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지진 및 냉각재 상실 사고시 핵연료집합체 하단 고정체 응력해석
최기성(Choi Ki-Sung),박남규(Park Nam-Gyu),서정민(Suh Jung-Min),권정택(Kwon Jung-Tack),김규태(Kim Kyu-Tae) 대한기계학회 2005 대한기계학회 춘추학술대회 Vol.2005 No.5
The bottom nozzle is one of the fuel assembly components. It has provisions for seating and locating the bottom end of fuel assembly on the lower core support structure of reactor and must maintain the structural integrity and transmit the axial and lateral loads at the bottom of fuel assembly to the lower core support structure during seismic and LOCA events. In this paper, one dimensional model and a finite element model for stress analysis of fuel assembly bottom nozzle under seismic and LOCA loading are described and the results of stress analysis are presented.
골프장 유형에 따른 핵심성공요인 분석: 국내 골프장 산업 중심으로
권기성 ( Ki Sung Kwon ),강준호 ( Joon Ho Kang ),김지연 ( Ji Hyun Kim ) 한국스포츠과학원 2013 체육과학연구 Vol.24 No.4
The golf course industry is faced with negative market environments and it has brought up the necessity to establish a long-term strategy and directivity. With this background, the purpose of this study is to confirm the classification of the golf course type with considering Korean golf industry and analyze the Key Success Factors that depends on each type of golf course. This study applied tri-level delphi research methods with 9 golf course industry experts for two aspects: the classification of the golf course type and analysis Key Success Factors(KSFs) that depends on each type of golf course. To conclude, private, semi-private, and daily-fee golf courses are proposed for the types of golf course in Korea and there are differences among Key Success Factors(KSFs) related to aspects of strategy, marketing, finance, supporting, human resource, membership and operation. With considering typical Key Sucess Factors(KSFs) by each aspects, in the case of private golf course, study proposed business strategy, quality of membership, financial stability, satisfy customer needs, differencing element, general ability of employee and quality of facility. For semi-private golf club, there were revenue model, marketing event, revenue management, operation efficiency and location of facility. For public golf course, this study proposed customer analysis, competition strategy, operation efficiency, revenue management, location of facility and sales ability of employee.
고전문학 속 노인- 동녀의 구도를 통해 본 남성 노인의 욕망과 그 의미
권기성 ( Kwon Ki-sung ) 한민족문화학회 2018 한민족문화연구 Vol.62 No.-
The purpose of this article is to disclose that there is certain distortion of sexual desire of the elderly that it could cause certain problematic points when it is stated toward young boy or young girl. For this purpose, it purports to discover the relationship and situation of the elderly-young girl under the data of traditional time and seek for its implication. Within the scheme of ‘the elderlyyoung girl’ appearing in writings, hearsay of folktale, and romance story, the young girl desired by the elderly would be someone of complete subjected. They absolutely do not mutually encounter as the equal subject. For the elderly, the position between the two would not change whether the young girl is utilized as a mean to cure, whether to be a subject of sexual desire, or whether it is a mean to success. No matter how it is exclusively expressed, the scheme of satisfying desire of the elderly by consuming the objectified young girl would not be changed. At this time, the desire of the elderly is closely connected to the ‘desire to live’. Having the dream of long life would be direct and powerful drive for life and the desire to be on the position to be socially recognized and sexually healthy would be the symbol of willingness for the feeling of 'alive'. However, since the elderly could not get younger in fact, these only have the symbolic implication. In other words, the elderly just feels of being younger by striving for ‘symbolic youth’. Therefore, it is all fantasy. Certain relationships have to be made by mutual encountering of equal subjects. In this aspect, the desire of young girl for the elderly would be the violent oppression by using gender, hierarchy, economic means, power, and so forth. This mistaken folklore handed down from the old days has produced other young girls by pretending as not knowing even if the presence is known or cunningly place into the properties and goods of capitalism today. Within this process, worthless pursuit on symbolic youth and disdaining for getting old are crossed in prevalence. The overlapping of methods to consume the young girl that is reified at the same time has the implication that the trace of painful and ominous history is still remained in contemporary time.
N-[1-(benzotriazol-1-yl)benzyl]aniline 誘導體의 合成과 加水分解 反應 메카니즘
권기성,박천규,성낙도,김태린,Ki Sung Kwon,Cheon Kyu Park,Nack Do Sung,Tae Rin Kim 대한화학회 1993 대한화학회지 Vol.37 No.12
A series of New N-[1-(benzotriazol-1-yl)-X-substituted benzyl]-Y-substituted aniline derivaties (S) have been synthesized. And the rate of hydrolysis was investigated kinetically in 25% (v/v) aqueous methanol at 25$^{\circ}C$. On the basis of rate equations, solvent effect $m {\ll} 1,\; n \leq 3\; and\; m {\ll} l$), salt effect, general base catalysis, substituent effect (${\rho}_{xy}$ > > 0), and hydrolysis products analysis, it may be concluded that the hydrolysis of N-[1-(benzotriazol-1-yl)benzyl]aniline proceeds the "A-$S_N2$" mechanism below pH 12.0, while above pH 13.0, the hydrolysis proceeds through a typical "$S_N2$" mechanism.
컴퓨터를 이용한 고전문학의 방법론적 전환과 전망 ―필기, 야담의 연구 사례를 중심으로―
권기성 ( Kwon Ki-sung ) 중앙대학교 인문콘텐츠연구소 2018 인공지능인문학연구 Vol.1 No.-
This study examines changes in the methodology of classical literature in the era of the Fourth Industrial Revolution and Artificial Intelligence. To this end, we focused on case studies of Chinese prose, such as handwriting and yadam (a single-sentence narrative). In this study, I argue the necessity for constructing a DB system that can search for handwritten yadam. Many handwritten and jamming materials are not yet translated or are located outside the researcher's area of interest, and there is a need to introduce a computer-based research methodology for the efficiency of research because of mixed genres. Next, I discuss the possibility of studying Chinese texts using computer content analysis techniques. We argue that the introduction of this methodology is necessary to overcome the limitations of theseries established by researcher intuition and to examine differences in the quantitative results. Artificial intelligence has advanced to the automatic translation of classical literature, but it still contains incomplete elements that cannot be solved without human beings. Human planning primarily supplements this incompleteness. The search for methodological change is not merely a temporary measure relying on machines according to trends but, instead, to the consciousness of human problems for the derivation and diffusion of efficient and accurate research results. Through this, I believe that the study of Chinese writing and the study of classical literature will be further developed qualitatively and quantitatively, and will grow to meet social demand.
Ethylcinnamate에 대한 Ethylmercaptan의 親核性 添加反應에 관한 연구
권기성,김태린,KI-SUNG KWON,TAE-RIN KIM 대한화학회 1969 대한화학회지 Vol.13 No.4
Ethylcinnamate에 대한 ethylmercaptan의 첨가반응속도상수를 idodometry로 측정하여 넓은 pH범위에서 잘 맞는 속도식을 구하였다. 이 식에 의하면 pH3이하에서는 ethymercaptan분자가 첨가하여 pH7이상에서는 ethylmercaptide ion이 첨가함을 알 수있고 pH3-7사이에서 일어나는 복잡한 첨가반응 메카니즘도 이식으로 잘 설명될 수 있음을 알았다. The rate constants for the addition reaction of ethylmercaptan to ethylcinnamate has been measured by iodometry and for the proposed reaction mechanism a rate equation which can be applied over wide pH range was derived. From this rate equation, one may conclude that the reaction is started by addition of ethylmercaptan molecule below pH 3. However, above pH 7, this addition reaction is proceeded by the ethylmercaptide ion. At pH 3-7, the complex addition reaction mechanism can also be revealed by this rate equation.
≷양은천미≸에 나타난 서술방식의 통속적 양상과 그 의미 -<김영낭용지가귀문>과 <봉황대회금강춘월>의 사례를 중심으로-
권기성(Kwon, Ki-sung) 한국고전연구학회 2017 한국고전연구 Vol.0 No.39
본고는 ≷양은천미≸에 나타난 통속적 서술방식이 나타난 사례와 그 의미를 살폈 다. 20세기 초 야담집은 대체로 전대의 고담을 그대로 답습하는 경향을 보이지만, ≷양은천미≸는 20세기 초에 산출된 야담집임에도 불구하고 ‘단순전재’라는 서술방 식을 취하지 않았다. 이에 본고에서는 ≷양은천미≸에 수록된 <김영낭용지가귀문> 과 <봉황대회금강춘월>의 이야기를 대상으로, 전대의 야담집과 달라진 부분을 추적하는 한편, 당대의 다른 문학작품들과 어떤 관계를 가지고 있는지를 살펴보았다. ≷양은천미≸의 편찬자는 ≷쇄어≸나 ≷선언편≸, ≷성수총화≸에 나타나는 <조생-도 우탄의 딸> 이야기를 큰 골자로 하면서도 ≷기문총화≸ 소재 <이만원> 이야기에 나타나는 모티프를 활용하여 <김영랑용지가귀문>의 서사가 더욱 풍부해지도록 하였다. 이를 통해 여인들의 재지를 강조하고, 자유연애를 갈망하던 당대의 시대적 분위기를 우회적으로 제시했다. 이와 같은 경향은 당대 이해조가 ≷제국신문≸에 연재한 ≷원앙도≸에도 유사하게 나타난다. <봉황대회금강춘월>은 명대의 소설집 ≷경세통언≸에 수록된 <소지현나삼재 합>과 유사한 면모를 보이고, 이를 번안한 <월봉기>, <강릉추월전>류의 작품과도 닯아 있다. 그런데 <봉황대회금강춘월>에는 기존의 작품에 존재하던 주인공의 영웅적 면모를 제외하고, 남녀 결연담 부분을 대폭 축소하는 한편, 가족의 이산과 같은 부분은 대폭 확장하였다. 이를 통해 열강의 각축이라는 시대적 배경 속 익숙 했던 가족의 피난기를 형상화하였다. 이 두 작품이 공히 근대적 세계를 전경화 했다고 평가할 수는 없을 터다. 다만 ≷양은천미≸의 편찬자는 당대의 문학적 동향과 시대적 변화에 촉각을 세우면서, 대중들에게 익숙한 통속적 문학양식을 통해 야담집을 편찬했음을 알 수 있다. 요컨대 ≷양은천미≸는 고담을 전재하던 여타의 야담집과는 다른 방식을 표방했음을 의미하며, 이에 20세기 초 필사본 야담집으로서의 독특한 위상도 인정된다. This study examines the aspects and meanings of vulgar descriptions found in ≷Yangeuncheonmi≸. The early 20-century collections of historical tales mostly tended to follow the practice of old tales of the previous time, but ≷Yangeuncheonmi≸ did not accept the descriptions of ‘Dansunjeonjae’ though it is a collection of historical tales produced in the early 20th century. The purpose of this study is to investigate the stories of <Kimyeongrangyongjigagwimun> and <Bonghwangdaehoegeumgangchunwol> contained in ≷Yangeuncheonmi≸ and trace how it is different from the collections of historical tales of the previous time while seeking how it is associated with other literary works of the time. <Kimyeongrangyongjigagwimun> has the story of <Josaeng-Dowootan s Daughter> found in ≷Swaeeo≸, ≷Seoneonpyeon≸, or ≷Seongsuchonghwa≸ as its main gist but richens the narrative even further by using the motif found in the story of <Imanwon> contained in ≷Gimunchonghwa≸. ≷Yangeuncheonmi≸’s compiler stressed women’s wisdom through <Kimyeongrangyongjigagwimun>, suggested the atmosphere of the time pursuing free love indirectly. But this tendency is similarly found in ≷Wonangdo≸ which Lee Haejo wrote in ≷Jeguksinmun≸ serially, too. <Bonghwangdaehoegeumgangchunwol> is similar to <Sojihyeonnasamjaehap> contained in ≷Gyeongsetongeon≸, one of the novels from Ming, and it is also similar to the translated works of it like <Wolbonggi> or <Gangreungchuwoljeon>. In <Bonghwangdaehoegeumgangchunwol>, however, the main characters’ heroic aspects existing in previous works were gotten rid of, and the stories of union between a man and a woman reduced much while the parts about family separation increased greatly. And it embodied the stories of family harborage which was common in the background of the time full of heated competition between powers through <Bonghwangdaehoegeumgangchunwol>. These two works may not be evaluated to have placed the modern world to the foreground. Yet, ≷Yangeuncheonmi≸’s compiler paid attention to the trends of literature and changes of the time while compiling the collection of historical tales grounded on the modes of vulgar literature familiar to the public. To wit, ≷Yangeuncheonmi≸ supported the way that was different from the way that other collections of historical tales based on old tales adopted, so its unique status is recognized as a collection of historical tales transcribed in the early 20th century.
필기·야담 속 ‘기혼 여성’의 불온한 형상과 탈맥락적 흔적 : 고전문학 속 아줌마의 원형성 탐색을 위한 시론
권기성(Kwon, Ki-sung) 한국고전여성문학회 2021 한국고전여성문학연구 Vol.- No.43
본 연구는 조선 후기 필기·야담집에 나타나는 ‘기혼여성’들의 불온한 형상화를 살펴, 그들의 존재 양상과 서사적 기능이 작품 속에서 어떻게 구현되고 있는지 살펴본 것이다. 이를 통해 아줌마에 대한 부정적 인식이 특정한 원형 심상으로 전승된 것임을 밝히고, 남성 주체에 의해 굴절된 아줌마라는 표상이 일종의 집단적이고 가상적인 정체성을 형성하게 되었음을 논증하고자 하였다. 살펴본 바, 필기 야담 속 기혼여성은 주로 억척스럽거나 푸념을 하는 존재로 그려지고, 무지하거나 사치스럽고 간교한 인물로 그려지고 있었다. 이런 불온한 형상화는 일차적으로 남성 사대부의 시선에 의해 선택적으로 채록된 결과일 텐데, 그 출발점은 당대의 역사사회적 배경 하에서 비롯된 것으로 여겨진다. 그런데 그러한 모습은 어느 순간 역사적 맥락과 분기하거나 서사의 개연성에서 탈각한 채 전형적 인물로 주조되기도 한다. 이는 곧 기혼 여성의 불온한 형상이 당대의 여성성과 모성성이라는 헤게모니에서 벗어나는 순간, 경계해야 할 무엇으로 그려지고 이것이 사회적 개념으로 재생산·강화된 흔적을 보여주는 것이다. 따라서 불온한 여성의 이미지가 위태롭게 형상화되는 것은, 비단 공시적인 당대의 문제에만 국한되지 않는다고 할 수 있다. 여성성과 모성성의 경계에서 부유하고 있는 기혼여성의 이미지가 오늘날 아줌마라는 용어로 현존한다면, 여전히 이 같은 작업은 유효하게 진행되고 있을 것이다. 여성성과 모성성의 합은 아직까지 당대의 여성을 규범짓는 하나의 기준틀로, 수많은 기혼여성을 타자화하고 있는 상황이고, ‘기혼여성’으로서 아줌마의 존재는 역사 속에서 늘 존재해 왔던 것이 사실이다. 하지만 이들은 오늘날 언어의 생성과 변화에 따라 만들어진 개념으로 이해될 뿐, 그들만의 역사성과 정체성을 제대로 부여 받지 못했다. 본고는 이러한 ‘아줌마’의 흔적을 고전문학 속 기혼여성을 그려내는 방식에서 찾고자 하였다. This study examines the disturbing embodiments of married women appearing in Pilgi and Yadam in the late Joseon Dynasty, and examines how their existence and narrative functions are implemented in the work. Through this, it was revealed that the negative perception of the middle-aged woman(A-jum-ma) was transmitted through a specific circular image, and it was attempted to argue that the representation of an middle-aged woman(A-jum-ma) refracted by a male subject formed a kind of collective and virtual identity. As we have seen, married women in Pilgi and Yadam were mainly depicted as oppressive or complaining beings, and as ignorant, extravagant, and sophisticated characters. This disturbing figure would be primarily the result of being selectively recorded by the gaze of the male nobleman, and the starting point is believed to have originated from the historical and social background of the starting point. However, at some point, such a figure diverges from the historical context or is cast as a typical character, deviating from the probability of narrative. This shows the signs of reproduction and reinforcement as a social concept, as soon as the disturbing shape of married women deviates from the hegemony of femininity and motherhood of the time. Therefore, it can be said that the precarious image of an uneasy woman is not limited to the problems of the public time. If the image of a married woman who is wealthy at the boundary between femininity and motherhood exists in the term ‘middle-aged woman(A-jum-ma)’ today, this work will still be effective. The sum of femininity and motherhood is still a framework for standardizing women of the time, and it is true that many married women are differentiated, and that the presence of middle-aged woman(A-jum-ma) as married women has always existed in history. However, they are only understood as concepts created by the creation and change of language today, and have not been properly given their own historical and identity. This paper attempted to find traces of this ‘middle-aged woman(A-jum-ma) in a way that depicts married women in classical studies.