브이곳스끼의 예술심리학에서 카타르시스의 개념

다국어 초록 (Multilingual Abstract)

This paper aims to analyze the concept of catharsis which is to be considered as one of the most important ways to understand the core of artistic psychology by a Russian psychologist and aesthetic ian Lev Semenovich Vygotsky(1896-1934), the works of whom have been esteemed as predecessors of major Russian literary theories (including narratology and semiotics). It is a pity that there have been not very much attempts to study his major work, which is devoted to the study of psychological mechanisms produced by an artistic work. But without the making of a thorough study of his aesthetic thoughts, we always have to reach an incomplete understanding of his other later theories about education and linguistic philosophy. The subject of his theory of artistic psychology can be summarized as followings: the conceptualization of mechanisms of an art work through the psychological terms, and the analysis of the recipient's mind in relation to an art work, and the function of the structure of an artistic text as an stimulus to the recipient's emotion, and finally, the analysis of the concept of catharsis as the core of so called 'aestho-psychology', which attempts to synthesize methods of aesthetics, sociology, psychology. It is not difficult to find in Vygotsky's writings the great influence of his precedent and contemporary theorists and schools including Russian formalists, and reflexologists, and other psychologists. It is very natural that those philosophical influences comprise the context of Vygotsky's writings. But his scientific endeavor cannot be reduced to the repetition of the preceding researches. Indeed, it is possible to find that he get over them in his thoughts, and moreover, that he launches his new scientific ideas. Therefore, this paper examines thoroughly in each chapter several main points of Vygotsky's theory of aesthetic psychology(the meaning of three major aesthetic categories of form, content and catharsis, the mechanism of an artistic text, and such psychological terms as reaction, the principle of emotion, an aesthetic reaction, theories of fable, novella, tragedy), and at the same time, the trace of influence from other adjacent theories in his writings.

목차 (Table of Contents)

• 0. 들어가면서
• 1. 형식과 내용
• 2. 예술텍스트와 ‘반응’
• 3. 심미적 반응의 메커니즘과 ‘대립의 원칙’
• 4. 우화론과 단편 소설론
• 5. 「햄릿」과 비극론
• 6. 카타르시스론
• 7. 나가면서
• 참고문헌
• Abstract

참고문헌 (Reference)

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