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      • KCI등재

        몽유병과 야경증

        박영우,Park, Young-Woo 대한수면의학회 1995 수면·정신생리 Vol.2 No.1

        To provide the physician with adequate information to diagnose and treat sleepwalking and sleep terrors, the author reviewed clinical features, epidemiology, causative and precipitating factors, polysomnography, diagnosis, differential diagnosis, and treatment for these disorders. Sleepwalking and sleep terrors have been defined as disorders of arousal that occur early in the night and have their onset during stage 3 or 4 sleep. In both disorders, patients are difficult to arouse, and complete amnesia or minimal recall of the episode is frequent. Genetic, developmental, and psychological factors have been identified as causes of both sleepwalking and sleep terrors. Sleepwalking and sleep terrors typically begin in childhood or early adolescence and are usually outgrown by the end of adolescence. When sleepwalking or sleep terrors have a post-pubertal onset or continue to adulthood, psychopathology is a more significant causative factors. The behavior that occur from deep slow-wave sleep can be painful or dangerous to the individual and/or disturbing to those close to that individual. The assessment of patients suspected of having these conditions requires a thorough medical and sleep history. The most important consideration in managing patients with sleepwalking or sleep terrors episodes is protection from injury.

      • SCOPUSKCI등재

        Noonan 증후군에 동반된 DCRV와 심방중격결손증 -1례 보고-

        박영우,이석열,정윤섭,염욱,Park, Young-Woo,Lee, Seock-Yeol,Jeong, Yoon-Seop,Youm, Wook 대한흉부심장혈관외과학회 2000 Journal of Chest Surgery Vol.33 No.5

        Noonan syndrome is characterized by typical facies, congenital heart defect, and some clinical features similar to Turner syndrome, but with normal chromosomes. The most commonly associated cardiac defects are pulmonary valvular stenosis and strial septal defect. We experienced a case of Nonan syndrome associated with pulmonay valve stenosis with double-chambered right ventricle and atrial septal defect and cryptorchidism. Pulmonary valvotomy was done through transannular incision. Hypertrophied muscle bundles were excised. Atrial septal defect was closed directly. RVOT was reconstructed with pericardial transannular patch. Orchiopexy was performed simultaneously without any problem.

      • KCI등재

        '帝王'개념의 淵源, 發展 그리고 그 意義 : 중국 先秦시대를 중심으로

        박영우(Park Young woo) 한국동양철학회 2014 동양철학 Vol.0 No.42

        본고는 중국의 제왕 명칭을 개념사의 시각에서 철학적으로 분석하는 글이다. 중국에서 최고통치자를 일컫는 명칭은 '제왕', '천자', '황제' 이 세 가지가 가장 대표적인 칭호이다. 상대의 갑골 시대에 처음으로 '제왕' 개념의 원형이 틀지어졌는데, 이때 형성된 제왕 개념의 '원형'은 후대의 최고통치자들이 선택한 제왕 칭호 속에도 그 기본 도식(schema)이 그대로 투사된다. 그러나 이러한 제왕 개념의 원형은 그 도식의 기본 구조만을 계승할 뿐, 실질적인 질료의 부분은 시대에 걸맞게 변형이 이루어진다. 주대의 '천자' 개념은 가장 단순하고 직접적인 형태로 상대의 제왕 도식을 반복하기는 했지만, 주대의 최고신인 '천'의 개념에는 상대의 최고신인 '제'의 개념 안에는 없었던 '천명무상'의 관념을 창조해 내면서 새로운 '원형'을 빚어 내었고, 진한 시대의 '황제' 개념 속에도 상대의 원형 스키마가 투영되지만, '황제' 개념 안에는 천하의 모든 최고통치자의 칭호를 통합하는 대통일의 상징적 변형이 녹아 있다. '제왕', '천자', '황제'가 최고통치자의 '지위'의 정통성에 중점을 두는 개념이라면, 한대에 유행한 '素王' 개념은 '無其位而有其德'라는 '덕'에 의존하여 지위가 있는 '時王'에 대한 비판자로서의 상징성을 획득한 개념이다. 뿐만 아니라, 제왕 개념의 이러한 '원형-반복'의 구도는 중국 철학의 핵심 개념이라 할 수 있는 '천인합일'의 사상에도 투영이 되어 고대 중국 철학의 기본 개념들을 이해하는 디딤돌로서의 기능도 무시할 수 없는 가치를 지니는 것이다. In this paper I will analyze the concept on chinese Di-wang as general name from an philosophical angle about its conceptual evolvement. The title referring to the uppermost ruler in ancient china have been come to include the three kinds of titles such as 'Di-wang'(the king or the emperor), 'Tian-zi'(the Son of Heaven), 'Huang-di'(the emperor) which is the first remarkable and typical name among the titles on kings or emperors in the chinese history. The archetype of 'Di-wang' as proper name was formed the original type in the oracle bone script's period of Shang dynasty. This archetypical schema have a property that repeatedly projected the basic frame of its schema on the title selected by future ruler henceforth. However, the title selected by the future ruler was only projected the basic frame of the schema from Shang's archetype, not its whole form on his title as the supreme ruler. In the actual process, the title selected by the ruler of later dynasty had been suitably modifying and fitting its material part in the shape of that his dynasty needs. the term 'Tian-zi' seclected by the ruler of Zhou dynasty repeated 'Di-wang' schema of Shang dynasty in the simplest mode and the most immediate dimension, but Zhou's ruler autonomously create the notion 'Tianming-wuchang'(the Fate of impermanence in the Heaven law) in the concept 'Tian' as Zhou's supreme deity and it was signified that the Zhou's title of uppermost ruler bring on new archetype, whereas in the Shang's supreme deity had not this property. In the Qin-Han period, Shang's 'Di-wang' schema also was projected on the notion 'Huang-di' like Zhou's 'Tian-zi', but the concept 'Huang-di' synthesized all titles of uppermost ruler which had selected by former dynasty's ruler, and this definitely means that the concept 'Di-wang' as general name turn into more complex form. This phenomenon imply directly a symbolic significance that the term 'Huang-di' was reflected on the grand unification of whole world which was accomplished by Qin-shi-huang, i.e., the first emperor in Qin dynasty. Such as the concept 'Di-wang', 'Tian-zi', 'Huang-di' all have been stressed on the positional legitimacy of its power, on the contrary, the concept 'Su-wang', i.e., a kind of charismatic leader possessed a critical power against the present ruler by means of his symbolistic and charismatic virtue, namely, 'without his position, but with his virtue' was more emphasized on the leader's personal virtue and capability. Moreover, this 'archetype-reproduction' formation of 'Di-wang' schema also was projected on the concept 'the unity of Tian-Ren', namely, 'the unity of Heaven and Man' which can call it as the key concept in chinese philosophy, so thereby I believe that it have an obvious value which we can not easily neglect the function as a steppingstone in the process of understanding that it can help to bring us to understand the archetypical structure of ancient concepts in chinese philosophy.

      • KCI등재

        철학부(哲學部) : 역상(易象), 위기지학(爲己之學)으로서의 해석 기제

        박영우 ( Young Woo Park ) 한국중국학회 2016 중국학보 Vol.75 No.-

        My paper will be started from a premise that symbols in the Zhouyi, i. e. The book of change is revitalized only via ritual process of the divination. Yixiangs(易象) or symbols in the Zhouyi count as a conduit through which absorb many meanings of the world and a apparatus which cope with emergencies. In my paper, I define the symbols of Zhouyi, namely, the particular symbol which emerges from a divination as a frame which escape from a dangerous situation. The process that symbols revitalize is a metaphorical process, and the symbols got settled as a frame via the metaphor. Futhermore, I will point out that these symbols become a form of symbolic representation that it project onto the near future immediately connected with our everyday life, and that it come to have a power which evoke feelings in our mind. In accordance with this, I confirm that the structure what symbols in the ZhouYi emerge in a divinator``s mind and what he applies it to situation which he encounters particularly, essentially has particularistic properties, therefore symbols in the ZhouYi in the process of the interpretation basically have a character as a study for the self``. In this paper, I will treat in terms of philosophical concept that, if symbols in the Zhouyi be acquired a substantive meaning in the world of our everyday mind, then it must inseparably be connected with aritual process of divination which make revitalize the symbols in our mind and our everyday life, not merely formal and death symbol divided from the divination. In addition, the cause that symbols revitalizein the mechanism of the Zhouyi``s interpretation results from encountering with a contingent phenomenon, that is, with a condition of dangerous predicament. Finally, I argue that, in the foundation of revitalizing the symbols in the Zhouyi, a metaphorical projecting and an analogical inference always go along with them.

      • KCI등재후보

        융·복합 스토리텔링과 BM(business model) 개발

        박영우 ( Park Young-woo ) 단국대학교 한국문화기술연구소 2018 한국문화기술 Vol.25 No.-

        Storytelling at the Korean content market has always been considered an important topic. However, the current storytelling debate continues to shrink. Of course, the storytelling as a source of media content is still meaningful. However, the problem is that the media content market, to which storytelling can be applied, has reached saturation, whereby the discussion in that field no longer proceeds. And such problems are even more evident in the creative writing education of the university. In connection with the creative writing major, storytelling was accommodated in various ways, but education that can produce practical effects can still be inadequate. In particular, the point is that the research and discussion of storytelling, which can produce economic goods on the industrial side, is in short supply. It is necessary to more seriously accept these problems if the above is the only thing that has to do with the fact that the power that debate on future storytelling can develop can produce economic goods. In this regard, in this article, we developed a storytelling business model (BM) based on this by consulting the possibility of business through fusion of storytelling at university and ICT technology, based on a Web novel I would like to discuss the possibility of BM development, the possibility of BM development in collaboration with sightseeing, history and culture contents.

      • KCI등재

        경전읽기의 한 방법으로서의 제왕학(帝王學)

        박영우 ( Young Woo Park ) 퇴계학연구원 2014 退溪學報 Vol.136 No.-

        This paper theologically tries to examine Di-Wang`s Learning(kings or emperors study it) through a angle of ``Kingly-mind``, and ``Kingly-mind`` can be count as a kind of the selfish system or personal identity of a king or a emperor, i.e., a uppermost ruler himself. this approach not merely means that I classify Di-wang`s Learning according to a domain of knowledge objectively, whereas that explore it`s feasibility as methodological tool which approach to the practical use through the first person point of view of reader subjectively. In my paper, ``Kingly-mind`` is understood as the explanative foundation in terms of the theory of conceptual schema, and by means of this ``Kingly-mind``, I will illuminate the Di-Wang`s Learing from the contemporary view, at the same time, in a dimension on the methodology of reading classics. the Di-Wang`s Learning also was historically distinguished from the Study of Zhang-Ju, namely Classical hermeneutics in china. I accept that the core of ``the Di-Wang`s Learning`` is as to establish the ``Kingly-mind`` and it is demonstrated in the Tian-xia (all over the world) which is understood as rule scope, whereas the Study of Zhang-Ju merely had to do with confucian classics teachers and master interpreters. To put it concretely, the ``Kingly-mind ``is a substantive contents on Di-wang`s will-intentionality, and at the same time it connotes a contents abut a uppermost reler`s thought that have to be realized in the Tian-xia by means of the Di-wang`s will.

      • KCI등재후보

        시를 통한 가족의 재탄생

        박영우(Park Young-Woo) 국어문학회 2011 국어문학 Vol.50 No.-

        시란 곧 인간에 대한 관심의 산물이고, 진실로 인간을 구제하려는 기록이다. 문학은 삶의 본질에 눈뜬 시력을 갖게 함으로써 자기 성찰과 자기 확대를 가능하도록 유도하고 자신의 참된 모습을 찾아가는 도정이라 할 수 있다. 또한 시는 인간학이다. 인간과 우리들의 삶에 대해 탐구하는 작업인 것이다. 또한 시는 나의 이야기이고 우리 가족과 이웃의 이야기이다. 나와 너 사이에 주고받은 상처의 기록들인 것이다. 이처럼 시를 통해 자신과 가족의 정체성을 파악하고 또한 그것을 한 편의 시로 완성시키는 과정 속에서 시인은 한층 더 성숙된 자아 성장의 성취감과 더불어 가슴 깊이 내재되어 있는 아픔을 치유하는 기쁨을 누릴 수 있을 것이다. 이런 전제 하에 본고에서는 2000년대 이후 심화되고 있는 가족에 대한 전통적 가치 해체 징후와 현상들에 비추어 현대시에 나타난 ‘가족의 모습’을 탐구해 보고자 한다. 첫째로는 이 시대의 비극적 자화상, 아버지의 모습을, 둘째로는 인고와 기다림의 화신으로서의 어머니의 모습을, 셋째로는 동병상련하는 동행자로서의 부부의 모습을, 마지막으로 가족 간의 소통과 화해의 공간으로서의 시적 의미를 구현해보고자 한다. 그럼으로써 시에 그려진 가족의 삶을 통해 자신의 삶을 복원해보고자 하는 치유와 화해의 공간으로서의 시적 의미를 규명하는데 본고의 가치를 두고자 한다. Poetry is at once the product of interest in human beings and the records about true relief of human beings. Literature is a path to looking into the essence of life, developing self-reflection and self-enlargement and finding oneself as he or she really is. In addition, poetry is a study about human beings, that is, it is a research of human beings and their lives. Poetry is a story of one's self and his or her family and neighbor. It is the records of scars between them. While a poet tries to understand his or her self and the identity of family, he or she can feel self-growth and enjoy happiness of healing scars seated deep in mind. This study is to investigate 'the nature of modern family' in view of family dissolution which has been deepened since 2000s. The purpose of this study is to embody the nature of family in 4 aspects: first, father's image, a tragic self-portrait of this age - second, mother's image, an avatar of endurance and waiting - third, husband and wife's image as fellow travellers - lastly, a place of reconciliation and mutual understanding among family members. This study is focused on finding out the poetic meaning of family as a place of treatment and reconciliation, where one can restore life to the original state.

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