경판방각소설의 각자체(刻字體) 연구 = Thesis on the Style of Carved Letters in Seoul Block Prints

다국어 초록 (Multilingual Abstract)

  The carved letters on the woodblock-printed has its origin in the letters written clearly by the calligraphist. The calligraphist writes the letters in easy and mellowed style, just like in the square style. The shape of the letters written by the calligraphist is changed just a little through the operation of carving, whether by design or by accident. So the letters originated by the carving-man differs a little from the letters originated by the calligraphist.<BR>  The calligraphist makes the well written version for registration in the cursive style of writing, in the correspondence style of writing or in the printed style of writing. The carving-man carves the letters in a turned-inside-out situation of the version. By this reason, the miscaved letters is coming out on the woodblock-printed.<BR>  The well written version for registration of Seoul block prints, which were published around Seoul area in the figure of the woodblock-printed, is usually written in the cursive style of writing or the correspondence style of writing. So the Reader makes misreading the letters of Seoul block prints occasionally.<BR>  Here I makes some examination on these : a) the difference between the letters written by the calligraphist and the letters carved by the carving-man. b) the variation of the carved letters ‘a(ㅏ)’. c) the reasons of the variation d) the misreading of the character carved in the cursive style of writing or in the correspondence style of writing. e) the traces of the stems used in a character, f) the traces of the stems used between the above character and the below character.<BR>  In conformity with these examinations, the Readers" misreading of the character is caused by the traces from the last stem of the above character to the first stem of the below character, and by the strokes of the vertical stem which looks like the half-horizontal stem.

목차 (Table of Contents)

• Ⅰ. 서론
  Ⅱ. 각자체에 대한 기본적 이해
  Ⅲ. 각자체로서의 ‘ㅏ’의 형태
  Ⅳ. 오독을 가져오는 유사한 자형들
  Ⅴ. 결론
  참고문헌
  〈Abstract〉
  

참고문헌 (Reference)

1 "훈민정음 <영인본>"

2 "홍길동전 <24장본>"

3 金東旭, "판본고-한글소설 방각본의 성립에 대하여" 1965

4 "춘향전 <23장본>"

5 "진대방전 <28장본>"

6 "전운치전 <37장본>"

7 이창헌, "이야기책의 글자모양 : 각자체(刻字體)" 보고사 115-156, 2005

8 李能雨, "이야기책 舊活版本 調査目錄" 1980

9 이창헌, "이야기 책 이야기" 보고사 1-448, 2003

10 柳鐸一, "완판방각소설의 문헌학적 연구" 1981

11 이창헌, "안성지역의 소설 방각활동 연구" 24 : 99-140, 1999

12 崔晧晳, "안성의 방각본 출판 입지" 37-52, 2005.6.3

13 이창헌, "소설 방각본의 한글 각자체(刻字體) 소고" 28 : 225-261, 2005

14 이창헌, "경판방각소설의 간기에 대한 연구" 43 : 69-106, 2006.8

15 이창헌, "경판방각소설 판본 연구" 태학사 1-592, 2000

16 이창헌, "경판(京板) 방각소설 <24장본>의 문헌적 성격" 26 : 135-168, 2000.6

17 柳鐸一, "韓國文獻學硏究" 1990

18 류준경, "達板 坊刻本 연구" 35 : 57-87, 2005.6

19 李周映, "舊活字本 古典小說 硏究" 月印 1-234, 1998

20 權純肯, "活字本 古小說의 편폭과 지향" 보고사 1-340, 2000

21 李政沅, "安城板 坊刻本 출판 현황" 127 : 161-184, 2005.9

22 崔晧晳, "大邱 在田堂書鋪의 出版 活動 연구" 132 : 229-253, 2006.12