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      포스터의 『교태부리는 여자』 연구  :  페미니즘 선언 또는 도덕적인 이야기? = A Reading of Foster`s The Coquette: A Feminist Manifesto or Another Moral Tale?

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      https://www.riss.kr/link?id=A82604660

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      다국어 초록 (Multilingual Abstract)

      In the critical discourses, Hannah Webster Foster`s The Coquette (1797) has long been read as one of seduction novels fraught with didactic moral messages. However, recent criticism rereads the work as a novel with subversive feminist intents. Basically following this latter group of critical viewpoints, and taking into consideration the historical and cultural background in which the work was produced, this paper attempts to read The Coquette as a moderate feminist manifesto with all its equivocal didactic elements. Eliza Wharton, the heroine in The Coquette, is portrayed as a woman who struggles to choose a husband of her own free will. She hesitates between a boring but respectable suitor, Reverend Boyer, and a charming but immoral rake, Major Sanford, in spite of her friends` uniform view of Boyer as a better match. Eliza`s indecisiveness, after a while, leads Boyer to leave her, and she finally falls to a victim of Sanford`s seduclton and dies in childbirth. This story seems to confirm the Republican Ideology in which woman`s proper place was confined to a moral center in the family, in the role of a virtuous wife and mother. On the other hand, however, Eliza`s story shows that the status of woman in the early Republic was narrowly limited, and that the ideas of individual independence and freedom were not open to women. Ironically, however, Eliza`s determination to pursue her own freedom is not supported by the tightly-knit circle of her female friends who staunchly vouch for the woman`s role prescribed by the Republican Ideology. Although Eliza`s female friends show a deep sympathy for her conflict and plight, a more subversive possibility of female communal vision is safely contained by a conservative message in the moralistic ending. Therefore, The Coquette can be read only as a moderate feminist manifesto, a `modest proposal` to criticize the limited status of woman in the early America.
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      In the critical discourses, Hannah Webster Foster`s The Coquette (1797) has long been read as one of seduction novels fraught with didactic moral messages. However, recent criticism rereads the work as a novel with subversive feminist intents. Basical...

      In the critical discourses, Hannah Webster Foster`s The Coquette (1797) has long been read as one of seduction novels fraught with didactic moral messages. However, recent criticism rereads the work as a novel with subversive feminist intents. Basically following this latter group of critical viewpoints, and taking into consideration the historical and cultural background in which the work was produced, this paper attempts to read The Coquette as a moderate feminist manifesto with all its equivocal didactic elements. Eliza Wharton, the heroine in The Coquette, is portrayed as a woman who struggles to choose a husband of her own free will. She hesitates between a boring but respectable suitor, Reverend Boyer, and a charming but immoral rake, Major Sanford, in spite of her friends` uniform view of Boyer as a better match. Eliza`s indecisiveness, after a while, leads Boyer to leave her, and she finally falls to a victim of Sanford`s seduclton and dies in childbirth. This story seems to confirm the Republican Ideology in which woman`s proper place was confined to a moral center in the family, in the role of a virtuous wife and mother. On the other hand, however, Eliza`s story shows that the status of woman in the early Republic was narrowly limited, and that the ideas of individual independence and freedom were not open to women. Ironically, however, Eliza`s determination to pursue her own freedom is not supported by the tightly-knit circle of her female friends who staunchly vouch for the woman`s role prescribed by the Republican Ideology. Although Eliza`s female friends show a deep sympathy for her conflict and plight, a more subversive possibility of female communal vision is safely contained by a conservative message in the moralistic ending. Therefore, The Coquette can be read only as a moderate feminist manifesto, a `modest proposal` to criticize the limited status of woman in the early America.

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      참고문헌 (Reference)

      1 Evans, Gareth, "“Rakes, Coquettes and Republican Patriarchs: Class, Gender and Nation in Early American Sentimental Fiction.”" 25 (25): 41-62, 1995

      2 "“Hanna Webster Foster's The Coquette: Critiquing Franklin’s America.” Redefining the Political Novel: American Women Writers, 1797-1901. Ed. Sharon M. Harris. Knoxville: U of Tennessee P" 1-22, 1995

      3 "Walter P. Jr. “The Coquette and the American Dream of Freedom.” Early American Literature 12" 243-55, 1978

      4 "Virtue and Seduction in the Early Republic.” William and Mary Quarterly 44" 689-719, 1987

      5 "The Seduction Novel of the Early Nation: A Call for Socio-Political Reform." Michigan State UP 1999

      6 "The Rise of the Novel in America. New York" 1986.

      7 "The Politics of Seduction: Theater, Sexuality, and National Virtue in the Novels of Hannah Foster.” Exceptional Spaces: Essays in Performance and History. Ed. Della Pollock." U of North Carolina P 238-257, 1998

      8 "The Plight of Feeling: Sympathy and Dissent in the Early American Novel." U of Chicago P 1997

      9 "The Coquette. The Power of Sympathy and The Coquette." : Penguin, 105-242, 1996

      10 "States of Sympathy: Seduction and Democracy in the American Novel." Columbia UP 1997

      1 Evans, Gareth, "“Rakes, Coquettes and Republican Patriarchs: Class, Gender and Nation in Early American Sentimental Fiction.”" 25 (25): 41-62, 1995

      2 "“Hanna Webster Foster's The Coquette: Critiquing Franklin’s America.” Redefining the Political Novel: American Women Writers, 1797-1901. Ed. Sharon M. Harris. Knoxville: U of Tennessee P" 1-22, 1995

      3 "Walter P. Jr. “The Coquette and the American Dream of Freedom.” Early American Literature 12" 243-55, 1978

      4 "Virtue and Seduction in the Early Republic.” William and Mary Quarterly 44" 689-719, 1987

      5 "The Seduction Novel of the Early Nation: A Call for Socio-Political Reform." Michigan State UP 1999

      6 "The Rise of the Novel in America. New York" 1986.

      7 "The Politics of Seduction: Theater, Sexuality, and National Virtue in the Novels of Hannah Foster.” Exceptional Spaces: Essays in Performance and History. Ed. Della Pollock." U of North Carolina P 238-257, 1998

      8 "The Plight of Feeling: Sympathy and Dissent in the Early American Novel." U of Chicago P 1997

      9 "The Coquette. The Power of Sympathy and The Coquette." : Penguin, 105-242, 1996

      10 "States of Sympathy: Seduction and Democracy in the American Novel." Columbia UP 1997

      11 "Michael T. “The Literature of the Revolutionary and Early National Periods.” The Cambridge History of American Literature Vol.1" -693,

      12 "Linda K. Women of the Republic Intellect and Ideology in Revolutionary America. Chapel Hill U of North Carolina P" 1980.

      13 "Kristie. “An Assault on the Will Republican Virtue and the City in Hannah Webster Foster's The Coquette.” Early American Literature 24" 135-51, 1989

      14 "Introduction. The Power of Sympathy and The Coquette." Penguin 1996

      15 "Frank. “Mrs. Foster’s Coquette and the Decline of the Brotherly Watch.” Studies in Eighteenth-Century Culture 16" 211-24, 1986

      16 "Coquettes and Revolutionaries in Young America.” Literature and the Body Essays on Populations and Persons. Ed. Elaine Scarry. Baltimore" 1988.160-84.

      17 "Clarie C. “Sisterhood in a Separate Sphere Female Friendship in Hannah Webster Foster’s The Coquette and The Boarding School.” Early American Literature 27" 1992185-203.

      18 "A Guide to Novels by and about Women in America 1820-70. 2nd ed. Urbana U of Illinois P" 1993.

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