피나 바우쉬 작품의 무대장치와 무용움직임의 상호관계에 관한 연구 = A Study on Scenic Design and Dance Movements in Pina Bausch`s Works

다국어 초록 (Multilingual Abstract)

The study examines the scenic design in Pina Bausch`s choreographic works. Pina Bausch was a genius, a brave and soulful choreographer whose masterful dance-theatre pieces virtually changed the way we look at the art form. She was interested in what moves them. Set design was an integral part of Bausch`s process. Her epic pieces featured elemental, elegant yet untraditional stage architecture that provided a meeting ground between body and mind. Ms. Bausch established a method of creating dances. She would begin rehearsals by asking specific questions of the dancers: about memories, about their daily lives. She would ask them to act out the recollections, and create minidramas from their responses. She compose with methode of collage or montage. Bausch found original and highly theatrical non-linear strategies in her compositions for merging real actions and feelings with dancing. The dance would grow out of that work, as well as a sense of place derived from foreign residencies. Pina Bausch`s set designers were Rolf Borzik and Peter Pabst. Rolf Borzik designed Cafe Muller, Arias, Barbe Bleu, etc. Past works incorporating natural design components are Carnations, which had a flower filled stage; and Masurca Fogo which featured a rocky mountain in a box. Bausch wanted things to appear real. Movement was integrated with the scenic elements and music. The altering of movement by scenic elements is extremely important in all of Bausch`s works that use natural elements such as dirt, leaves, flowers or water as performance surface.

참고문헌 (Reference)

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