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      업사이클링 창작자를 위한 창작스튜디오 공간계획에 관한 연구 = A Study on the Space Planning of Creative Studio for Upcycling Creators

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      https://www.riss.kr/link?id=A108114326

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      다국어 초록 (Multilingual Abstract)

      Consumer tendency is changing to "Green-summer," which aims to increase awareness of environmental problems and consume in an environmentally beneficial direction, and as a result, upcycling is attracting attention in modern society, more and more new creators design upcycling products in Korea. However, most of these new creators' working environments are poor, so there is not enough space to produce, sell, and promote. The method of renting public facilities also has a problem of having to share space and facilities with several people. To solve this problem, an upcycling creative studio is needed to support creative activities, including the work process of upcycling creators. In this study, based on the analysis of the spatial characteristics of existing creative studios and actual upcycling process cases, the spatial composition and spatial characteristics of upcycling creative studios for creators were derived, and this was analyzed by substituting them into domestic upcycling creative studio cases. As a result, the current upcycling creative studio has revealed a stronger identity of cultural facilities to promote the upcycling field to visitors than the upcycling creator's workspace. In addition, opportunities for space rental, exhibition, and sales are being provided for the development of the upcycling industry, but specific space proposals considering the working environment of different creators were insufficient. In addition, expression and openness were prominent in spatial cases among the spatial characteristics of upcycling creative studios derived from previous studies, such as contextuality, flexibility, openness, connectivity, commerciality, and expression. In order to cope with the production process of various creators, it was found that expression and flexibility should be further strengthened in private studios based on cases. This study analyzes the work process of actual upcycling creators and the spatial characteristics of creative studios to derive the composition and characteristics of upcycling creative studios as creative support spaces.
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      Consumer tendency is changing to "Green-summer," which aims to increase awareness of environmental problems and consume in an environmentally beneficial direction, and as a result, upcycling is attracting attention in modern society, more and more new...

      Consumer tendency is changing to "Green-summer," which aims to increase awareness of environmental problems and consume in an environmentally beneficial direction, and as a result, upcycling is attracting attention in modern society, more and more new creators design upcycling products in Korea. However, most of these new creators' working environments are poor, so there is not enough space to produce, sell, and promote. The method of renting public facilities also has a problem of having to share space and facilities with several people. To solve this problem, an upcycling creative studio is needed to support creative activities, including the work process of upcycling creators. In this study, based on the analysis of the spatial characteristics of existing creative studios and actual upcycling process cases, the spatial composition and spatial characteristics of upcycling creative studios for creators were derived, and this was analyzed by substituting them into domestic upcycling creative studio cases. As a result, the current upcycling creative studio has revealed a stronger identity of cultural facilities to promote the upcycling field to visitors than the upcycling creator's workspace. In addition, opportunities for space rental, exhibition, and sales are being provided for the development of the upcycling industry, but specific space proposals considering the working environment of different creators were insufficient. In addition, expression and openness were prominent in spatial cases among the spatial characteristics of upcycling creative studios derived from previous studies, such as contextuality, flexibility, openness, connectivity, commerciality, and expression. In order to cope with the production process of various creators, it was found that expression and flexibility should be further strengthened in private studios based on cases. This study analyzes the work process of actual upcycling creators and the spatial characteristics of creative studios to derive the composition and characteristics of upcycling creative studios as creative support spaces.

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      참고문헌 (Reference)

      1 "Touch 4 Good Tumblbug Project"

      2 "Touch 4 Good Tumblbug Project"

      3 Shin. S. C., "Research on laying the foundation for activating upcycling" Korea Institute for Environmental Policy Evaluation 2014

      4 Kim. Y. J., "Research and support plan for creative studio status" Human Culture Arirang Publishing 2013

      5 Lee. J. I., "Recreation of waste: fostering the upcycle industry" 2018

      6 Shin. S. Y., "Innovative economy opened by Upcycle" Gyeonggi-do Economic Science Promotion Agency 2020

      7 Pantone, D., "For the stable future of the artist's studio" 8-29, 2016

      8 The National Institute of Environmental Industry and Technology, "Current status of the upcycling industry at home and abroad" Ministry of Environment

      9 Lee. J. H., "Creative studio planning to build cultural infrastructure in Hongdae area" Hongik University Graduate School 2010

      10 Ahn. J. E., "A study on how to revitalize the art creation studio as a creative art space" Kookmin University Graduate School 2012

      1 "Touch 4 Good Tumblbug Project"

      2 "Touch 4 Good Tumblbug Project"

      3 Shin. S. C., "Research on laying the foundation for activating upcycling" Korea Institute for Environmental Policy Evaluation 2014

      4 Kim. Y. J., "Research and support plan for creative studio status" Human Culture Arirang Publishing 2013

      5 Lee. J. I., "Recreation of waste: fostering the upcycle industry" 2018

      6 Shin. S. Y., "Innovative economy opened by Upcycle" Gyeonggi-do Economic Science Promotion Agency 2020

      7 Pantone, D., "For the stable future of the artist's studio" 8-29, 2016

      8 The National Institute of Environmental Industry and Technology, "Current status of the upcycling industry at home and abroad" Ministry of Environment

      9 Lee. J. H., "Creative studio planning to build cultural infrastructure in Hongdae area" Hongik University Graduate School 2010

      10 Ahn. J. E., "A study on how to revitalize the art creation studio as a creative art space" Kookmin University Graduate School 2012

      11 Ministry of Environment, "A plan to support and manage the upcycle industry for the transition to a resource circulation society" 2017

      12 Lee. J. W., "A Study on the Industrialization of Upcycling –To Raise awareness of Jeju Island –" Korea University Graduate School 2019

      13 Kin. M. S., "A Study on Space Planning of Creative Studio for Jeju Community Activation" Hongik University Graduate School 2017

      14 Gyeonggi-do Economic Science Promotion Agency, "2017Gyeonggi-do Upcycle Industry Demand Survey" 2018

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2002-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.45 0.45 0.45
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.45 0.42 0.758 0.19
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