사키야마 다미의 『달은 아니다』론 = 전도되는 문자세계

다국어 초록 (Multilingual Abstract)

This study considers Tukiya Aran (2012) by female writer Sakiyama Tami of Okinawa. The novel language of Sakiyama is difficult because she writes in the Okinawan dialect to let natural Japanese context dislocate, uses nonverbal phonetic signs, has a unique inclination of sequence, and enjoys the rhythm of the sound. This becomes more difficult because of the aspect of the other world in the novel based on such language awareness and method of expression. This paper reviews what message Sakiyama conveys, mainly through the mysterious phenomenon in the novel by imagination of the other world. Particularly, the focus is on the ecriture (written language) in the novel and the linguistic view of Sakiyama. What do “The Autobiography” of the blank paper, tape recording of voice, and a series of cases that happened around the character of novel, Takamizawa Ryoko mean? These showed a limit of the representation by the written language and violence of the representation for others. Sakiyama hears the voice of people who were suppressed by violent representation, against Okinawan discourse that circulated in Okinawa.

목차 (Table of Contents)

• 서론
• 제1장 이계공간으로서의 텍스트
• 제2장 문자언어와 표상의 한계
• 제3장 신체와 음성언어
• 결론
• 참고문헌
• 논문초록

참고문헌 (Reference)

1 월터 J. 옹, "구술문화와 문자문화－언어를 다루는 기술" 문예출판사 1995

2 浅見克彦, "響きあう異界─始源の混沌神の深淵声の秘義" せりか書房 2012

3 大野寿子, "超域する異界" 勉誠出版 2013

4 鈴木智之, "現代沖縄文学の制度的重層性と本土関係の中で沖縄性に関する研究" 沖縄文学研究会 2006

5 新城郁夫, "沖縄文学という企て─葛藤する言語身体記憶" インパクト出版会 2003

6 崎山多美, "月や、あらん" なんよう文庫 2012

7 小松和彦, "日本人の異界観─異界の想像力の根源を探る" せりか書房 2006

8 花田俊典, "崎山多美論のためにムイアニ由来記" 砂子屋書房 1999

9 崎山多美, "南島小景" 砂子屋書房 1996

10 崎山多美, "コトバの生まれる場所" 砂子屋書房 2004

11 崎山多美, "21世紀文学の創造2 私の探求" 岩波書店 2002