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RISS 인기검색어
- 검색키워드
- 주제어 : Polyphony Basso Continuo(Figured bass) (검색결과 1 건)
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헨델의 오라토리오 <메시아>합창곡에 대한 효과적인 연주방법 연구
Händel(Georg Friedrich Handel, 1685-1759) was a representative composer of baroque music. His most remarkable work as leading music of Baroque period, Oratorio <The Messiah>, well expressed sincereness to God with religious music based on his inner piety. Thanks to this work, Händel established his position as an oratorio composer. Most of all, he placed a priority on chorus and the main melody of chorus. Through Händel’s oratorio <The Messiah>, we are capable of knowing music backgrounds of Baroque period, compositional techniques and development of vocal music and instrumental music as well as finding that performer started to improvise freely. Händel’s <The Messiah> is widely known and loved, composed of 3 parts. Part 1 expresses the rhythm of a piece of dance music and the termination of slow tempo in the last chorus part besides polyphony used freely in chorus as a subject based on prophecy and birth. Part 2 expresses fugue form as a subject concerning suffering and atonement, representing feature that responds to varieties of structural form such as monophony, polyphony, homophony. Part3 expresses resurrection and eternal life, showing the magnificence of the chorus as to fugue form. the lyrics were based on the Bible, particularly, part 3 was based on the New Testament, and the content of the whole lyrics is the search for the origin of God. Today, this song is performed as a chorus as a process to go through chorus conduction, which is a necessary factor for research.
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