Cultural economics : the arts, the heritage, and the media industries

목차 (Table of Contents)

• [Volume. 1]----------
• CONTENTS
• Acknowledgements = ⅸ
• Introduction by the editor = xiii
• PART Ⅰ OVERTURE
• 1. Bruno S. Frey and Werner W. Pommerehne(1989), 'Art : The Economic Perspective', Muses and Markets : Exploration in the Economics of the Arts, Chapter 1, Oxford : Basil Blackwell, 3-15 and 187-207 = 3
• 2. Bruno S. Frey(1994), 'Art : The Economic Point of View', in Alan Peacock and Ilde Rizzo(eds), Cultural Economics and Cultural Policies, Chapter 1, Dordrecht : Kluwer, 3-16 = 37
• 3. David Throsby(1994), 'The Production and Consumption of the Arts : A View of Cultural Economics', Journal of Economic Literature, XXXII(1), March, 1-29 = 51
• PART Ⅱ TASTES AND TASTE FORMATION
• 4. M. S. McPherson(1987), 'Changes in Tastes', in John Eatwell, Murray Milgate and Peter Newman(eds), the New Palgrave : A Dictionary of Economics, 1, London : Macmillan Press, 401-3 = 83
• 5. Tibor Scitovsky(1976), 'Our Disdain for Culture' [amended] and 'What's Wrong with Mass Production', the Joyless Economy, Chapters 11 and 12, Oxford : Oxford University Press, 224-32 and 248-63 = 86
• 6. George J. Stigler and Gary S. Becker(1977), 'De Gustibus Non Est Disputandum', American Economic Review, 67(2), March, 76-90 = 112
• 7. Edwin G. West and Michael McKee(1983), 'De Gustibus Est Disputandum : The Phenomenon of "Merit Wants" Revisited', American Economic Review, 73(5), December, 1110-21 = 127
• 8. Tyler Cowen(1989), 'Are All Tastes Constant and Identical? A Critique of Stigler and Becker', Journal of Economic Behavior and Organiztion, 11, 127-35 = 139
• 9. Roger A. McCain(1981), 'Cultivation of Taste, Catastrophe Theory, and the Demand for Works of Art', American Economic Review, 71(2), May, 332-4 = 148
• 10. Laura C. Dobson and Edwin G. West(1988), 'Performing Arts Subsidies and Future Generations', in Harry Hillman Chartrand, William S. Hendon and Claire McCaughey(eds), Cultural Economics 88 : A Canadian Perspecitve, Akron : Asoociation for Cultural Economics, 108-16 = 151
• 11. R. H. Coase(1979), 'Payola in Radio and Television Broadcasting', Journal of Law and Economics, XXII(2), October, 269-328 = 160
• PART Ⅲ DEMAND STUDIES
• 12. W. M. Gorman and G. D. Myles(1987), 'Characteristics', in John Eatwell, Murray Milgate and Peter Newman(eds), The New Palgrave : A Dictionary of Economics, 1, London : Macmillan Press, 403-6 = 223
• 13. Glenn A. Withers(1980), 'Unbalanced Growth and the Demand for Performing Arts : An Econometric Analysis', Southern Economic Journal, 46(3), January, 735-42 = 227
• 14. James H. Gapinski(1986), 'The Lively Arts As Substitutes for the Lively Arts', American Economic Review, 76(2), May, 20-5 = 235
• 15. Samuel Cameron(1990), 'The Demand for Cinema in the United Kingdom', Journal of Cultural Economics, 14(1), June, 35-47 = 241
• 16. C. D. Throsby(1990), 'Perception of Quality in Demamd for the Theatre', Journal of Cultural Economics, 14(1), June, 65-82 = 254
• 17. Victoria Dickenson(1992), 'Museum Visitor Surveys : An Overview, 1930-1990', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 14, Berlin／Heidelberg : Springer-Verlag, 141 -50 = 272
• PART Ⅳ SUPPLY : THE PERFORNlING ARTS
• 18. James H. Gapinski(1980), 'The Production of Culture', Review of Economics and Statistics, LXII(4), 578-86 = 285
• 19. Steven Globerman and Sam H. Book(1974), 'Statistical Cost Functions for Performing Arts Organizations', Southern Economic Journal, XL(4), 668-71 = 294
• 20. Alan Peacock(1976), 'The "Output" of the London Orchestras, 1966-75', The Musical Times, 117(1602), August, 641-4 = 298
• 21. Mark B1aug(1978), 'Why Are Covent Garden Seat Prices So High?', Journal of Cultural Economics, 2(1), June, 1-20 = 302
• 22. Ren$$e'$$ Goudriaan and Evert Pommer(1987),' Productivity Trends in the Subsidized Pertforming Arts', in N. Grant, W. Hendon and V. Owen(eds), Economic Efficiency in the Peforming Arts, Akron : Association for Cultural Economics, 16-30 = 322
• 23. Charles M. Gray(1992), 'Art Costs and Subsidies : The Case of Norwegian Performing Arts', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 25, Berlin／Heidelkrg : Springer-Verlag, 267-73 = 337
• PART Ⅴ SUPPLY : MUSEUMS AND THE HERITAGE
• 24. Lord Robbins(1971),'Unsettled Questions in the Political Economy of the Arts', Three Banks Review, 91, September, 3-19 = 347
• 25. Alan Peacock and Christine Godfrey(1974), 'The Economics of Museums and Galleries', Lloyds Bank Review, 111, January, 17-28 = 364
• 26. Bruno S. Frey(1994), 'Cultural Economics and Museum Behaviour', Scottish Journal of Political Economy, 41(3), August, 325-35 = 376
• 27. Alan Peacock(1994), 'A Future for the Past : The Political Economy of Heritage', Proceedings of the British Academy, 87, 189-226 = 387
• PART Ⅵ SUPPLY : THE MEDIA INDUSTRIES
• 28. R. H. Coase(1966), 'The Economics of Broadcasting and Government Policy', American Economic Review, 56(2), May, 440-47 = 427
• 29. Alan Peacock(1986), Making Sense of Broadcasting Finance, University of Stirling, Robbins Lecture, 1-14 = 435
• 30. Glenn A. Withers(1983), 'The Cultural Influence of Public Television', in J. Shanahan, W. Hendon, I. Hilhorst and J. van Straalen(eds), Markets for the Arts, Akron : Association for Cultural Economics, 31-46 = 449
• 31. Keith Acheson and Christopher J. Maule(1994), 'Intenational Regimes for Trade, Investment, and Labour Mobility in the Cultural Industries', Canadian Journal of Communication, 19, 401-21 = 465
• PART Ⅶ THE ART MARKET
• 32. Bruno S. Frey and Reiner Eichenberger(1995), 'On the Return of Art Investment Return Analyses', Journal of Cultural Economics, 19(3), 207-220 = 489
• 33. Orley Ashenfelter(1989), 'How Auctions Work for Wine and Art', Journal of Economic Perspectives, 3(3), Summer, 23-36 = 503
• 34. Martin Salamon(1992), 'Auction of Works of Art', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 9, Berlin／Heidelberg : Springer-Verlag, 85-9 = 517
• 35. Friederich Schneider and Werner W. Pommerehne(1983), 'Analyzing the Market of Works of Contemporary Fine Arts : An Exploratory Study', Journal of Cultural Economics, 7(2), December, 41-67 = 522
• 36. William J. Baumol(1986),' Unnatural Value : Or Art Investment as Floating Crap Game', American Economic Review, 76(2), May, 10-14 = 549
• 37. Bruno S. Frey and Werner W. Pommerehne(1987), 'International Trade in Art : Attitudes and Behaviour', Rivista Intemazionale di Scienze Ecommiche e Commerciali, 34(6), 465-85 = 554
• 38. James E. Pesando(1993), 'Art as an Investment : The Market for Modern Prints', American Economic Review, 83(5), December, 1075-89 = 575
• 39. Simon Rottenberg(1975), 'The Remuneration of Artists', in G. Tullock(ed), Frontiers of Economics, Chapter 4, 47-51 = 590
• Name Index = 595
• [Volume. 2]----------
• CONTENTS
• Acknowledgements = ⅸ
• An Intrduction by the editor to both volumes appears in Volume Ⅰ
• PART Ⅰ ECONOMIC HISTORY OF THE ARTS
• 1. Mary Ⅰ. Oates and William J. Baumol(1972), 'On the Economics of the Theater i Renaissance London', Swedish Journal of Economics, 74, 136-60 = 3
• 2. Cyril Ehrlich(1980), 'Profession or Job? Musicians in Late Nineteenth Century Britain', in William S. Hendon, James L. Shanahan and Alice J. MacDonald(eds), Economic Polic for the Arts, Cambridge MA : Abt Books, 165-73 = 28
• 3. John Rosselli(1989), 'From Princely Service to the Open Market : Singers of Italian Opera and their Patrons, 1600-1850', Cambridge Opera Journal, 1(1), 1-32 = 37
• 4. J. M. Montias(1979), 'Statistical Evidence on the Economic Status of Artists and Artisans in Delft in the 17th Century', Journal of Cultural Economics, 3(1), June, 1-29 = 69
• 5. Neil De Marchi(1995), 'The Role of Dutch Auctions and Lotteries in Shaping the Art Market(s) of 17th Century Holland', Journal of Economic Behavior and Organization, 28, 203-21 = 98
• 6. William J. Baumol and Hilda Baumol(1994), 'On the Economics of Musical Composition in Mozart's Vienna', Journal of Cultural Economics, 18(3), 171-98 = 117
• 7. R. H. Coase(1959), 'The Federal Communications Commission', Journal of Law and Economics, Ⅱ, October, 1-40 = 145
• PART Ⅱ ARTISTS' LABOUR MARKETS
• 8. Sherwin Rosen(1981), 'The Economics of Superstars', American Economic Review, 71(5), December, 845-58 = 187
• 9. Moshe Adler(1985), 'Stardom and Talent', American Economic Review, 75(1) ; March, 208-12 = 201
• 10. Glen M. MacDonald(1988), The Economics of Rising Stars', American Economic Review, 78(1), March, 155-66 = 206
• 11. Ruth Towse(1992), The Earnings of Singers : An Economic Analysis', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Berlin／Heidelberg : Springer-Verlag, 209-17 = 218
• 12. Randall K. Filer(1986), 'The "Starving Artist" - Myth or Reality? Earnings of Artists in the United States', Journal of Political Economy, 94(1), 56-75 = 227
• 13. Gregory H. Wassall and Neil O. Alper(1992), 'Toward a Unified Theory of the Determinants of the Earnings of Artists', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 18, Berlin／Heidelberg : Springer-Verlag, 187-200 = 247
• 14. David Throsby(1992), 'Artist as Workers', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 19, Berlin／Heidelberg : Springer-Verlag, 201-8 = 261
• 15. Glenn Withers(1985), 'Artist' Subsidy of the Arts', Australian Economic Papers, 24, December, 290-95 = 269
• 16. Edward M. McNertney and C. Richard Waits(1988), 'The Incomes of Cultural Providers : A Review of Current Research', in D. Shaw, W. Hendon and V. Owen(eds), Cultural Economics 88 : An American Perspective, Akron : Association for Cultural Economics, 41-9 = 275
• PART Ⅲ BAUMOL'S COST DISEASE
• 17. William J. Baumol(1987), 'Performing Arts', in John Eatwell, Murray Milgate and Peter Newman(eds), the New Palgrave : A Dictionary of Economics, 3, London : Macmillan Press, 841-3 = 287
• 18. Hilda Baumol and William J. Baumol(1980),' On Finances of the Performing Arts During Stagflation : Some Recent Data', Journal of Cultural Economics, 4(2), December, 1-14 = 290
• 19. Hilda Baumol md William J. Baumol(19M), 'The Mass Media and the Cost Disease', in William S. Hendon, Duglas V. Shaw and Nancy K. Grant(eds), Economics of Cuural Industries, Akron : Association for Cultural Economics, 109-23 = 304
• 20. Alan Peacock, Eddie Shoesmith and Geoffrey Millner(1982), 'Measuring the Extent of Cost Inflation', 'The Study's Main Results' and 'Conclusions md Recommendations', in Inflation and the Performed Arts, Chapters 2, 3 and 4, Arts Council of Great Britain, 7-48 = 319
• 21. Samuel Schwarz(1986), 'Long-Tenn Adjustments in Perfoming Arts Expenditures', Journal of Cultral Economics, 10(2), 57-66 = 361
• 22. Tyler Cowen and Robin Grier(1996), 'Do Artists Suffer from A Cost-Disease?', Rationality and Society, 8(1), February, 5-24 = 371
• PART Ⅳ NON PROFIT ORGANIZATIONS IN THE ARTS
• 23. Henry Hansmann(1981), 'Nonprofit Enterprise in the Performing Arts', Bell Journal of Economics, 12(2), 341-61 = 393
• 24. Edwin G. West(1987), 'Nonprofit Versus Profit Firms in the Performing Arts', Journal of Cultural Economics, 11(2), December, 37-47 = 414
• 25. Jams Heilbrun(1988), Nonprofit Versus Profit-Making Firms : A Comment' Journal of Cultural Ecommics, U(2), December, 87-92 = 425
• 26. Edwin G. West(1988), 'Government Grants to Nonprofit Firms : Still Searching for the Rationale', Journal of Cultural Economics, 12(2), December, 93-5 = 431
• 27. Bruce A. Seaman(1985), 'Price Discrimination in the Arts', in Virginia Lee Owen md William S. Hendon(eds), Managerial Economics for the Arts, Akron : Association for Cultural Economics, 47-60 = 434
• 28. Dick Netzer(1992), 'Arts and Culture', in Charles T. Clotfelter(ed), Who Benefits from the Nonprofit Sector?, Chapter 6, Chicago : University of Chicago hess, 174-206, references = 449
• 29. Bruno S. Frey md Wemer W. Pommerehne(1990), 'A Comparative Institutional Analysis in the Arts : The Theater', in Michael Hechter, Karl-Dieter Opp and Reinhard Wippler(eds), Social Institution : Their Emergence, Maintenance and Effects, Chapter 7, Berlin : Walter de Gruyter, 171-86 = 483
• PART Ⅴ PUBLIC SUBSIDY FOR THE ARTS : WHY? THEORETICAL ARGUMENTS
• 30. Alan Peacock(1969), 'Welfare Economics and Public Subsidies to the Arts', Manchester School of Economic and Social Studies, 4, December, 323-35 = 501
• 31. David Cwi(1980), 'Public Support of the Arts : Three Argument Examined', Journal of Cultural Economics, 4(2), December, 39-62 = 514
• 32. Hans Abbing(1980), 'On the Rationale of Public Support to the Arts : Externalities in the Arts Revisited', in William S. Hendon, James L. Shanalmn and Alice J. MacDonald(eds), Economic Policy for the Arts, Cambridge MA : Abt Books, 34-42 = 538
• 33. Alan Peacock(1992), 'Economics, Cultural Values md Cultural Policies', in Ruth Towse and Abdul Khakee(eds), Cultural Economics, Chapter 1, Berlin／Heidelberg : Springer-Verlag, 9-20 = 547
• 34. Don Fullerton(1991), 'On Justification for Public Support of the Arts', Journal of Cultural Economics, 15(2), December, 67-82 = 559
• PART Ⅵ PUBLIC SUBSIDY FOR THE ARTS : HOW MUCH?
• 35. David Throsby and Glenn Withers(1985), 'What Price Culture?', Journal of Cultural of Economics, 9(2), December, 1-34 = 577
• 36. C. D. Throsby and Glenn A. Withers(1986), Strategic Bias and Demand for Public Goods : 'Theory and an Application to the Arts', Journal of Public Ecommics, 31(3), 307-27 = 611
• 37. Friedrich Schneider and Werner W. Pommerehne(1983), 'Private Demand for Public Subsidies to the Arts : A Study in Voting and Expenditure Theory', in William S. Hendon and James L. Shanahan(eds), Ecommics of Cultural Decisions, Cambridge MA : Abt Books, 192-206 = 632
• 38. William G. Morrison and Edwin G. West(1986), 'Subsidies for the Performing Arts : Evidence on Voter Preference', Journul of Behavioral Economics, 15, 5.7-72 = 647
• PART Ⅶ PUBLIC SUBSIDY FOR THE ARTS : HOW? MEANS TO ACHIEVE THE ENDS
• 39. Edwin G. West(1986), 'Arts Vouchers to Replace Grants', Economic Affairs, 6(3), February-March, 9-11 and 16 = 665
• 40. William D. Grampp(1986／87), 'Should the Arts Support Themselves?' md Edwin G. West, 'Rejoinder', Economic Affairs, December-January, 41 -43, 44 and 46 = 669
• 41. Werner W. Pommerehne and Bruno S. Frey(1990), 'Public Promotion of the Arts A Survey of Means', Journal of Cultural Economics, 14(2), December, 73-95 = 674
• 42. Ruth Towse(1994), 'Achieving Public Policy Objectives in the Arts and Heritage', in Nan Peacock and Ilde Rizzo(eds), Cultural Economics and Cultural Policies, Chapter 11, Dordrecht : Muwer, 143-65 = 697
• PART Ⅷ ECONOMIC IMPACT OF THE ARTS
• 43. Bruce A. Seaman(1987), 'Arts Impact Studies : A Fashionable Excess', Economic Impact of the Arts : A Sourcebook, Chapter H, National Conference of State Legislatures, 43-75 = 723
• Name Index = 757