일제말기 한국 영화에 나타난 혼종성: <집 없는 천사>와 <지원병>을 중심으로 = The Emergence of Hybridity in Korean Movies under Late Japanese Imperialism: Angle without Home and Volunteer

다국어 초록 (Multilingual Abstract)

This paper examines the internalization of colonialism and image aesthetics in Korean movies under late Japanese imperialism, and discusses colonialism as its central topic. The existing discourses on Angel without Home and Volunteer have shown limits by focusing only on nationalism and realism. On the contrary, this paper changes the direction from the dichotomy of the two works to the way the colonized confront imperialism in the movies and represent their desire.
The first part of the paper places the re-discovery of Korean movies and the discussion of colonialism at its analytic center. The second part analyzes the dualism of colony and Naeseonilche(Joseon and Japan are one body) on the basis of orphan consciousness and the aspect of Naeseonilche appearing in Angel without Home. In the analytic process, I find the diverging point of logical rupture and hybridity in the movie from director Choi In Kyu’s inner disruption. The third part deals with the desire for modern city and militarism in Volunteer. I also focus on the distortion of Park Young Hee, the original author and An Seok Young, the director from the desire for modern city, and proceeding to militarism. In addition, I show how they revealed the ideology of imperialism and how the rupture appears in the movie. The fourth part analyzes the hybridity emerging from the collision of colony and imperialism in both works. In particular, I find that the hybridity of languages in the movies was closely related to the nation.
Through the above research, I find that the two movies reflects the reality of a colony, and restores the nation by showing the hybridity through its collision against imperialism.

다국어 초록 (Multilingual Abstract)

This paper examines the internalization of colonialism and image aesthetics in Korean movies under late Japanese imperialism, and discusses colonialism as its central topic. The existing discourses on Angel without Home and Volunteer have shown limits by focusing only on nationalism and realism. On the contrary, this paper changes the direction from the dichotomy of the two works to the way the colonized confront imperialism in the movies and represent their desire.
The first part of the paper places the re-discovery of Korean movies and the discussion of colonialism at its analytic center. The second part analyzes the dualism of colony and Naeseonilche(Joseon and Japan are one body) on the basis of orphan consciousness and the aspect of Naeseonilche appearing in Angel without Home. In the analytic process, I find the diverging point of logical rupture and hybridity in the movie from director Choi In Kyu’s inner disruption. The third part deals with the desire for modern city and militarism in Volunteer. I also focus on the distortion of Park Young Hee, the original author and An Seok Young, the director from the desire for modern city, and proceeding to militarism. In addition, I show how they revealed the ideology of imperialism and how the rupture appears in the movie. The fourth part analyzes the hybridity emerging from the collision of colony and imperialism in both works. In particular, I find that the hybridity of languages in the movies was closely related to the nation.
Through the above research, I find that the two movies reflects the reality of a colony, and restores the nation by showing the hybridity through its collision against imperialism.

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