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      시화에 구현된 사대부가 여성 한시의 미적 특질 = The aesthetic characteristic of the gentry lady"s chinese poem that was embodied on the Shihwa(a talk on poetry)

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      https://www.riss.kr/link?id=A76454016

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      다국어 초록 (Multilingual Abstract)

        The aim of this manuscript is to study the aesthetic characteristic of the gentry ladies" chinese poems by making the style terminologies into a subject based on the discourse of the gentry ladies" chinese poems among the ladies" chinese poems of the previous Korean Collection of Shihwa. I chosed the gentry ladies" chinese poems which were issued on the discourse of Shihwa only and considered their aesthetic characteristics. Because the Shihaw critic"s point of critique must have had an important effect on the base of creation and existence of the ladies" chinese poems, I looked into the whole aesthetic aspects which were pursued by the ladies chinese poems through the style terminologies used by lady poets of the gentry. In the previous Shihwa, the aesthetic characteristics of the gentry ladies" chinese poems are integrated into SEONGJEONGMI(the beauty of the nature), CHEONGSHINMI(the fresh and new beauty), HOGIMI(the beauty of the intrepid spirit), DONHWOOMI(the beauty of the humanity), JEOLMYOMI(the beauty of the exquisiteness). There is no discrimination on this aesthetic category compared with that of men"s chinese poems. This is an instance that the gentry ladies" versification tendency and level was not so much different compared to the gentry men"s versification tendency and level.<BR>  There were quite a few female poets in Korean Shiwha. The classes of the female poets were various from a concubine,?a gisaeng,?a court lady, a crown princess to a nameless lady. I started to study on the Shihwa with the assumption that there must have been differences among their poems that had been embodied with literature considering the situation of that era when the way of life was very much different according to the social position, The first object is the lady poets of the gentry. Because the view point and technique about the ladies of the Shihwa is not right compared to that of the men, many ladies" literary works are circulated as the form of a short phrase or a junk phrase. However, it is fortunate for us to be able to find out the female poets" poetic superiority and parts of their poems on the collection of Shihwa. The literary ability and level of the gentry female poets that we can get from the collection of Shihwa is very high. It is a more precious work if we consider the bad educational environment for females on the old days. Main Subject words: shihwa (a talk on a poetry), a lady"s chinese poem, a lady of the gentry, aesthetic characteristic.
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        The aim of this manuscript is to study the aesthetic characteristic of the gentry ladies" chinese poems by making the style terminologies into a subject based on the discourse of the gentry ladies" chinese poems among the ladies&...

        The aim of this manuscript is to study the aesthetic characteristic of the gentry ladies" chinese poems by making the style terminologies into a subject based on the discourse of the gentry ladies" chinese poems among the ladies" chinese poems of the previous Korean Collection of Shihwa. I chosed the gentry ladies" chinese poems which were issued on the discourse of Shihwa only and considered their aesthetic characteristics. Because the Shihaw critic"s point of critique must have had an important effect on the base of creation and existence of the ladies" chinese poems, I looked into the whole aesthetic aspects which were pursued by the ladies chinese poems through the style terminologies used by lady poets of the gentry. In the previous Shihwa, the aesthetic characteristics of the gentry ladies" chinese poems are integrated into SEONGJEONGMI(the beauty of the nature), CHEONGSHINMI(the fresh and new beauty), HOGIMI(the beauty of the intrepid spirit), DONHWOOMI(the beauty of the humanity), JEOLMYOMI(the beauty of the exquisiteness). There is no discrimination on this aesthetic category compared with that of men"s chinese poems. This is an instance that the gentry ladies" versification tendency and level was not so much different compared to the gentry men"s versification tendency and level.<BR>  There were quite a few female poets in Korean Shiwha. The classes of the female poets were various from a concubine,?a gisaeng,?a court lady, a crown princess to a nameless lady. I started to study on the Shihwa with the assumption that there must have been differences among their poems that had been embodied with literature considering the situation of that era when the way of life was very much different according to the social position, The first object is the lady poets of the gentry. Because the view point and technique about the ladies of the Shihwa is not right compared to that of the men, many ladies" literary works are circulated as the form of a short phrase or a junk phrase. However, it is fortunate for us to be able to find out the female poets" poetic superiority and parts of their poems on the collection of Shihwa. The literary ability and level of the gentry female poets that we can get from the collection of Shihwa is very high. It is a more precious work if we consider the bad educational environment for females on the old days. Main Subject words: shihwa (a talk on a poetry), a lady"s chinese poem, a lady of the gentry, aesthetic characteristic.

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      목차 (Table of Contents)

      • 1. 머리말
        2. 시화집과 사대부가 여성 작가
        3. 사대부가 여성 한시의 미적 특질
        4. 맺음말
        〈참고문헌〉
        [Abstract]
      • 1. 머리말
        2. 시화집과 사대부가 여성 작가
        3. 사대부가 여성 한시의 미적 특질
        4. 맺음말
        〈참고문헌〉
        [Abstract]
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      참고문헌 (Reference)

      1 "한시비평의 체례연구" 1974.

      2 "한시미학산책" 솔 2004.

      3 "한국 여류한시의 세계" 여강출판사 2002.

      4 "한국 여류시 비평에 대한 연구" 1989.

      5 "지봉 이수광의 시론연구" 2000.

      6 "중국문학이론연구회 편 중국시와 시론" 1993

      7 "중국 고전 시학의 이해 문학과 지성사" 1992.

      8 "조선후기시화사연구" 국학자료원 1995.

      9 "오주연문장전산고 시문편"

      10 "시화의 기생한시 담론과 심미의식" 한국한문교육학회 (20) : 2003.

      1 "한시비평의 체례연구" 1974.

      2 "한시미학산책" 솔 2004.

      3 "한국 여류한시의 세계" 여강출판사 2002.

      4 "한국 여류시 비평에 대한 연구" 1989.

      5 "지봉 이수광의 시론연구" 2000.

      6 "중국문학이론연구회 편 중국시와 시론" 1993

      7 "중국 고전 시학의 이해 문학과 지성사" 1992.

      8 "조선후기시화사연구" 국학자료원 1995.

      9 "오주연문장전산고 시문편"

      10 "시화의 기생한시 담론과 심미의식" 한국한문교육학회 (20) : 2003.

      11 "송덕봉의 생애와 문학" 2003.

      12 "미학의 이해" 문예출판사 1992.

      13 "미암일기연구" 1996

      14 "동국여류한시집상하" 향지문화사 1995

      15 "다시, 저승에서도 부부가 되리-조선후기 가족연가 안동세고연주록" 대전광역시 대덕구 2006.

      16 "고전비평용어연구" 태학사 1998.

      17 "韓國古典女性詩批評硏究" 학민문화사 1995.

      18 "^호연재유고" 향지문화사 1995

      19 "16세기 양반관료의 외정-유희춘의 미암일기를 중심으로" 2003.

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2028 평가예정 재인증평가 신청대상 (재인증)
      2022-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2019-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2016-01-01 평가 등재학술지 선정 (계속평가) KCI등재
      2015-12-01 평가 등재후보로 하락 (기타) KCI등재후보
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2005-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2002-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.31 0.31 0.28
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.3 0.32 0.556 0.11
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