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      KCI등재 SCOPUS

      Collaborative Design Intervention in the Traditional Chinese Handicraft Sector for Enhancing Cultural Sustainability: New Channel Social Innovation Project

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      https://www.riss.kr/link?id=A107923018

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      다국어 초록 (Multilingual Abstract)

      Background Rapid industrialization brought new challenges to the handicraft sector. Recently, it has been a significant concern for designers to preserve the traditional handicraft industry and to develop cultural sustainability. A culturally sustaina...

      Background Rapid industrialization brought new challenges to the handicraft sector. Recently, it has been a significant concern for designers to preserve the traditional handicraft industry and to develop cultural sustainability. A culturally sustainable future is faced on how to blend traditional handicraft and contemporary social needs. This paper aims to study the status of collaborative design intervention in the traditional handicraft domain in order to investigate characteristics and potentials of the design processes, as well as to suggest the developmental tendency of Chinese handicraft on improving cultural sustainability.
      Methods First, to identify existing problems, literature related to the traditional Chinese handicraft was reviewed and outlined. Second, to improve cultural sustainability, three representative projects of the “New Channel Social Innovation Project” that play a prominent role in the collaborative design intervention model in the Chinese handicraft sector, were selected for comparative analysis by investigating official websites and formal documents. The characteristics of the design model were based on the results. Third, to verify the consequences, the research of the features specific to the collaborative design and the future direction were followed through a comprehensive comparison with relevant expert theory.
      Results The results of this study indicate the advantages of the collaborative design intervention method. Three commonalities were uncovered: strategically promote intangible cultural heritage protection; actively adopt the “rethinking and making” procedure before adjusting the design; and follow diverse “interdisciplinary methods” to find a creative solution. The findings reveal the crucial knowledge that the function, by design, in social and cultural issues is not to offer a solution unilaterally but to engage in the environment for drawing bidirectional communication with group members. By employing the comprehensive comparison with a "transition design" concept, a relevant expert theory suggests the significant ways for the transition to the culturally sustainable future. The results show that the future goal of Chinese handicraft is to achieve cultural sustainability based on locality knowledge through collaborative design.
      Conclusions This research allows us to have a deep understanding of the current situation of collaborative design intervention in the Chinese handicraft sector and the enthusiasm of a collaborative design intervention method for enhancing cultural sustainability. Furthermore, the study presents a critical argument of the design ways, which is the formulated strategies in interdisciplinary collaborations to enhance cultural sustainability. This study demonstrates that for improving cultural sustainability of the handicraft domain, the design processes and characteristics of collaborative design intervention in traditional handicrafts are of great significance.

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      참고문헌 (Reference)

      1 Xinyang, L., "基於尼西黑陶燒製技藝的文化創意產品設計研究與實踐[Research and Practice on Cultural and Creative Product Design Based on the Firing Techniques of Nixi Earthenware]" Hunan University 2018

      2 Xiao, T., "參與式設計視角下的社會創新研究[The Social Innovation Research : A concept of Participatory Design Perspective]" Hunan University 2017

      3 Duoduo, Z., "協同設計“觸動”傳統社區復興——以“新通道·花瑤花”項目的非遺研究與創新實踐為例[Collaborative Design "Trigger" Revival of Traditional Community: Case Study on Design Research and Practice of "New Channel·HuaYaoHua" Project on Intangible Cultural Heritage]" 12 : 26-29, 2016

      4 Larry Shiner, "“Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design" Wiley 7 (7): 230-244, 2012

      5 Tung, F. W., "Weaving with rush : Exploring craft-design collaborations in revitalizing a local craft" 6 (6): 71-84, 2012

      6 Wang, W., "Using Community Engagement to Drive Co-Creation in Rural China" 10 (10): 37-52, 2016

      7 Terry Irwin, "Transition Design: A Proposal for a New Area of Design Practice, Study, and Research" Informa UK Limited 7 (7): 229-246, 2015

      8 Terry Irwin, "Transition Design: A Proposal for a New Area of Design Practice, Study, and Research" Informa UK Limited 7 (7): 229-246, 2015

      9 Anita Ratnam, "Traditional occupations in a modern world: implications for career guidance and livelihood planning" Springer Science and Business Media LLC 11 (11): 95-109, 2011

      10 Sennett, R., "The craftsman" Yale University Press 2008

      1 Xinyang, L., "基於尼西黑陶燒製技藝的文化創意產品設計研究與實踐[Research and Practice on Cultural and Creative Product Design Based on the Firing Techniques of Nixi Earthenware]" Hunan University 2018

      2 Xiao, T., "參與式設計視角下的社會創新研究[The Social Innovation Research : A concept of Participatory Design Perspective]" Hunan University 2017

      3 Duoduo, Z., "協同設計“觸動”傳統社區復興——以“新通道·花瑤花”項目的非遺研究與創新實踐為例[Collaborative Design "Trigger" Revival of Traditional Community: Case Study on Design Research and Practice of "New Channel·HuaYaoHua" Project on Intangible Cultural Heritage]" 12 : 26-29, 2016

      4 Larry Shiner, "“Blurred Boundaries”? Rethinking the Concept of Craft and its Relation to Art and Design" Wiley 7 (7): 230-244, 2012

      5 Tung, F. W., "Weaving with rush : Exploring craft-design collaborations in revitalizing a local craft" 6 (6): 71-84, 2012

      6 Wang, W., "Using Community Engagement to Drive Co-Creation in Rural China" 10 (10): 37-52, 2016

      7 Terry Irwin, "Transition Design: A Proposal for a New Area of Design Practice, Study, and Research" Informa UK Limited 7 (7): 229-246, 2015

      8 Terry Irwin, "Transition Design: A Proposal for a New Area of Design Practice, Study, and Research" Informa UK Limited 7 (7): 229-246, 2015

      9 Anita Ratnam, "Traditional occupations in a modern world: implications for career guidance and livelihood planning" Springer Science and Business Media LLC 11 (11): 95-109, 2011

      10 Sennett, R., "The craftsman" Yale University Press 2008

      11 Manzini, E., "The New Way of The Future: Small, Local, Open and Connected"

      12 Kang, L., "Social design as a creative device in developing countries : The case of a Handcraft pottery community in Cambodia" 10 (10): 65-74, 2016

      13 Ronald Inglehart, "Modernization, Cultural Change, and the Persistence of Traditional Values" SAGE Publications 65 (65): 19-, 2000

      14 Stuart Walker, "Meaningful practices: The contemporary relevance of traditional making for sustainable material futures" Intellect 10 (10): 183-210, 2019

      15 Brown, J., "Making It Local : what does this mean in the context of contemporary craft?"

      16 Nimkulrat, N., "Hands-on intellect: Integrating craft practice into design research" 6 (6): 1-14, 2012

      17 Suib, S. S. S. B., "Enhancing knowledge exchange and collaboration between craftspeople and designers using the concept of boundary objects" 14 (14): 113-133, 2020

      18 Lees-Maffei, G., "Dangerous liaisons : Relationships between design, craft and art" 17 (17): 207-219, 2004

      19 David Throsby, "Culture, economics and sustainability" Springer Science and Business Media LLC 19 (19): 199-206, 1995

      20 Xiaofang Zhan, "Craft as Leverage for Sustainable Design Transformation: A Theoretical Foundation" Informa UK Limited 22 (22): 483-503, 2019

      21 Racz, I., "Contemporary Crafts"

      22 Annapurna Mamidipudi, "Constructing Common Knowledge: Design Practice for Social Change in Craft Livelihoods in India" MIT Press - Journals 34 (34): 37-50, 2018

      23 Niina Väänänen, "Conceptualizing Sustainable Craft: Concept Analysis of Literature" Informa UK Limited 23 (23): 263-285, 2020

      24 Elizabeth B.-N. Sanders, "Co-creation and the new landscapes of design" Informa UK Limited 4 (4): 5-18, 2008

      25 Daniel R. Williams, "Beyond the commodity metaphor: Examining emotional and symbolic attachment to place" Informa UK Limited 14 (14): 29-46, 1992

      26 Ian Fillis, "An examination of Celtic craft and the creative consciousness as a contribution to marketing creativity" Informa UK Limited 15 (15): 7-16, 2007

      27 Yating, Z., ""新通道·侗心樂坊" 手工藝跨媒介設計研究與實踐[Research and Practice on Handicraft Cross-media Design of"New Channel·Music Workshop"]" Hunan University 2018

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가예정 해외DB학술지평가 신청대상 (해외등재 학술지 평가)
      2020-01-01 평가 등재학술지 유지 (해외등재 학술지 평가) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2013-06-10 학술지명변경 외국어명 : Journal of Korean Society of Design Science -> Archives of Design Research KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 () KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.34 0.34 0.38
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.4 0.4 0.721 0.09
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