주희의 산수시와 강호가도(江湖歌道)의 미의식 = A Study on the Aesthetics of the Zhu Xi (朱熹)'s ‘Mountain-Water Poetry’

다국어 초록 (Multilingual Abstract)

This paper is a study on the aesthetics of the Zhu Xi (朱熹)'s ‘Mountain-Water poetry (山水詩)’. In China, Zhu Xi was respected as a philosopher, educator, and thinker, while being neglected to be considered a literary philosopher. But he is a great poet who has left over 2,000 poems. His poems were pre-examples of Joseon's Mountain-Water poetry literature, and they are great works that will shine in the history of Chinese literature. Zhu Xi's contains a Mountain-Water poetry of KangHogado (江湖歌道).
KangHogado is a critical term for a series of works that are devoted to nature and singing Confucian ideas. Zhu Xi's Neo-Confucianism did not undermine but developed literature. Zhu Xi was absorbed in nature and created a poem and taught. Zhu Xi has been discovering new natural beauty based on the Neo-Confucianism art philosophy of China. Zhu Xi's poems were based not on literary works that expressed human emotions, but on the literature theory of Daoism and literature.
Zhu Xi tried to pursue Confucian ideals through the creation of poems, while living among the mountains. Zhu Xi's poems are mainly composed of pubs. Daoism and literature are highly correlated. There was a sense of beauty in his poem. Zhu Xi's prose poetry mixes with the beauty of Confucian, creating a sense of beauty. Zhu Xi's daily activities of KangHogado are at work. Zhu Xi's poems are aesthetically inscribed with 'chungdamsosan (沖澹蕭散),' 'hanmichungjug (閒美淸適),' 'Yongeuijeongshim (用意精深),' 'jeongshimeuiweon (情深意遠),' 'gugsachunggun (格詞淸健),' and 'jeonggongmyoryreo (精工妙麗).‘
In Zhu Xi's ‘Mountain-Water poetry’, the Neo-Confucianism words melt like enamel and radiate their light.

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