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      Speculative Poetics in Cathy Park Hong`s Engine Empire = Speculative Poetics in Cathy Park Hong`s Engine Empire

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      https://www.riss.kr/link?id=A101074518

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      다국어 초록 (Multilingual Abstract)

      This essay considers Korean American poet Cathy Park Hong’s Engine Empire as a post-racial text in a questionably post-racial America and how that postracialism might transgress some assumptions behind the reception of Korean American texts in Korea. Building from Ramon Saldivar’s theorization of a “speculative realism” that shows a “postrace aesthetic,” the essay focuses on the first and third sections of Hong’s collection. In “Ballad of Our Jim,” the first section, Hong speculates a 19th-century American landscape that stretches from Kansas to California. In “The World Cloud,” the third section, she imagines a future California landscape and an internalized cyber-scape. Both sections show that ethnicity, which seemed to have lost visibility in illusions of a post-racial American society, remains integral to seeing and understanding the coming majority-minority American make-up. Korean and American reading contexts become interdependent in Hong’s “postrace” speculations that point toward a future that may be constantly re-imagined through various minority perspectives.
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      This essay considers Korean American poet Cathy Park Hong’s Engine Empire as a post-racial text in a questionably post-racial America and how that postracialism might transgress some assumptions behind the reception of Korean American texts in Korea...

      This essay considers Korean American poet Cathy Park Hong’s Engine Empire as a post-racial text in a questionably post-racial America and how that postracialism might transgress some assumptions behind the reception of Korean American texts in Korea. Building from Ramon Saldivar’s theorization of a “speculative realism” that shows a “postrace aesthetic,” the essay focuses on the first and third sections of Hong’s collection. In “Ballad of Our Jim,” the first section, Hong speculates a 19th-century American landscape that stretches from Kansas to California. In “The World Cloud,” the third section, she imagines a future California landscape and an internalized cyber-scape. Both sections show that ethnicity, which seemed to have lost visibility in illusions of a post-racial American society, remains integral to seeing and understanding the coming majority-minority American make-up. Korean and American reading contexts become interdependent in Hong’s “postrace” speculations that point toward a future that may be constantly re-imagined through various minority perspectives.

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