협업 연결망에서의 유유상종과 복합역할 = 한국 대중음악 창작자들을 중심으로

다국어 초록 (Multilingual Abstract)

This paper examines the changing pattern of collaboration networks among Korean popular music creators for the past 28 years. Drawing upon theoretical resources on homophily and multiple roles in social network analysis, this paper distinguishes uniform homophily vs. differential homophily as well as single role homophily vs. multiple role homophily. The paper draws its conclusions from a qualitative investigation of historical material and a series of statistical analyses based on the exponential random graph modeling method. By outlining a brief history of Korean popular music along with identifying the ways in which music creators collaborate with one another, the authors distinguish four periods. According to the analysis, lyricists, composers, arrangers and singers in the Korean popular music world have been changing their collaboration style from a classical and simple type to flexible and complex types. While it is notable that role homophily has taken place in an ever-increasing number of roles, it is surprising that a totally new phenomenon, defined as multiple role homophily, has emerged in which one person holds multiple roles in creating a popular song and collaborates with other persons who have exactly the same combination of multiple roles. Finally, the authors discuss major implications of the findings for social networks and the cultural industries as well as suggest ways to overcome the limitations in future research.

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