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배주옥 ( Ju Ok Bae ) 한국무용연구학회 2014 한국무용연구 Vol.32 No.2
This study analyzed the research trend of dance for disabled people. The finding were summarized as followings: First, chronological analysis showed that this topic had been treated actively from 2000 but very limited studies in the 80``s. Traditionally the research topic focused on the physically challenged or hearing-impaired people. However, recently the research scope expanded from emotional aspect to physical aspect. Second, the most topics were about dance therapy and treatment among the researches on the dance and disability, and those were applied to the welfare culture, education and physical training. The primary measurement variables were questions about personality, psychology, sociality and emotion. Third, mostly the research topics were about activities for program development. While there were rare research about program for specific types of disorder and age. On the contrary, disabled people could participate in public affairs through the activities of dance performances, and helped them to adjust to society and cultual activities. But, since the dance sport or leisure dance like K-Pop were mostly used for the dance education and dance therapy for the disabled people. Therefore this required more proactive participation of professional dancer to make the dance to do social function and role.
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고경희 ( Ko Kyung-hee ),배주옥 ( Bae Ju-ok ) 한국무용연구학회 2019 한국무용연구 Vol.37 No.2
This study examined the dance style transformation of ChyeoYongMu, which was the most performed in the YeonSanGun era, and the conclusions are summarized as followings. In the early of YeonSanGun era, ChyeoYongMu was performed by five and more up to several hundreds dancers. But, the dancers were changed from MuDong (boy dancer) to YeoGi (girl dancer) just before dethroned, and this also resulted in the change of aesthetical characteristics. This changed characteristics emphasized sense of feminine beauties through highlighting the elegance and curvaceousness like ChoYoGyeongMu in the era of Han and Dang dynasty of China. And more, mask of ChyeoYong was also modified to be light and small for YeoGi to play easily, and decorated with fancy gold and accessary. Despite of these progressive transformation, the ChyeoYongMu was to be the ‘Dance of Madness’ due to excessive entertainment activities of YeonSanGun. The researchers expect that this study would be the earnest examination and clue for transmission and further development, and finally broaden the horizon of the ChyeoYongMu as a practical art.
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