센류를 통해서 본 『이세모노가타리』 - 나리히라의 ‘이로고노미’와 와카를 중심으로 -

다국어 초록 (Multilingual Abstract)

Isemonogatari reviewed through Senryu Cyonin who lived in Edo period took charge of important role of cultural creation and popularization with economics and social improvement of the growth of cities. And he came into a literary work of entertainment with realistic interest. One of them is Senryu. This thesis looked around how to see the Heian period work of Isemonogatari to Cyonin of Edo is found the pieces of Isemonogatari come on the Senryu work. Isemonogatari consists of separated 125 columns around Waka, generally, it is showed the life of Mukasi-otoko to think of Narihira. Japanese loved the work for a long time and influenced on the make a lot of works after age. The work was enough to hold Cyonin of Edo period, Senryu is also provided motive. Tukumo-kami of Isemonogatari is the word to help for understanding Irogonomi of Narihira. Senryu of Tukumo-kami setting is included ridicule and jeer because greatest Irogonomi is faced each other not only beautiful women but also reluctant and hesitated women. And, we could know about Narihira who is respected from people and ideal type of the day at the same time. Also, Isemonogatari is Utamonogatari to be around of Waka. Accordingly, If we see the words of ‘Neyoge’, ‘Siranami’ in Senryu, it is known about following in Waka of Isemonogatari, and we could be able to feel what is stand for in the story. Isemonogatari express light laugh to be extension, change in appearance throughout Senryu but we can confirm the original meaning just as it was lively inside to have Isemonogatari. That is, it is showed the moments of laughter in light writing but it bears in mind inside to have profound meaning of Isemonogatari is living together pungent criticism, satire society.

목차 (Table of Contents)

• Ⅰ. 서론
• Ⅱ. 센류의 본질
• 1. 하이카이와 하이쿠
• 2. 센류
• Ⅲ. 센류가 그린 나리히라의 ‘이로고노미’
• 1. 『이세모노가타리』의 중층성
• 2. 나리히라의 ‘이로고노미’
• 3. 나리히라는 질투의 대상
• Ⅳ. 센류 속에 등장하는 『이세모노가타리』의 와카
• 1. 품에 안고픈 그대
• 2. 하얀 물결의 노래
• Ⅴ. 결론
• 參考文獻
• <要旨>

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