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- 저자 : 김호석(Ho Suk Kim) (검색결과 18 건)
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코로나 시대 관광항공 전공대학생의 전공만족도가 자기효능감과 학업 성취도에 관한 연구
김호석(Ho-Suk Kim),표용희(Yong-Hee Pyo) 한국엔터테인먼트산업학회 2022 한국엔터테인먼트산업학회논문지 Vol.16 No.1
본 연구는 관광항공을 전공하는 대학생들을 중심으로 그들의 특성을 객관적으로 확인해 보고자 함에 있으며, 관광항공 전공대학생의 전공만족도, 자기효능감, 학업성취도 간의 관계를 파악하고 전공만족도에 영향을 미치는 요인을 파악하고자 하였다. 첫째, 코로나시대에 관광항공 전공대학생의 전공만족도와 자기효능감, 학업성취 도와 관련한 인식을 본 연구에 맞게 개념을 정립함으로써 이론적 의의를 찾을 수 있다. 즉 전공만족도에 대한 항목을 교과 만족, 관계 만족, 학과 만족의 3가지 요인과 자기효능감, 학업 성취도에 관한 연구로 코로나 시대에 관광항공호텔 전공대학생의 학업 성취도를 높이기 위한 인식 변화와 취업탐색을 형성해 나가는 데 필수적인 조건임을 시사해 주고 있다. 둘째, 자기효능감과 학업 성취도를 높이기 위한 교수와 학생 소통 협력 방식에 관한 시스템 개선, 실무교과목 반영 그리고 산학연계 방안을 위한 학교 관계자들의 적극적인 참여가 필요하다고 본다. 관광전공 대학생들에게 학업성취도 만족에 대한 의미부여를 통해 지속적인 학과발전과 운영을 통한 취업연계를 활성화할 수 있을 것이다. This study aims to objectively check their characteristics, focusing on college students majoring in tourism aviation, and to understand the relationship between major satisfaction, self-efficacy, and academic achievement of college students majoring in tourism aviation. First, the theoretical significance can be found by establishing concepts in accordance with this study regarding the perception of major satisfaction, self-efficacy, and academic achievement of college students majoring in tourism aviation in the COVID-19. In other words, the three factors of subject satisfaction, relationship satisfaction, and department satisfaction, self-efficacy, and academic achievement suggest that it is an essential condition for forming a change in perception and job search for college students majoring in tourism aviation. Second, it is necessary for school officials to actively participate in improving the system for communication and cooperation between professors and students, reflecting practical courses and linking industries to enhance self-efficacy and academic achievement. By giving meaning to satisfaction with academic achievement to college students majoring in tourism, it will be possible to promote employment linkage through continuous department development and operation.
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한국 암각화와 북방아시아 지역 암각화의 조형적인 특징 비교 연구
김호석 ( Ho Suk Kim ) 중앙아시아학회 2007 中央아시아硏究 Vol.12 No.-
The purpose of the present study is to determine how the origin of Korean boulder petroglyphs had relevance to Northern Asian petroglyphs. Figurative characteristics of petroglyphs in the two regions could be analyzed by defining similarities and differences. Petroglyphs in two regions shared common process of production and development of formation. It showed that process of petroglyphs` production in the two regions had significant meaning of formative art progress in their society. Korean petroglyphs had distinctive characteristics in their forming process. After they were acquired visual verisimilitude, their truth to nature faded away as they became abstract. In order to describe hunting animals, they simplified the objects` essence of characteristics as an illustrated animal book. The figures were independently composed on boulders one by one, not in coordination with each figure. Thus, overall sense of mood was rather being passive than active in those composition. In addition to being passive mood, such simple and abstract figures, discovered in Chunjeon-ri and Chilpo-ri, could not be found in Northern Asia region. Northern Asian petroglyphs were similar to each piece that was formed under the same tradition of expression. Therefore, they expressed objects in a realistic sense. They conveyed active feeling that they focused on describing movements of hunting to express their realistic action. Their descriptions were empathized with exaggeration and distortion that differed from their strong desire for expressing reality. And the petroglyphs turned into picturesque objects with their artistic expression. The petroglyphs were composed in coordination with each figure on boulders, which was meant to express. In addition, each figure was displayed independently, yet characteristic of the overall mood in the compositions was similar to Korean petroglyphs. These different methods in expression and composition sought to define the differences of aesthetic formation between the two regions. According to these factors, Korean and Northern Asian petroglyphs differed in cultural aspects.
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김호석(Kim Ho Suk) 백산학회 2014 白山學報 Vol.- No.100
북방아시아에서 알타이 지역은 선사 문화가 집중되어 있는 곳으로 보고되어 있다. 그중 알타이 산맥의 주봉을 중심으로 남쪽에 위치한 아랄 톨고이, 차강골, 차강살라. 바가오이고르 지역은 대표적인 암각화 유적에 해당한다. 이중 차강골, 차강살라. 바가오이고르 유적은 청동기 문화의 대표적인 부분들을 반영하고 있고 두 지역에서 발견된 암각화에는 유사성과 차별성이 발견된다. 차강골 지역과 차강살라. 바가오이고르 지역은 남에서 북으로 겹겹이 발달한 알타이 산맥의 지역적 특성에 의해 고립된 오지에 해당한다. 그러나 이런 자연조건에도 불구하고 두 지역에서는 공통점이 존재한다. 먼저 환경적 측면에서 강을 끼고 있다는 점, 예술적 측면에서 삶과 환경을 예술로 승화시키고 있다는 점, 표현기법에서 제작기법과 형상화의 단계가 유사하다는 점 등이 그것이다. 이는 두 지역의 공간적 한계에도 불구하고 문화 교류가 활발히 진행되었을 가능성이 높았던 것으로 추정하게 한다. 그러한 가능성은 두 지역에서 발견된 독자성이 있는 도상에 집중하게 하였다. 연구를 진행 하면서 차강골과 차강살라. 바가오이고르 지역 암각화 중에서 조형원리가 동일하게 적용된 유사한 도상이 다수 있음을 확인 할 수 있었다. 그리하여 상호 유사한 도상을 중심으로 조형성에 초점을 두어 분석한 결과는 다음과 같다. 추상형 도상인 안경형 탐가가 두 지역에서 공통적으로 발견된다. 탐가는 문화공동체의 상징이다. 이런 점에서 안경형 탐가는 두지역이 동일계통의 집단공동체임을 알게 한다. 인물 표현에서 두 인물이 힘 겨루는 형상과 궁사 표현 그리고 격투 장면 등에서 매우 특징적인 표현 형식이 확인 된다. 이런 조형 방식은 독자성이 강한 도상으로 두 지역에서만 발견 된다는 것은 동일한 제작 계층의 반증이다. 동물 표현에서 집단으로 양을 표현하는 조형 방식과 산양 뿔을 단순화시켜 디자인화 한 조형 표현은 미적 개념이 두 지역에서 공유했을 가능성이 높은 것으로 판단하게 한다. 인물과 동물 표현에서 소싸움 그림과 곰 사냥 그림은 표현의 유사성이 확인 된다. 생활을 반영한 표현으로서 물새 그림은 삶의 공간에서 아름답다고 느끼는 것을 예술로 승화시킨 결과이다. 물새 소재는 생활의 경험을 날짐승으로 넓혔다는 점에서 예술적 친연성이 높다. 이상의 사실을 종합해 보면 두 지역은 동일한 상징체계와 조형 논리가 지배하고 있음을 알 수 있다. 따라서 두 지역 암각화는 동일한 문화계층에 의해 제작된 것으로 판단된다. 두 문화 사이에 존재하는 제작 선후 관계와 영향, 교류 문제를 규명하는 일은 간단하지 않으며, 원형과 변형 양식이 가지는 특성이 차강골 지역 암각화와 차강살라 ․ 바가오이고르 지역 암각화에서 혼재되어 나타난다. 선사 시대 조형예술의 전개과정과 발전양상을 살피는 연구는 세계 예술사에서 북방아시아 지역 미술이 차지하는 위치를 재조명하는 중요한 의의를 갖는다. 따라서 도상들이 변형 과정을 거쳐 새로운 도상으로 재창조 되는 과정은 면밀히 연구할 필요가 있다. The Altai areas in Nothern Aisa has been reported as areas centered with prehistoric cultures. Amongst them Aral Tolgoi, Tsagaangol, Tsagaansalaa, and Baga Oigor from south of main peak of Altai mountain range are representing sites of rock paintings. The sites of Tsagaangol and Tsagaansalaa. Baga Oigor have distinctive elements of Bronze Age and both similarities and differences are found on rock paintings from two areas. Tsagaangol and Tsagaalsalaa, Baga Oigol has been regionally remoted areas separated by Altai mountain ranges which have developed by layers of mountains from south to north. Although this naturally hard condition, they have somethings in common. In environmental view, they are located along rivers, in artistic view their daily lives and environmental subjects were sublimated into arts and they both have similar technics on expression and formation, and similar process of image formation. These imply that cultural exchanges between two groups must be very active despite of spacial limits. That hypothesis made this study was focused on unique images found from two areas. During this study I found that they both have similar images which were reflected into same , formational techniques. The result of analysis focused on formative aspects upon those similar images from both areas are as bellow. Spectacle frame Tamga, as abstract figures, are seen commonly in both areas. Tamga is the symbol of cultural community. Spectacle frame Tamga, implies that both areas were belong to communities sharing same cultural categories. We can see quite distinctive technique on the way of expression on human figures such as scenes of two figures who are competing their strengths each other, scenes of archers and scenes of fighting. These formative technics are so unique and found only two areas . These are suggesting that they were belong to same group of production. We can see they figured sheep as whole and simplified and designed the antler's' horns. These methods of formation implies that they share same aesthetic view. On human and animal figures, we can see their similar techniques especially on bull fighting and bear hunting scenes. They sublimated something beautiful in their daily lives into art, which are shown in waterfowl. Waterfowl as their subject shows that they were highly affiliated with art through expanding their living experiences into living animals. These suggest that these two areas were dominated with same symbolic system and formative logical system .Hence we can guess that rock paintings from both areas were produced by same cultural groups. It is not simple to investigate fully on orderly relations of productions between two groups, their influences, and details of cultural exchanges . and we still can see distinctive characteristics from both original and modified styles on their rock paintings of Tsagaangol, Tsagaansalaa and Baga Oigor. The study about the process and characteristics of development of prehistoric formative arts is significantly important that it sheds new light on importance of northern Asian arts on world art history. Hence the further and deeper research about process of recreation of new images from original images through modification has to be followed.
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일본인 대상자의 사상체질별 소증, 병증 특성에 관한 연구
김윤영,유종향,김호석,이시우,Kim, Yun-Young,Yoo, Jong-Hyang,Kim, Ho-Suk,Lee, Si-Woo 사상체질의학회 2012 사상체질의학회지 Vol.24 No.3
Objectives In this research, the constitutional diagnosis based on the theory of Sasang constitutions were carried out to Japanese subjects living in Japan, and the external applicability of Sasang constitutional medicine was evaluated by analyzing the physiological symptoms and the pathological symptoms according to their constitutions. Methods Total 144 Japanese subjects who live in S city were invited from Mar. 2010 to Jul. 2011 for the research, and their constitutions were analyzed with constitution diagnosing tool that was developed by Korean institution of oriental medicine (KIOM) in 2011. The collected data was analyzed in terms of the physiological symptoms and the pathological symptoms according to the sasang constitutions with computer software of SPSS 17.0. Results In the physiological symptoms related to excrements, Soyangin more frequently did not have excrements of gold color (p=.034) and feel the tenesmus (p=.047) than the subjects of other constitutions. In the physiological symptoms related to cold & heat, Soyangin more frequently felt cold in feet and hands (p=.011), and Soeumin more frequently didn't like drinking water regardless of thirst (p=.017). In the physiological symptoms, Soyangin frequently felt dryness in eyes, and Taeumin frequently felt uncomfortable because of the phlegm. Conclusions The theory of Sasang constitution which is a Korean traditional medicine can also be applied to the health care of Japanese, and it can contribute to the health promotion of Japanese subjects.
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