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      그림책 『꼬마 검둥이 삼보』 다시 읽기 = Re-reading 「The Story of Little Black Sambo」

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      https://www.riss.kr/link?id=A101075951

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      국문 초록 (Abstract)

      본 연구는 1899년에 출판된 헬렌 배너만의 그림책 『꼬마 검둥이 삼보』가 지니는 아동문학으로서의 역사적 가치 및 작품에 나타난 주요 요소를 한국적 관점에서 이해하고자 하였다. 우선 지...

      본 연구는 1899년에 출판된 헬렌 배너만의 그림책 『꼬마 검둥이 삼보』가 지니는 아동문학으로서의 역사적 가치 및 작품에 나타난 주요 요소를 한국적 관점에서 이해하고자 하였다. 우선 지난 100년간 아동들의 지속적인 사랑을 받아온 『꼬마 검둥이 삼보』 그림책이 지니는 아동문학 고전으로서의 위상을 돌아보는 한편, 주인공 흑인들에 대한 스테레오타입과 인종차별주의적 요소를 살펴보았다. 또한 위 그림책의 주요 요소 중 ‘삼보 Sambo’에서 연상되는 주인공‘이름’, 삼보 가족의 검은 피부색, “꼬마” 삼보로 대표되는 ‘아동’의 위상, 그리고 이야기를 주도하는 또 하나의 등장인물 ‘호랑이’의 입지를 한국적 관점에서 재고하였다. 결론적으로 미국 역사를 반영한 다문화 교육적 관점에서는 『꼬마 검둥이 삼보』가 부정적으로 해석되고 평가될 여지가 있으나, 한국 문화적 맥락에서 이를 전향적으로 재해석한다면 긍정적인 측면에서 다문화 교육의 자료로 활용할 수 있는 가능성을 발견할 수 있다.

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      다국어 초록 (Multilingual Abstract)

      This article is to find out the historical and literary values and to re-discover the meanings of main characters or factors implied in the picture book 「The Story of Little Black Sambo」. 「The Story of Little Black Sambo」, written by Helen Ban...

      This article is to find out the historical and literary values and to re-discover the meanings of main characters or factors implied in the picture book 「The Story of Little Black Sambo」. 「The Story of Little Black Sambo」, written by Helen Bannerman in 1899, has remained on the shelves of libraries for more than 100 years as a classic of literature, but simultaneously has been criticized because of the stereotypes or racism implied in the book. On the other hand, 4 main factors or characters of the story are illuminated, such as the name of the main characters like ‘Sambo, Mumbo, and Jumbo’, Color ‘black’ of African people’s skin, a ‘little’ child represented as a problem solver, and ‘tigers’ as very important antagonists in the story. In conclusion, although the picture book「The Story of Little Black Sambo」could be interpreted or criticized negatively by American historical background or multicultural education, we can discover the possibilities applying the book as a material in multicultural education by re-interpreting with positive views from Korean cultural contexts.

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      참고문헌 (Reference) 논문관계도

      1 김기호, "호랑이 설화를 통한 서사 만들기의 의의" 어문학 93 (93) : 187 ~ 213 , 2006

      2 김기호, "트릭스터 그리고 성장의 매개자: <해와 달이 된 오누이 >의 호랑이" 한민족어문학(구 영남어문학) 42 (42) : 11 ~ 315 , 2003

      3 오형엽, "인지언어학적 은유론의 수사학적 고찰 - 레이코프와 존슨을 중심으로 -" 어문학 102 (102) : 499 ~ 528 , 2008

      4 김수연, "인간의 근원적 미지 불안과 치유의 서사, <호랑이와 곶감 >" 문학치료연구 32 : 75 ~ 99 , 2014

      5 오윤선, "외국인의 한국설화 다시쓰기 양상 ­-호랑이 소재담을 중심으로­-" 우리문학연구 43 (43) : 191 ~ 228 , 2014

      6 정옥희, "시각문화교육으로의 접근을 위한 색채 교육- 색채 지각의 다양한 방식과 색채가 갖는 서로 다른 문화적 의미 이해를 통한 비판적 시각문화 읽기 내용을 중심으로 -" 미술교육논총 21 (1) : 1 ~ 24 , 2007

      7 임재해, "설화에 나타난 호랑이의 다중적 상징과 민중의 권력 인식" 실천민속학 연구 19 : 187 ~ 232 , 2012

      8 김하나, "문화상품 개발을 위한 배색에 관한 연구2 - 19세기 비단조각보를 중심으로" 한국색채학회논문집 22 (2) : 25 ~ 36 , 2008

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      10 Martin, M. H., "“Hey, Who’s the Kid with the Green Umbrella?”: Re-evaluating the Black-a-Moor and Little Black Sambo" The Lion and the Unicorn 22 (2) : 147 ~ 162 , 1998

      1 김기호, "호랑이 설화를 통한 서사 만들기의 의의" 어문학 93 (93) : 187 ~ 213 , 2006

      2 김기호, "트릭스터 그리고 성장의 매개자: <해와 달이 된 오누이 >의 호랑이" 한민족어문학(구 영남어문학) 42 (42) : 11 ~ 315 , 2003

      3 오형엽, "인지언어학적 은유론의 수사학적 고찰 - 레이코프와 존슨을 중심으로 -" 어문학 102 (102) : 499 ~ 528 , 2008

      4 김수연, "인간의 근원적 미지 불안과 치유의 서사, <호랑이와 곶감 >" 문학치료연구 32 : 75 ~ 99 , 2014

      5 오윤선, "외국인의 한국설화 다시쓰기 양상 ­-호랑이 소재담을 중심으로­-" 우리문학연구 43 (43) : 191 ~ 228 , 2014

      6 정옥희, "시각문화교육으로의 접근을 위한 색채 교육- 색채 지각의 다양한 방식과 색채가 갖는 서로 다른 문화적 의미 이해를 통한 비판적 시각문화 읽기 내용을 중심으로 -" 미술교육논총 21 (1) : 1 ~ 24 , 2007

      7 임재해, "설화에 나타난 호랑이의 다중적 상징과 민중의 권력 인식" 실천민속학 연구 19 : 187 ~ 232 , 2012

      8 김하나, "문화상품 개발을 위한 배색에 관한 연구2 - 19세기 비단조각보를 중심으로" 한국색채학회논문집 22 (2) : 25 ~ 36 , 2008

      9 김경근,심재휘,연보라, "교사 다문화 수용성 결정요인들 간의 구조적 관계" 한국교원교육학회 한국교원교육연구 32 (1) : 309 ~ 338 , 2015

      10 Martin, M. H., "“Hey, Who’s the Kid with the Green Umbrella?”: Re-evaluating the Black-a-Moor and Little Black Sambo" The Lion and the Unicorn 22 (2) : 147 ~ 162 , 1998

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