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    최남선의 『금강예찬』과고희동의 금강산연작에서 표현된 국토찬미 = Country Hymns Represented in the Keumgang-Yaechan by Choi Nam-Seon and Mt. Kumgang series by Go Hei Tong

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    https://www.riss.kr/link?id=A100155594

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    After the loss of sovereignty and force of the country, by Japan’s colonization of Korea in 1910, Westernization and modernization movement through the publication of Choe Nam-seon converted into choseonsim quest for the ideological formation underlying the ethnic identity and national integration. In October 1924, country trip led by the Mt. Keumgang derive the historical reality of Korea``s ancient history through the work seeing the country to make creation myth into reality and were understood to movement enhance the self-esteem as a Koreans. But Choe Nam-seon start siseohwa meeting with literary men representative of the contemporary Western painting, etc. Go Hui-dong, and shortly after Mt. Keumgang journey, and this meeting was sufficient to effect, directly or indirectly, to each other, and Go Hui-dong’s series with the theme of the Mt. Keumgang should begin in earnest after this meeting. In addition, the transition to the oriental painting was done shortly after this meeting also. This can be interpreted as disproving the meeting gave a significant impact on the art of the Go Hui-dong. Because of having discussions about the ethnic identity of the Korea Arts and it’s move direction in members of the meeting in the nature of a meeting. Choe Nam-seon and Go Hui-dong, intimate exchange Choe Nam-seon’s magazines and books as a medium, Mt. Keumgang was one of the symbols of the Chosun. so Go Hui-dong was trying to build a his own unique art world symbolic to the Korean people, the theme by the Mt. Keumgang.
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    After the loss of sovereignty and force of the country, by Japan’s colonization of Korea in 1910, Westernization and modernization movement through the publication of Choe Nam-seon converted into choseonsim quest for the ideological formation underl...

    After the loss of sovereignty and force of the country, by Japan’s colonization of Korea in 1910, Westernization and modernization movement through the publication of Choe Nam-seon converted into choseonsim quest for the ideological formation underlying the ethnic identity and national integration. In October 1924, country trip led by the Mt. Keumgang derive the historical reality of Korea``s ancient history through the work seeing the country to make creation myth into reality and were understood to movement enhance the self-esteem as a Koreans. But Choe Nam-seon start siseohwa meeting with literary men representative of the contemporary Western painting, etc. Go Hui-dong, and shortly after Mt. Keumgang journey, and this meeting was sufficient to effect, directly or indirectly, to each other, and Go Hui-dong’s series with the theme of the Mt. Keumgang should begin in earnest after this meeting. In addition, the transition to the oriental painting was done shortly after this meeting also. This can be interpreted as disproving the meeting gave a significant impact on the art of the Go Hui-dong. Because of having discussions about the ethnic identity of the Korea Arts and it’s move direction in members of the meeting in the nature of a meeting. Choe Nam-seon and Go Hui-dong, intimate exchange Choe Nam-seon’s magazines and books as a medium, Mt. Keumgang was one of the symbols of the Chosun. so Go Hui-dong was trying to build a his own unique art world symbolic to the Korean people, the theme by the Mt. Keumgang.

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    참고문헌 (Reference)

    1 이광수, "六堂의 近作 尋春巡禮를 읽고"

    2 최남선, "六堂崔南善全集6" 玄岩社 1973

    3 박대현, "우리 책의 장정과 장정가들" 열화당 1999

    4 고희동, "아직도 表現 못한 朝鮮 山野의 美"

    5 김은호, "서화백년" 중앙일보사 1977

    6 "高羲東先生 香氣없는 꽃은싫거던"

    7 石井柏亭, "絵の旅 朝鮮支那の巻" 日本評論社出版部 1921

    8 고희동, "白民" 白民文化史 1947

    9 大町桂月, "満鮮遊記" 大阪屋号書店 1919

    10 김예진, "東洋學" 東洋學硏究所 2010

    1 이광수, "六堂의 近作 尋春巡禮를 읽고"

    2 최남선, "六堂崔南善全集6" 玄岩社 1973

    3 박대현, "우리 책의 장정과 장정가들" 열화당 1999

    4 고희동, "아직도 表現 못한 朝鮮 山野의 美"

    5 김은호, "서화백년" 중앙일보사 1977

    6 "高羲東先生 香氣없는 꽃은싫거던"

    7 石井柏亭, "絵の旅 朝鮮支那の巻" 日本評論社出版部 1921

    8 고희동, "白民" 白民文化史 1947

    9 大町桂月, "満鮮遊記" 大阪屋号書店 1919

    10 김예진, "東洋學" 東洋學硏究所 2010

    11 菊池幽芳, "朝鮮金剛山探勝記" 洛陽堂 1916

    12 志賀重昴, "日本風景論" 政教社 1894

    13 "創刊號박든 그때 歲月도 빠르다 於焉十周"

    14 徳田写真館, "万二千峰の金剛山" 徳田写真館本店 1931

    15 "「朝鮮光文會告白」, 『소년』"

    16 "「朝鮮光文會告白」, 『소년』"

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    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2013-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2010-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2008-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2004-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2002-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.19 0.19 0.26
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.24 0.23 0.629 0.15
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