The patriarchal hierarchy and dominance over female characters have made The Taming of the Shrew one of Shakespeare’s most controversial works. In this play, the shrew indicates a “scolding woman” who is out of patriarchal regulation, and that i...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
The patriarchal hierarchy and dominance over female characters have made The Taming of the Shrew one of Shakespeare’s most controversial works. In this play, the shrew indicates a “scolding woman” who is out of patriarchal regulation, and that i...
The patriarchal hierarchy and dominance over female characters have made The Taming of the Shrew one of Shakespeare’s most controversial works. In this play, the shrew indicates a “scolding woman” who is out of patriarchal regulation, and that is Katherina. According to Kahn, the word “shrew” represents men’s fear toward woman’s freewill in the Shakespearean age. When facing women who were not properly controlled by their order, patriarchal society have called them “witch” or “shrew” only to banish them, or try to tame as Petruchio did in the play, The Taming of the Shrew.
Some critics assert that though Katherina and Petruchio were strongly attracted to each other from their first meeting, and that she wasn’t forced to be subjected to him. And also others explain that Katherina’s identity is positively changed by Petruchio’s effort to tame her to acclimate to the society. However, Petruchio’s method to tame her shrewishness played a measure to coerce Katherina’s tongue. Having married, Katherina’s language, once independent and self-confident, becomes passive and superficial mimicking her male’s. This transformation in the play should be considered as Katherina’s deliberate feigning tameness after realizing her husband’s compulsive enforcement of submission, that is, his unilateral communicative action. So her last speech on a loving ideal wife is an intentional parody that reveals Petruchio’s taming was a failure, which sounds as if her confessed change in identity might not be real. In The Taming of the Shrew, “taming” is an enforced communicative action and the play represents woman’s bitter harvest after experiencing man’s enforced communicative action.
참고문헌 (Reference)
1 이리가라이, 뤼스, "하나이지 않은 성" 동문선 2000
2 하버마스, 위르겐, "의사소통이론" 나남출판 2006
3 김미예, "「말괄량이 길들이기」: 선택과 뜻의 세계" 한국셰익스피어학회 38 (38): 905-930, 2002
4 Morris, Brian, "“Introduction” to The Taming of the Shrew: the Arden Shakespeare" Metheun 1981
5 Berek, Peter, "“Bad” Shakespeare: Revaluations of the Shakespeare Cannon" Fairleigh Dickinson UP 91-104, 1988
6 Bean, John, "The Woman’s Part: Feminist Criticism of Shakespeare" UP of Illinois 65-78, 1981
7 Shakespeare, William, "The Taming of the Shrew: the Arden Shakespeare" Metheun 1981
8 Boose, Lynda, "The Taming of the Shrew: Critical Essays" Routledge 130-167, 2002
9 Romotsky, Sally, "The Taming of the Shrew" 29 (29): 234-238, 2011
10 Jardine, Lisa, "Still Harping on Daughters: Women and Drama in the Age of Shakespeare" The Harvester P 1983
1 이리가라이, 뤼스, "하나이지 않은 성" 동문선 2000
2 하버마스, 위르겐, "의사소통이론" 나남출판 2006
3 김미예, "「말괄량이 길들이기」: 선택과 뜻의 세계" 한국셰익스피어학회 38 (38): 905-930, 2002
4 Morris, Brian, "“Introduction” to The Taming of the Shrew: the Arden Shakespeare" Metheun 1981
5 Berek, Peter, "“Bad” Shakespeare: Revaluations of the Shakespeare Cannon" Fairleigh Dickinson UP 91-104, 1988
6 Bean, John, "The Woman’s Part: Feminist Criticism of Shakespeare" UP of Illinois 65-78, 1981
7 Shakespeare, William, "The Taming of the Shrew: the Arden Shakespeare" Metheun 1981
8 Boose, Lynda, "The Taming of the Shrew: Critical Essays" Routledge 130-167, 2002
9 Romotsky, Sally, "The Taming of the Shrew" 29 (29): 234-238, 2011
10 Jardine, Lisa, "Still Harping on Daughters: Women and Drama in the Age of Shakespeare" The Harvester P 1983
11 Tillyard, E. M.., "Shakespeare’s Early Comedies" Athlone P 1999
12 Leggatt, Alexander, "Shakespeare’s Comedy of Love" Routledge 2005
13 Berry, Ralph, "Shakespearean Comedies: Explorations in Form" Prinston UP 1972
14 Dusinberre, Juliet, "Shakespeare and the Nature of Women" Palgrave Macmillan 2003
15 Kahn, Coppelia, "Modern Critical Interpretations: The Taming of the Shrew" Chelsea House 41-52, 1988
16 Priest, Karen, "Katherina’s Conversion in The Taming of the Shrew. A Theological Heuristic" 47 (47): 31-40, 1994
17 Loomba, Ania, "Gender, Race, Renaissance Drama" Oxford UP 1981
18 Hutcheon, Elizabeth, "From Shrew to Subject: Petruchio’s Humanist Education of Katherine in The Taming of the Shrew" 45 (45): 315-337, 2011
19 Newman, Karan, "Fashioning Feminity and English Drama" U of Chicago P 35-50, 1991
20 Burt, Richard A.., "Charisma, Coercion, and Comic Form in The Taming of the Shrew" 26 (26): 295-311, 1984
셰익스피어의 『한여름 밤의 꿈』(A Midsummer Night’s Dream)과 음악적 상징으로서의 숲
From Pretext to Post-Text: Shakespeare Plays of Sulayman Al-Bassam
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2004-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2003-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2002-01-01 | 평가 | 등재후보학술지 유지 (등재후보1차) | |
1999-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.12 | 0.12 | 0.14 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.12 | 0.11 | 0.561 | 0.03 |