This study examined butterfly imagery in Sijo by connecting it to the following three themes: vegetable fields and green mountains (菜花田 and 靑山), spider webs and flowers, and a house with three-colored peach blossoms. It explored the aestheti...
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https://www.riss.kr/link?id=A109638067
박영재 (원광대학교)
2025
Korean
Butterfly ; motif ; SoAkbu(小樂府) ; Saseolsijo(辭說時調) ; Lee Je-Hyun(李齊賢) ; Min Sa-Pyung(閔思平) ; Shin Hŭm(申欽) ; Jo Hwang(趙榥) ; Kim Yi-Ik(金履翼) ; Ahn Min-Young(安玟英) ; 나비 ; 모티프 ; 소악부 ; 사설시조 ; 이제현 ; 민사평 ; 신흠 ; 조황 ; 김이익 ; 안민영
KCI등재
학술저널
7-35(29쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
This study examined butterfly imagery in Sijo by connecting it to the following three themes: vegetable fields and green mountains (菜花田 and 靑山), spider webs and flowers, and a house with three-colored peach blossoms. It explored the aestheti...
This study examined butterfly imagery in Sijo by connecting it to the following three themes: vegetable fields and green mountains (菜花田 and 靑山), spider webs and flowers, and a house with three-colored peach blossoms. It explored the aesthetic of “flying over” (넘놂) in the representation of butterflies. Butterfly imagery appears early in Korean classical literature, notably in SoAkbu (小樂府) by Lee Je-Hyun (Ikjae) and Min Sa-Pyung (Geupam). This study compares the butterfly imagery in Gojiso with earlier forms, dividing them into “butterflies in vegetable fields and green mountains” and “butterflies on spider webs and flowers.” The former reflects a longing for harmony between nature and naiveté, while the latter expresses the ambivalence of affection and loneliness or indulgence and vigilance. Furthermore, this study examined the butterfly imagery that appears in “a house with three-colored peach blossoms,” which seems to represent an ingenious aesthetic potential. Moving beyond traditional symbolism, this butterfly embodies the desire to transgress boundaries. The butterfly’s act of transgression captures the emotional essence of various meanings from nature and purity to affection, loneliness, and desire.
靑丘歌謠 소재 시조를 통해 본 조선 후기 가객의 자의식
고전과 노래, 시조의 이중적 위치 ―1890년대부터 1910년대까지 시조를 중심으로―