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      • 헨델의 오라토리오 <메시아>합창곡에 대한 효과적인 연주방법 연구

        성미정 창원대학교 2019 국내석사

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        Händel(Georg Friedrich Handel, 1685-1759) was a representative composer of baroque music. His most remarkable work as leading music of Baroque period, Oratorio <The Messiah>, well expressed sincereness to God with religious music based on his inner piety. Thanks to this work, Händel established his position as an oratorio composer. Most of all, he placed a priority on chorus and the main melody of chorus. Through Händel’s oratorio <The Messiah>, we are capable of knowing music backgrounds of Baroque period, compositional techniques and development of vocal music and instrumental music as well as finding that performer started to improvise freely. Händel’s <The Messiah> is widely known and loved, composed of 3 parts. Part 1 expresses the rhythm of a piece of dance music and the termination of slow tempo in the last chorus part besides polyphony used freely in chorus as a subject based on prophecy and birth. Part 2 expresses fugue form as a subject concerning suffering and atonement, representing feature that responds to varieties of structural form such as monophony, polyphony, homophony. Part3 expresses resurrection and eternal life, showing the magnificence of the chorus as to fugue form. the lyrics were based on the Bible, particularly, part 3 was based on the New Testament, and the content of the whole lyrics is the search for the origin of God. Today, this song is performed as a chorus as a process to go through chorus conduction, which is a necessary factor for research.

      • 중국어 諧音의 운용과 효과 연구

        조숙희 경상대학교 대학원 2008 국내석사

        RANK : 2588

        &#35856;音是指&#35821;言&#36816;用中借助于&#21457;音相同或相近的&#35821;音特点&#26469;表&#36798;意思的一&#31181;修&#36766;手段。&#35856;音大多通&#36807;&#32852;想的方式,由某&#23454;物的&#35821;音想到&#19982;之&#35821;音相同或相似的&#21478;一&#35789;的&#35789;&#20041;。&#35856;音作&#20026;一&#31181;&#35821;言&#29616;象普遍存在于各&#31181;&#35821;言之中,而在&#27721;&#35821;中尤其多&#35265;。 本文&#25311;&#23545;中國語諧音的運用與效果&#36827;行&#30740;究。在諧音運用的&#30740;究方面,分&#20026;“文&#23398;作品”、“商&#19994;&#24191;告”、“民&#38388;&#39118;俗”、“日常生活”四&#31867;。在文&#23398;作品中,&#35856;音&#21452;&#20851;是一&#31181;常用的修&#36766;手法,有着&#29420;特的魅力。利用音同音近的字&#35789;有意使&#35789;句同&#26102;兼有&#20004;&#31181;意思,言在此而意在彼,由表及里,由&#23548;&#20307;“表”引出&#38544;含的主&#20307;“里”,“&#23548;&#20307;”&#19982;“主&#20307;”&#38388;的&#32445;&#24102;便是&#35856;音。如唐代李商隱≪無題≫:“春蠶到死絲方盡,蠟炬成灰淚始干”,“絲”&#35856;“思”,表&#36798;&#23545;&#29233;情的&#25191;着;在商&#19994;&#24191;告中,借音&#25442;字,也可以取得特殊意&#20041;和效果。≪三&#22269;演&#20041;≫&#24320;篇句是“分久必合,合久必分”,用以反映事物&#21457;展的客&#35266;&#35268;律,山西汾酒&#24191;告&#35789;&#21363;&#35856;此音:“汾酒必喝,喝酒必汾”。&#23427;是用同音字或近音字&#36827;行&#35856;音&#25442;字而形成的。其形式、音&#33410;相似,意&#20041;却完全&#21457;生了改&#21464;。&#35856;音充分利用&#25442;字&#31616;&#32451;生&#21160;、音&#33410;&#21709;亮、易&#35835;易&#35760;等&#20248;点,使&#24191;告&#35789;&#26174;得新奇有趣、言&#31616;意&#36165;、通俗易&#25026;,&#35753;人&#36807;目不忘,印象至深,大大增强了&#24191;告的&#33402;&#26415;魅力;在民&#38388;&#39118;俗中,喜&#27426;用&#35856;音以祈福是人&#20204;求吉避凶心理的一&#31181;表&#29616;形式,也就是人&#20204;常&#35828;的吉利&#35821;。如中&#22269;婚俗在床上撒大&#26531;、花生、桂&#22278;、&#33714;子,&#35856;“早生&#36149;子”。&#36807;年送&#31036;最好送“&#40060;”, &#35856;“富裕”,“富余”,“年年有余”。&#36807;春&#33410;&#26102;,家家&#25143;&#25143;故意把“福”字倒&#36148;在大&#38376;上,取“福到了”的口彩,因“倒”和“到”&#26500;成&#35856;音。&#35856;音文化&#20174;一&#20010;&#20391;面反映了&#27721;民族的&#39118;俗&#20064;&#24815;和社&#20250;&#31036;&#20202;&#39118;&#23578;;在日常生活中,&#35856;音的使用也&#24456;&#24191;泛。&#35768;多歇后&#35821;都是&#35856;音的妙用,在一定的&#35821;言&#26465;件下,用“借音指意”的方式&#26469;表&#36798;暗藏的意思。日常的口&#22836;交&#38469;中利用&#35856;音方式可以增加&#35821;言的形象性、生&#21160;性和幽默性,&#36798;到令人解&#39056;的效果。&#29616;在&#25253;刊&#26434;志、&#30005;&#35270;&#24191;播中也常&#35265;借用&#35856;音改&#21160;成&#35821;或固定表&#36798;中的某一&#20010;字&#35789;以取得幽默和&#35773;刺效果的&#29616;象。 在&#35856;音效果的&#30740;究方面,本文&#24635;&#32467;出&#35856;音有含蓄和余味,&#35801;&#35856;和机智,祈福和禁忌,委婉和&#33410;制的效果。利用相同或相近&#35821;言成分的再&#29616;或&#32852;想&#26469;突出&#35821;&#20041;重点,利用不同&#35821;&#20041;之&#38388;的&#35821;音&#32852;系&#26469;巧妙地表&#36798;&#35828;&#35805;人的&#29233;憎情感和褒&#36140;&#24577;度,正是&#35856;音&#36825;&#31181;修&#36766;手段所&#24102;&#26469;的特有效果。&#35856;音&#36824;可以&#19982;其他多&#31181;&#36766;格&#32508;合&#36816;用,使&#35821;言的&#33402;&#26415;魅力得到充分表&#29616;。 &#27721;&#35821;中&#35856;音&#29616;象的&#24191;泛&#36816;用&#20016;富了&#35821;言文字的表&#29616;手段,&#24182;且&#38543;着大量的&#35856;音&#35789;句的不&#26029;涌&#29616;,&#23545;&#27721;&#35821;表&#36798;所&#24102;&#26469;的影&#21709;也在日&#36235;加深。因此,收集&#27721;&#35821;中&#35856;音&#35821;料&#24182;&#23545;其&#36816;用&#35268;律和&#36816;用&#35268;范加以深入&#30740;究,有着十分重要的意&#20041;。

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