괘상(卦象)을 이용한 추상표현 연구 = A Study on Abstract Expression using Image of Hexagram

다국어 초록 (Multilingual Abstract)

Image of hexagram is a symbol that sets the underlying and contrasting attributes inherent in the natural phenomena as negative(⚋) and positive(⚊), in which their expressions are abstracted into ‘⚋(yin)’ and ‘⚊(yang)’. 8 kinds of symbols derived when the symbol above is vertically overlapped 3 times are generally referred to as '8 trigrams', and overlapping 6 times results in '64 hexagrams'. Image of hexagram classifies and responds to a wide range of natural objects, describing their characteristics in a condensed manner using the harmony between yin(⚋) and yang(⚊). Therefore, it allows collective understanding to be constructed easily in terms of cognition and is convenient to use due to its simplicity in terms of practice[easy and simple, 易簡]. Its recapitulative representation is close to the modern abstract, adding the imagination about what is beyond the object, and it's realized with reverence and aesthetics. As the aesthetic conception, Image of hexagram is the starting point of Eastern painting, cherishing the keys of oriental philosophy and aesthetics. Paying attention to such characteristics of Image of hexagram, this research focuses on the work to investigate the essence of nature and humanity which is manifest in Image of hexagram.
This paper examined the principles under which the yin-yang symbols are harmonized with reason, image and number through 'Hetu･Luoshu(河圖･洛書) and number' and 'Taegeuk and reason.' It also investigated the concept of 'image' which is a symbol of 󰡔Book of Changes󰡕and that of 'idea-image' which is an aesthetic object derived from the relation between 'image' and 'meaning.' Furthermore, the research aims to ponder upon various themes derived from the relation between aesthetic object and subject in painting. The research revealed so far there have been various attempts at abstract expressions and some accomplishments achieved in the Korean art but it remains that there are few studies on the origins of abstraction in our region, spanning prehistoric and historical eras. Hence, the potentials of the modern abstract painting using the elements inherent in Image of hexagram were considered in this study. Based on these above, it intends to explore the possibilities to expand the analytic trend from a philosophical and aesthetical perspective only to an artistic perspective in Image of hexagram research.

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