호흡의 재인식을 통한 연기 훈련의 실제 = A Study on the Practical Acting Method of Emotional Breathing

다국어 초록 (Multilingual Abstract)

The difference between organism and inanimate object is breathing. With this fact employing breathe is the key of solid acting in stage. However, we can easily find that only used for voice-training and relaxation for making roll process in lots of acting schools and theatrical companies. But breathing is the bridge between actor and role. We should recognized that relationship as physical agency. Generally, emotion were defined as opposition of physical things, but we can pursuit the "body-mind acting" with understanding emotion's physical points.
In past, we were stressed that reasoned, logic and mentality in acting practice field. But now, it concerning that expression of body, intuition and temptation more than past. This idea is not only concern of play in short term. It related with changing of conversation of philosophy and culture. In past, acting was explained as two points that internal things and external things. This is comom idea of definition human in western countries.
The idea of western countries that internal things are more valuable things than external things caused external things was defined as less valuable potion. But modern actors kept effort to reduce the gap of these two subjects.
Acting practice field traced this movement and searching development in may ways. During post modern we should not passing over that we found the value of actor body. Then, which points should we understand actor's body? western's dualism was developed to monism but if we understand it as just union of split and body, we might take only part of whole idea which without realism and sphere. If we only can see split and feeling as just intention, it will cause some blind spot.
In eastern's outlook on the world can increase ability of your concept of split and boby's movement and sounds. In that concept, this research is not only focus on difference between Illusional Acting and dis-Illusional Acting, but also agreement point of both by eastern's ontology. Emotion and feeling is a phenomenon of body's processing, and it might can cause sudden emotion and feeling. breathing is essential source of emotion.
Today's one large issue in acting field is how to train an actor with flexibilities of each styles of theater. It requires more effort for multi-function of role and its way of training

Key Word : 재현적 연기(representational acting), 비재현적 연기(presentational acting), 전표현 단계(pre-expressive level), 배우의 충동 (impulse of actor), 감정호흡(emotional breathing)