Pygmalion: An Analysis Based on Vološinov's Language Philosophy Abstract Eom,Tae-yong(KangwonNationalUniv.) This article is aimed at observing multifaceted signs and analyzing their class attributes and ideological properties in lots of lines of...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
다국어 초록 (Multilingual Abstract)
Pygmalion: An Analysis Based on Vološinov's Language Philosophy Abstract Eom,Tae-yong(KangwonNationalUniv.) This article is aimed at observing multifaceted signs and analyzing their class attributes and ideological properties in lots of lines of...
Pygmalion: An Analysis Based on Vološinov's Language Philosophy Abstract Eom,Tae-yong(KangwonNationalUniv.) This article is aimed at observing multifaceted signs and analyzing their class attributes and ideological properties in lots of lines of verbal wit in Pygmalion (1912), a Shavian comedy, in the light of the main theories of Marxism and the Philosophy of Language by Valentin Nikolaevič Vološinov.
Vološinov says that word is the ideological phenomenon par excellence and an individual consciousness is only a tenant lodging in the social edifice of ideological signs. He focuses on the dynamic of parole or utterance rather than langue and emphasizes the ideological multiaccentuality and refraction of a sign in utterance while regarding the sign as an arena of class struggle.
The signifier ‘Miss Doolittle’ of Pickering, which affected Eliza's heart deeply, conceals a cunning class ideology where he intends to keep a moderate distance from the lower class. A signifier of Eliza, ‘good girl’, expresses a protesting ideology with connoting a virtuous and independent woman. Two signifiers, ‘undeserving’ and ‘marrying’, of Alfred Doolittle imply the defiant class consciousness rejecting the morality of the middle class. Freddy’s ‘Ahdedo?’ replacing ‘How do you do?’ reflects and refracts an outdated desire of a ruined nobleman.
Another signifier of Eliza, ‘lady’, deviates from the way of economic desire slightly through the ideological refraction. The screech of Eliza, ‘Ah—ah—ow—oo!,’ is a signal of primitive and raw feeling which is hardly structuralized ideologically as a sign of ‘I-experience,’ a term of Vološinov. These signifiers suggest that the human properties and the relative autonomy of ideological superstructure exist in the process of the refraction of signs.
참고문헌 (Reference)
1 엄태용, "피그말리온: 사회언어학적 고찰" 한국중앙영어영문학회 61 (61): 47-75, 2019
2 김성도, "소쉬르의 마지막 강의 : 제3차 일반언어학 강의 1910~1911 : 에밀 콩스탕탱의 노트" 민음사 259-301, 2017
3 K.T. 판, "비트겐슈타인의 철학이란 무엇인가?" 서광사 2015
4 김현아, "『피그말리온』, 낭만적이지 않은 낭만극" 한국현대영미드라마학회 29 (29): 37-63, 2016
5 Fox, Kate, "Watching the English" Hodder & Stoughton 101-116, 2014
6 Trudgill, Peter, "The Social Differentiation of English in Norwich" Cambridge UP 1974
7 황훈성, "The Dramatization of Habitus: A Bourdieun Reading of Pygmalion" 한국영어영문학회 55 (55): 383-398, 2009
8 윤소영, "Pygmalion에 나타난 몸의 아비투스" 한국현대영미드라마학회 25 (25): 189-213, 2012
9 Shaw, George Bernard, "Pygmalion" Penguin 2003
10 Shaw, George Bernard, "Pygmalion" 1st World Library 2004
1 엄태용, "피그말리온: 사회언어학적 고찰" 한국중앙영어영문학회 61 (61): 47-75, 2019
2 김성도, "소쉬르의 마지막 강의 : 제3차 일반언어학 강의 1910~1911 : 에밀 콩스탕탱의 노트" 민음사 259-301, 2017
3 K.T. 판, "비트겐슈타인의 철학이란 무엇인가?" 서광사 2015
4 김현아, "『피그말리온』, 낭만적이지 않은 낭만극" 한국현대영미드라마학회 29 (29): 37-63, 2016
5 Fox, Kate, "Watching the English" Hodder & Stoughton 101-116, 2014
6 Trudgill, Peter, "The Social Differentiation of English in Norwich" Cambridge UP 1974
7 황훈성, "The Dramatization of Habitus: A Bourdieun Reading of Pygmalion" 한국영어영문학회 55 (55): 383-398, 2009
8 윤소영, "Pygmalion에 나타난 몸의 아비투스" 한국현대영미드라마학회 25 (25): 189-213, 2012
9 Shaw, George Bernard, "Pygmalion" Penguin 2003
10 Shaw, George Bernard, "Pygmalion" 1st World Library 2004
11 Althusser, Louis, "On the Reproduction of Capitalism" Verso 2014
12 Vološinov, V. N., "Marxism and The Philosophy of Language" Havard UP 1986
13 Jakobson, Roman, "Language in Literature" Harvard U 95-114, 1987
14 Abla, Ahmed Kadi, "Language as a Marker of Social Status in Shaw's Pygmalion" 4 (4): 79-84, 2016
15 Verschueren, Jef, "Ideology in Language Use: Pragmatic Guidelines for Empirical Research" Cambridge UP 2012
16 McGovern, Derek, "From Stage to Hybrid: Shaw’s Three Editions of Pygmalion" 31 : 9-30, 2011
17 Saussure, Ferdinand de, "Course in General Linguistics" McGraw-Hill 1959
18 Bernstein, Basil, "Class, Codes and Control. Vol. 1" Routledge 1971
19 Bentley, Eric, "Bernard Shaw" Applause 2002
호세 리베라의 Marisol에서 도시경관의 생산과 재현
소피 트레드웰의 Machinal과 미국 표현주의: 사실과 진실의 간극, 그 찰나에 포착된 이야기
Staging Post-feminism in Young Jean Lee’s Untitled Feminist Show
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2014-02-06 | 학술지명변경 | 외국어명 : The Journal of Modern British and American Drama -> Journal of Modern English Drama | |
2011-01-01 | 평가 | 등재 1차 FAIL (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2004-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2003-01-01 | 평가 | 등재후보학술지 유지 (등재후보2차) | |
2002-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2001-01-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.16 | 0.16 | 0.19 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.18 | 0.17 | 0.674 | 0.04 |