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      Tradition and Legitimation in North Korea: The Role of the Moranbong Band

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      https://www.riss.kr/link?id=A104303239

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      다국어 초록 (Multilingual Abstract)

      Since its debut in 2012, the Moranbong Band has served as a key symbol for the Kim Jong-un-era ruling style, limited cosmopolitanism, and ultimately political conservatism. This article analyses the legitimacy strategies of North Korean official cultu...

      Since its debut in 2012, the Moranbong Band has served as a key symbol for the Kim Jong-un-era ruling style, limited cosmopolitanism, and ultimately political conservatism. This article analyses the legitimacy strategies of North Korean official culture in the light of perceived internal needs for change, even as the foundations of the traditional personality cult remain intact and strengthened by the Band’s performances. Analysis of musical performances online and relevant comparative literature on North Korean music form the core of the article. Finally, the article shows the arc from the Band as an innovative symbol of possible liberalization into a far more conservative implement as time has gone on. Because North Korea remains staunchly fixed as both the target and agent of a classical war propaganda campaign, the country is far more renowned for missile tests, purges, and labor camps than for its music; this paper argues that culture is also a relevant aspect of North Korean life, and a significant carrier of political legitimacy.

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      참고문헌 (Reference)

      1 Winstanley-Chesters, Robert, "‘Patriotism Begins with a Love of Courtyard’ : Rescaling Charismatic Landscapes in North Korea" 2 (2): 116-138, 2015

      2 Tomoff, Kiril., "Writing the Stalin Era: Sheila Fitzpatrick and Soviet Historiography" Palgrave Macmillan 133-156, 2011

      3 Weber, Max., "Wirtschaft und Gesellschaft: Grundriss der verstehenden Soziologie" Mohr 1922

      4 Yang, Sung Chul., "Vol. 3 of Critical Readings on the North and South Korea" Brill 947-981, 2013

      5 Eberstadt, Nicholas., "Vol. 2 of Critical Readings on North and South Korea" Brill 571-601, 2013

      6 "Visit of the KPA Large Combined Unit"

      7 Cathcart, Adam, "Understanding China’s Response to North Korean Missile, Nuclear Tests" 16 (16): 11-14, 2016

      8 Lankov, Andrei., "The Real North Korea: Life and Politics in the Failed Stalinist Utopia" Oxford University Press 2014

      9 Robin, Regine., "The Culture of the Stalin Period" St. Martins Press 15-40, 1990

      10 Lee, Jimin, "Soft Power on a Hardened Path: On DPRK Musical Performance"

      1 Winstanley-Chesters, Robert, "‘Patriotism Begins with a Love of Courtyard’ : Rescaling Charismatic Landscapes in North Korea" 2 (2): 116-138, 2015

      2 Tomoff, Kiril., "Writing the Stalin Era: Sheila Fitzpatrick and Soviet Historiography" Palgrave Macmillan 133-156, 2011

      3 Weber, Max., "Wirtschaft und Gesellschaft: Grundriss der verstehenden Soziologie" Mohr 1922

      4 Yang, Sung Chul., "Vol. 3 of Critical Readings on the North and South Korea" Brill 947-981, 2013

      5 Eberstadt, Nicholas., "Vol. 2 of Critical Readings on North and South Korea" Brill 571-601, 2013

      6 "Visit of the KPA Large Combined Unit"

      7 Cathcart, Adam, "Understanding China’s Response to North Korean Missile, Nuclear Tests" 16 (16): 11-14, 2016

      8 Lankov, Andrei., "The Real North Korea: Life and Politics in the Failed Stalinist Utopia" Oxford University Press 2014

      9 Robin, Regine., "The Culture of the Stalin Period" St. Martins Press 15-40, 1990

      10 Lee, Jimin, "Soft Power on a Hardened Path: On DPRK Musical Performance"

      11 David Zeglen, "Rockin’ in the unfree world: North Korea’s Moranbong Band and the celebrity dictator" Informa UK Limited 8 (8): 142-150, 2016

      12 Koo, Jun-hoe, "Report: Killer Heels Go Down a Storm in North"

      13 Lee, Jun-woo., "Red Feminism and Propaganda in Communist Media: Portrayals of Female Boxers in the North Korean Media" 44 (44): 193-211, 2009

      14 Koo, Sunhee, "Reconciling Nations and Citizenship : Meaning, Creativity, and the Performance of a North Korean Troupe in South Korea" 75 (75): 387-409, 2016

      15 "Praising the Immortal Revolutionary Exploits Kim Jong-un"

      16 "Performance Given in Congratulation of the Successful Launch of Satellite Gwangmyeongsyeong 3-2 in December 21, 2012"

      17 Kim, Jong Il., "On the Art of the Cinema" Foreign Languages Publishing House 1989

      18 Taruskin, Richard., "On Russian Music" University of California Press 233-245, 2010

      19 Sondermann, Klaus., "O Deutschland! Oi Suomi! Vielgeliebtes Österreich!: zur politischen und gesellschaftlichen Karriere vorgestellter Wesen" Universität Tampere, Forschungsinstitut für Sozialwissenschaften 1995

      20 Lankov, Andrei, "North Korean Market Vendors: The Rise of Grassroots Capitalists in a Post-Stalinist Society" 81 (81): 53-72, 2008

      21 Smith, Hazel., "North Korea: Markets and Military Rule" Cambridge University Press 2015

      22 Kwon, Heonik, "North Korea: Beyond Charismatic Politics" Rowman & Littlefield 2012

      23 Frank, Rudiger, "North Korea after Kim Jong Il: The Risks of Improvisation"

      24 Tudor, Daniel, "North Korea Confidential: Private Markets, Fashion Trends, Prison Camps, Dissenters and Defectors" Tuttle 2015

      25 "New Year Performance ‘Following the Party to the End"

      26 KCNA, "National Meeting of Artistes Opens"

      27 Zhang, Yu., "Mysterious Outlets Polish N. Korea Image Using Chinese-registered Domains"

      28 Howard, Keith., "Music, Power, and Politics" Routledge 113-132, 2005

      29 Evans, Stephen, "Moranbong, the Non-vanishing North Korean Band"

      30 Cheon, Hyeon-sik, "Moranbong akdan ui eumak jeongchi 모란봉악단의 음악정치"

      31 Lee, Jimin, "Moranbong Band: Joseon Style Electronic Music on a New Level"

      32 Korhonen, Pekka., "Moranbong Band Discography 2012.07.06– 2016.02.18"

      33 Cho, Un-chol, "Moranbon Gakudan wa Chōsen sutairu no yuniiku atarashii keion gakudan 牡丹峰楽団は朝鮮スタイルのユニーク新しい軽音楽団" 5 : 173-182, 2014

      34 Bell, Markus, "Manufacturing Kinship in a Nation Divided : An Ethnographic Study of North Korean Refugees in South Korea" 14 (14): 240-255, 2013

      35 Petrone, Karen., "Life Has Become More Joyous, Comrades: Celebrations in the Time of Stalin" Indiana University Press 2000

      36 Zur, Dafna, "Let’s Go to the Moon : Science Fiction in the North Korean Children’s Magazine Adong Munhak, 1956–1965" 73 (73): 879-897, 2014

      37 Howard, Keith., "Korean Pop Music: Riding the Wave" Global Oriental 154-167, 2006

      38 KCNA, "Kim Jong Un Congratulates Those Who Demonstrated National Power of Great Baekdusan Nation"

      39 KCNA, "Kim Jong Un Appreciates Demonstration Performance of Newly Organized Moranbong Band"

      40 Nodong sinmun, "Inmin yesulga Hwang Jin Yong dongji"

      41 Tongil News, "Ingi sangseung Bukhan gunin jaksaga Yun Du Geun ssi 인기 상승 북한 군인 작사가 윤두근씨"

      42 Adam Cathcart, "How Authoritarian Regimes Maintain Domain Consensus: North Korea's Information Strategies in the Kim Jong-un Era" 한국학중앙연구원 17 (17): 145-178, 2014

      43 "Honouring the Participants in the First Conference of Chairpersons of the Primary Committees of the Workers’ Party of Korea"

      44 Peretz, Isabelle., "Handbook of Music and Emotion: Theory, Research, Applications" Oxford University Press 99-126, 2011

      45 Minjog21., "Geumseonghakwon ui dokchang gasu, buknyeok ui peoseuteureidi doeda 금성학원의 독창가수, 북녘의 퍼스트레이디 되다"

      46 "Following Our Party Forever"

      47 Howard, Keith., "Exploring North Korean Arts" Universität Wien/MAK 181-191, 2011

      48 "Demonstration Performance"

      49 Adam Cathcart, "Death and Transfiguration: The Late Kim Jong-il Aesthetic in North Korean Cultural Production" Informa UK Limited 40 (40): 390-405, 2016

      50 Lankov, Andrei., "Daily Life in North Korea" Smashwords 2015

      51 Kim, Suk-young., "DMZ Crossing: Performing Emotional Citizenship Along the Korean Border" Columbia University Press 2014

      52 "Concert of New Music Pieces of Moranbong Band"

      53 Lee, Chor-u., "Chosen ongaku: Kim Jong-un Dai ichi i-incho jidai e 朝鮮音楽: 金正恩第一委員長時代へ" Rainbow shuppan 2013

      54 Draudt, Darcie., "Change and Continuity in North Korean Politics" Routledge 39-52, 2016

      55 "Celebration for the Successful Launch of the Gwangmyeongsyeong-4 Satellite"

      56 "Celebration for the Successful Launch of the Gwangmyeongsyeong-4 Satellite"

      57 "Celebrating the Successful Launch of the First Intercontinental Ballistic Rocket Hwaseong-14"

      58 "Celebrating the Second Successful Launch of the Intercontinental Ballistic Rocket Hwaseong-14"

      59 김수민, "2013년 모란봉악단 신년음악회의 의미와 정치적 의도" 사단법인 한국평화연구학회 14 (14): 247-264, 2013

      60 배인교, "2012년 북한의 음악공연과 樂" 남북문화예술학회 (13) : 283-310, 2013

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가예정 해외DB학술지평가 신청대상 (해외등재 학술지 평가)
      2020-01-01 평가 등재학술지 유지 (해외등재 학술지 평가) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2017-03-07 학회명변경 영문명 : The Academy of Korean -> The Academy of Korean Studies KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-04-09 학술지등록 한글명 : The Review of Korean Studies
      외국어명 : The Review of Korean Studies
      KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2001-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.22
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.18 0.2 0.769 0.07
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