ANTON WEBERN의 古典性에 關한 硏究 = A Study About Anton Webern's Classical Feature

다국어 초록 (Multilingual Abstract)

Contemporary music in 20th century has been much changed since 1950-the year it made a new epoch in music and has brought forth a great transformation.
The maincause is that since before or after 1920, Scho¨nberg, Berg and Webern have formed a new "ism"-Dodecaphony.
The Dodecaphony is what is called the classic of contemporary music, and its value is being revaluated.
Among those musicians, Webern's music is being made more and more up by many people year after year.
Compared with Scho¨nberg and Berg, in its diction webern has expressed more clearly the classical feature the absolute purity, thrifty and strictness.
So, in this point, this treaties examines closely Werbern's classical feature from the point of diction and formation.

목차 (Table of Contents)

• Ⅰ. 序論
• Ⅱ. 時大的 背景
• Ⅲ. Webern의 作品槪要
• Ⅳ. 語法的 意義에 나타난 古典性
• 1. 純粹性
• 2. 經濟性
• 3. 嚴格性
• Ⅴ. 形式上에서 본 古典性
• 1. 反復에 關하여
• 2. Rando 형식과 Sonata 형식에 對하여
• 3. 對位法의 適用性에 對하여
• 4. 戀奏와 戀奏曲에 對하여
• Ⅵ. 結論