梅泉 黃玹 漢詩에 投影된 民衆觀 硏究 = A study of people’s views projected in Maecheon Hwanghyeon Hansi

다국어 초록 (Multilingual Abstract)

This study examined Maecheon’s view of the people projected on a Hansi. To this end, the aspects of the people in the Hansi of Maecheon were examined first. Maecheon, who was a thorough Joseon Yuja, first recognized people as a standardized framework in the idea. People who did not exist in reality were poetic in his work. The “world of being” was often denied, and the “world that should be” was made present in the notion. Second, real people also existed in for Maecheon’s temporary works as a historian. He witnessed people suffering in reality and expressed his sorrow. The people in these works were no longer the object of ideas. Maecheon’s works, depicting the lives of poor people in detail, were also a product of his recognition. In Maecheon’s Hansi work, people in the lived reality existed as well as conceptual people. The reason that these disparate elements could coexist is probably the life history of the artist and the influence of the times worked. This is an important characteristic of Maecheon literature. This study examined how Maecheon Hansi portrayed the people in the works of Maecheon Han Poetry. It aimed to examine the public view of Maecheon. This is because the main purpose of this discussion was to examine how Maecheon perceived people through a Hansi work. Maecheon lived a poor life after giving up his past and started living in a guan room. Therefore, although Maecheon was from a noble class, his real life was people. Maecheon has sincerely created many poems from his own stories. The appearance of Maecheon in the poem was the people themselves. Thus, Maecheon lived a common life while being from a noble class. Maecheon recognized people as beings who lived today with him. To Maecheon, the p eople were “another me.” Maecheon portrayed the lives of the people who were exploited by officials and invaded by Japanese imperialism. Maecheon was angry, but he could not come up with more practical measures than the poem. Maecheon portrayed that only the people who were exploited and persecuted existed. Compassion for them developed into anger and responsibility. This was Maecheon’s v iew of people. To Maecheon, people were being exploited, but still living the hardest life today. Therefore, to him, the people were the object o f compassion, and h e perceived it as h is responsibility a s a scholar.

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