This study examines different modes of dancer’s body featured in current contemporary dance. ‘Contemporary’ is a tricky word to define. The term “contemporary dance” is sometimes used to describe dance that is not classical jazz or tradition...
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https://www.riss.kr/link?id=A103976533
김말복 (이화여자대학교)
2011
Korean
컨템포러리 댄스 ; 무용수의 몸 ; 예술 혼종 ; 표상 ; 해체 ; contemporary dance ; dancer’s body ; artistic hybridity ; representation ; deconstruction
KCI등재
학술저널
1-27(27쪽)
14
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study examines different modes of dancer’s body featured in current contemporary dance. ‘Contemporary’ is a tricky word to define. The term “contemporary dance” is sometimes used to describe dance that is not classical jazz or tradition...
This study examines different modes of dancer’s body featured in current contemporary dance. ‘Contemporary’ is a tricky word to define. The term “contemporary dance” is sometimes used to describe dance that is not classical jazz or traditional folk/cultural dance. But contemporary dance is used here as the current world dance happening in the span of 20~30 years up to now. Through the survey of various functions and styles of dancer’s body in contemporary dance, this study aims to understand the changing environment of world dance in the 21st century.
There are many ways that dancer’s body can be portrayed or used in dance.
Dancer’s body can be used when a choreographer is trying to represent something or to convey his or her ideas to the viewers. And dancer’s body can be used as the medium to express emotions or feelings of choreographer. Dancer’s body and movement can be designed to portray abstract images other than human forms or meanings. After post modern dance, ordinary body that is not trained technically and daily movement that is not dancy appeared in contemporary dance. They are used as the experimental representation of the choreographer’s ideas. They were chosen to raise a question to the traditional condition of dance existence. Also there is a formalist dance style which takes formal beauty of dancer’s body and movement as the prime value of dance. These various modes of presenting dancer’s body covers from traditional way of dance existence to current avant garde style dance.
From these findings, the most outstanding characteristics of contemporary dance are discussed and explained in the end as a conclusion. The most characteristic feature of contemporary dance is that they have an open structure in its narrative and construction. For an instance, Twylar Tharp’s Catherine Wheel shows an open ended mosaic structure of telling the story of that piece. In this work, traditional linear structure of story telling are deconstructed and gathered in a new sensitive and deconceptualized way. Also Tanztheater and William Forsythe and Montalvo’s way of producing dances are discussed as an instance of showing the crossover tendencies and deconstruction of dance movement and stage space, and the convergence of dance genre, technique, media, culture and races happening in a current world dance scene.
참고문헌 (Reference)
1 박이문, "예술철학" 문학과지성사 2006
2 조윤경, "새로운 문화 새로운 상상력 : 미래를 만드는" 이화여자대학교출판부 2006
3 김말복, "무용예술코드" 도서출판 한길아트 2011
4 김말복, "무용예술의 이해" 이화여자대학교출판부 2003
5 Selma Jeanne Cohen, "International Encyclopedia of Dance vol. 3" Oxford University Press 1998
6 Bremser, M., "Fifty Contemporary Choreographers" Routledge 1999
1 박이문, "예술철학" 문학과지성사 2006
2 조윤경, "새로운 문화 새로운 상상력 : 미래를 만드는" 이화여자대학교출판부 2006
3 김말복, "무용예술코드" 도서출판 한길아트 2011
4 김말복, "무용예술의 이해" 이화여자대학교출판부 2003
5 Selma Jeanne Cohen, "International Encyclopedia of Dance vol. 3" Oxford University Press 1998
6 Bremser, M., "Fifty Contemporary Choreographers" Routledge 1999
쇼쿄쿠사이덴카츠(松旭齊天勝)의 춤 전개 양상 연구 -1911년에서 1935년까지의 경성공연을 중심으로-
뮤지컬에 내재(內在)된 춤의 극적 기능(dramatic functions)에 관한 연구
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2014-10-22 | 학회명변경 | 영문명 : 미등록 -> The Korean Society for Dance Studies | |
2011-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2010-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2009-01-01 | 평가 | 등재후보 1차 FAIL (등재후보2차) | |
2008-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2007-01-01 | 평가 | 등재후보학술지 유지 (등재후보2차) | |
2006-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2004-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.51 | 0.51 | 0.53 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.51 | 0.52 | 0.698 | 0.29 |