Like a Sacred Image in Seokulam Vestibule (石窟庵前室), the composition of 8 statues of god commanders (神將像) which include some iconic characteristics of Palbujungsang is a process during the changes in Palbujungsang in Korea which are show...

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https://www.riss.kr/link?id=A101962044
2016
-
600
KCI등재
학술저널
61-83(23쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Like a Sacred Image in Seokulam Vestibule (石窟庵前室), the composition of 8 statues of god commanders (神將像) which include some iconic characteristics of Palbujungsang is a process during the changes in Palbujungsang in Korea which are show...
Like a Sacred Image in Seokulam Vestibule (石窟庵前室), the composition of 8 statues of god commanders (神將像) which include some iconic characteristics of Palbujungsang is a process during the changes in Palbujungsang in Korea which are shown in the Five-story Stone Pagoda (全羅南道求禮華嚴寺西五層石塔) West (西) in Hwaeomsa, Gurye, Cheollanam-do and the Three-story Stone Pagoda in Hwacheon-dong, Youngyang-gun, Kyungsangbuk-do (in the late 9thcentury). Especially the Three-story Stone Pagoda in Hwacheon-dong and the Three-story Stone Pagoda in Hyeonil-dong are in common in that they keep characteristics off our sacred images such as Asura-Gandharva-Naga-Yaksa. In other words, 8 sacred images in Seokulam Vestibule are Palbusinjang rather than Palbujung. They are Palbusinjang with some iconic characteristics of Palbujung. Considering that it is the late half of the 9th century when Palbujung was transformed into Palbusinjang in stone pagoda, it can be guessed that 8sacred(Palbusinjang) in Seokulam Vestibule was built in or after the second half of the 9th century. In other words, the current vestibule was not built at the time of original foundation in middle of the 8th century butit was built at the later time. It seems that Palbujung sang in Seokgulam Vestibule were built in late 9th century as the Palbujung were introduced in vestibule in China from Odae(五代), and Keumgangyeoksasang and Palbujungsang are more formatted than other images in Seokulam and they are more similar to the samples in the end of the 9th century and eartly 10th century.
19세기 조선왕실 소용 淸代(청대) 釉上彩(유상채) 瓷器(자기) 연구
1861년 선종(善宗)작 범어사 극락암 칠성도의 특징과 의의
토함산 석굴의 감실존상(龕室尊像) -팔대보살의 형성과 배치를 중심으로-