitative and qualitative methodologies. The research establishes a foundational framework of digitalmediatization for structural analysis, incorporating case studies. To mitigate subjectivity, the findings are systematically categorized using affinity diagramming to analyze quantitative data. The outcomes reveal four distinct expressive features within fashion textiles: spectacularization, characterized by vibrant colors, intricate patterns, and ornate materials to captivate digital screens; flattened fashion, emphasizing the material itself over intricate compositions to engage two-dimensional displays; brand logo and lettering designs tailored for visibility on digital screens, capitalizing on the ostentation of the digital-native generation; and tactile visualization, prioritizing the visual impact of textiles on digital screens. This study offers a novel perspective on textile design within the fashion industry, underlining its significance within the context of digital-mediatization.

패션광고에 나타난 예술작품의 혼성모방

예민희 ( Minhee Ye ),임은혁 ( Eunhyuk Yim ) 한국의류학회 2016 한국의류학회지 Vol.40 No.6

Over the years, the relationship between fashion and art has received significant attention in fashion studies. This study seeks to research and inquire on the relation of pastiche strategies with art-works in fashion advertising with a focus on luxury fashion brands. Pastiche means `the exhaustion of creativity` and can be represented in fashion advertising`s borrowing of art-works. This study examines the concepts of fashion advertising and pastiche, focusing on the relation between fashion and art. Based on this as a framework, this study examines cases of art-work in fashion advertising, then reveals the effect that luxury fashion brands achieve through art. Unfortunately, every case cannot be confined to pastiche, but drawing on the strategy of pastiche allows us to show how art is being used in advertisement as well as how fashion and art are being changed.

럭셔리 패션브랜드의 예술 전략

예민희 ( Min Hee Ye ),임은혁 ( Eun Hyuk Yim ) 한국의류학회 2014 한국의류학회지 Vol.38 No.2

This study represents an artialization of fashion that may be regarded similar to art with a focus on luxury fashion brands. In the 20th century, fashion began to share a similar language with art and became a central part in popularizing art. Fashion and art were drawn to each other in mutual fascination. Fashion studies arouse from disciplines like anthropology, sociology and art history as well as from aesthetic experiences and commercial characteristics. Fashion is very complicated phenomenon; therefore, a study on the artialization of luxury fashion brands needs to be approached for aesthetic and commercial aspects simultaneously. This study combines a literary survey with a case analysis of the relation of fashion and art as well as inquires on the artialization of luxury fashion brands based on discoureses. The discourses are: first, fashion is an art, second, fashion and art differ in relation to the intention, third, fashion and art have mutual-borrowing. In view of the results achieved in this study, luxury fashion brands can achieve increased effectiveness through art. This study reveals the effects that luxury brands achieve through art versus a dis cussion on if fashion is art or not and if the relationship is moral or not.

연구논문 : 패션 디자이너의 페르소나 마케팅

예민희 ( Minhee Ye ),임은혁 ( Eun Hyuk Yim ) 한국의류학회 2015 한국의류학회지 Vol.39 No.3

Many fashion designers now regard themselves as part of a visual medium that reveals their persona to the masses. They are willing to stay in the spotlight, which influences brand publicity. Designer-as-brand is an important marketing factor in regards to profits. This study combines a literary survey and case analysis of persona marketing as well as inquires on the persona of fashion designers drawing on the theory of persona. This study classifies the persona of fashion designers into four categories that proceed from what has been established above: freak, dandy, duo, and anonymity. The persona of fashion designers has attracted considerable attention over the past decade. This study provides useful information for the persona marketing of fashion designers.

현대미술과 패션에 나타난 섬유 및 소재의 물질성

예민희(Min Hee Ye),정지숙(Ji Sook Chung),임은혁(Eun Hyuk Yim) 한국복식학회 2014 服飾 Vol.64 No.5

Fashion has been compared to art since Japanese avant-garde fashion designers expanded the thoughts about conceptual fashion in late 1970s. The fashion designers focused on the materiality of fashion textiles by placing more importance on it than the shapes. This bears a striking resemblance to contemporary art of 1960s and 1970s as many artists used soft materials like felt, fabric, rubber to emphasize themselves. This study establishes the materiality of fabric, which can be found in both contemporary art and fashion. The classification of materiality consists of flexibility, humanizing and temporality. In this work, there is a significant disparity between contemporary art and fashion.

답전윤환에서의 조, 수수, 기장 및 벼의 생육 및 수량

윤성탁,김영중,정인호,한태규,유제빈,예민희,조영손,강항원 한국작물학회 2015 Korean journal of crop science Vol.60 No.3

In order to develop optimum paddy-upland rotation system, we evaluated the 1st and the 2nd upland growth and yield characteristics of foxtail millet, proso millet, sorghum rotated from paddy field and rice rotated from upland in paddy-upland rotation. Average number of ears per hill was 3.3 in the 2nd upland cultivation. The value was greater by 1 ear as compared to 1st upland cultivation (2.2 ears per hill). In average yield per 10a, the 2nd upland cultivation showed 220.3 kg, 23% increased yield compared to the 1st upland cultivation (179 kg per 10a). In average number of ears per hill, the 2nd upland cultivation showed 8.3 ears, increased 4 ears compared to the 1st upland cultivation (4.2 ears per hill). In average yield per 10a, the 2nd upland cultivation showed 152.8 kg, 16.8% increased yield compared to the 1st upland cultivation (130.8 kg per 10a). In average days from seeding to heading of 5 sorghum varieties, there were no significant difference between the 1st (68.6 days) and the 2nd (67.4 days) upland cultivation rotated from paddy field. In the average number of grains per ears, the 2nd upland cultivation showed 2,931.6 grains per ear, 12% increased compared to the 1st upland cultivation (2,619.6 grains per ears). Average yield per 10a of sorghum in the 2nd upland cultivation showed 242.3 kg, 4.6% increased compared to the 1st upland cultivation (231.7 kg per 10a). In growth and yield characteristics of rice in paddy-upland rotation, culm length in paddy-upland-paddy plot showed 82.9 cm, 7.3 cm longer compared to the continuous rice paddy field (75.6 cm). Ear length was also 1 cm longer than that of the continuous rice paddy field. In average number of ears per hill, paddyupland- paddy plot showed 25.0 ears, 4.3 ears more than that of the continuous rice paddy field (20.7 ears per hill). In average yield of rice per 10a, the paddy-upland-paddy rotation plot showed 526.8 kg, 9.8% higher yield compared to the continuous rice paddy field (479.9 kg per 10a).

답전윤환 적합품종 선발을 위한 유기농 풋옥수수의 윤환밭과 연속밭의 병충해, 생육 및 수량 특성

유제빈,윤성탁,楊景,예민희,이길준,조수빈,이영경,한광섭,백승우,김병련,김순일,김건우 한국유기농업학회 2017 韓國有機農業學會誌 Vol.25 No.2

본 시험은 논으로부터 밭으로 윤환한 2년차인 답전윤환밭과 연속밭에 풋옥수수 찰옥4호 등 8품종을 사용하여 윤환밭과 연속밭의 병충해 발생, 생육 및 수량특성 차이 구명은 물론 풋옥수수의 체계적인 유기농 답전윤환 재배기술을 위한 기초자료를 확립하고자 수행한 결 과는 다음과 같다. 유기농 답전윤환 시 주요 병해는 전반적으로 연속밭에 비해 윤환밭에서 발병률이 높았으며, 시험품종 중 저항성 품종으로 발병률이 2% 미만인 흑진주찰과 대학찰 로 판단되었다. 유기농 답전윤환 시 주요 충해인 조명나방 유충 피해는 전반적으로 연속밭 에 비해 윤환밭에서 피해주율이 높았으며, 시험품종 중 저항성 품종으로는 피해주율이 낮 은 찰옥4호와 흑점2호로 판단되었다. 유기농 답전윤환 시 수량은 윤환밭에서 연속밭의 85 % 수준으로 감소하였으며, 답전윤환밭에서는 찰옥4호가 789.0 kg/10a로 가장 수량이 많았 다. 내병성, 내충성, 수량을 종합 평가하면 유기농 답전윤환 시 적합 품종으로는 찰옥4호, 흑진주찰, 흑점2호로 판단된다. This study was performed in order to investigate disease, insect damage, growth and yield characteristics of green maize by organic paddy-upland rotation system. This experiment also was to select optimum variety for organic paddy-upland rotation cultivation. This experiment was conducted at Anseong-si Gyeonggi province of Korea in 2016. The varieties used in this study are green maize of total 8 varieties. Green maize was planted at rotational upland field and continuing upland field and tested for comparison. In case of average occurrence of 4 major disease for green maize, rotational upland field was higher than that of continuing upland field. Heukjinjuchal and Daehakchal were the lowest occurrence by less than 2% among 8 varieties. Average damage of 8 varieties by Ostrinia furnacalis larva, which is the main pest in green maize was higher in rotational upland field than that of continuing upland field. Chalok 4 and Heugjeom 2 were judged to be resistant varieties to 4 major disease among 8 varieties. The average yield of green maize per 10a in rotational upland field decreased to 85% level of continuing upland field and Chalok 4 showed the highest yield by 789.0 kg/10a among 8 varieties. The most suitable varieties in organic paddy-upland rotation system were judged to be Chalok 4, Heukjinjuchal and Heukjeom 2.

답전윤환 적합 품종 선발을 위한 윤환밭과 연속밭에서의 수수, 조의 병충해, 생육 특성 비교

유제빈,윤성탁,양경,예민희,Yu, Je-Bin,Yoon, Seong-Tak,Yang, Jing,Ye, Min-Hee 한국작물학회 2017 한국작물학회지 Vol.62 No.3

In this study, we investigated the disease, insect damage, growth, and yield characteristics of sorghum and foxtail millet in an organic paddy-upland rotation system at Anseong-si Gyeonggi province, Korea, in 2016. Seven varieties of sorghum and foxtail millet are used in this study. A rotational upland field and continuously cropped upland field were compared in order to establish an optimum cultural method and to select the best sorghum and foxtail varieties for a paddy-upland rotation system. The incidence rate of major diseases was higher for sorghum than for foxtail millet. Moktaksusu (22.8%) had the highest incidence rate among sorghum varieties. Hwanggeumchal (7.0%) had the highest incidence rate among foxtail millet varieties. DS202 (89.3%) was the most severely damaged by Ostrinia furnacalis larva, which is the main pest of sorghum and maize. The weed numbers, and the weed fresh and dry weights were lower in the rotational upland field than in the continuously cropped upland field. Futhermore, the number of weed plants decreased by 42% and the dry weight of weeds decreased by 33% in the rotational upland field compared to the continuously cropped upland field. The culm length of sorghum and foxtail millet were 7.9 cm, and 3.4 cm longer, respectively, in the rotational upland field than in the continuously cropped upland field. The average yield of sorghum per 10 a increased by 90% in the rotational upland field compared to continuously cropped upland field. However, there was no significant difference between the rotational upland field and the continuously cropped upland field for foxtail millet. The most suitable varieties for a paddy-upland rotation system were judged to be Hwanggeumchal, Donganmae, and DS202 for sorghum, and Samdachal, Samdamae, Dahwangmae for foxtail millet.