In this paper, the medicalization of sexuality in 1970s novels was examined through Jo Seon-jak’s novel, 「Yeong-ja’s Prime Years」, and Hwang Seok-yeong’s novel, 「The Dream of Business」. These two works are set against the backdrop of the...
http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
https://www.riss.kr/link?id=A109475860
2024
Korean
장애 ; 장애 담론 ; 섹슈얼리티 ; 산업화 ; 1970년대 소설 ; 황석영 ; 조선작 ; medicalization ; the discourse on medicalization ; sexuality ; industrialization ; 1970s novels ; Hwang Seok-yeong ; Jo Seon-jak
810
KCI등재
학술저널
69-88(20쪽)
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
In this paper, the medicalization of sexuality in 1970s novels was examined through Jo Seon-jak’s novel, 「Yeong-ja’s Prime Years」, and Hwang Seok-yeong’s novel, 「The Dream of Business」. These two works are set against the backdrop of the...
In this paper, the medicalization of sexuality in 1970s novels was examined through Jo Seon-jak’s novel, 「Yeong-ja’s Prime Years」, and Hwang Seok-yeong’s novel, 「The Dream of Business」. These two works are set against the backdrop of the 1970s, a time when industrialization and urbanization were rapidly progressing in South Korea. In Jo Seon-jak’s 「Yeong-ja’s Prime Years」, ‘Yeong-ja’ moves to the city alone to support her family's livelihood. The yong woman’s body is trampled and raped by the power of authority. ‘Yeong-ja’, having her sexual identity stripped away, eventually goes into Ohpalpal in Cheongnyangni, a red-light district, with a disabled body. Under the name of the state's urban redevelopment project, ‘Yeong-ja’ is kicked out of the whorehouse and meets a mysterious death. This death of ‘Yeong-ja’ shows the destruction of subjective sexuality, which can be seen as an expose of the reality faced by young female workers who were driven to the city by rural depopulation during the era of industrialization.<BR/> ‘I’ in Hwang Seok-yeong’s 「The Dream of Business」 is a young man who has migrated to the city in search of a job. The naturally strong physique of ‘I’ loses its value as labor in the urban space. ‘I’ becomes a porn actor, and the body of ‘I’ later becomes a sexual object for a wealthy married woman. As the Korean society shows the rapid pace of urbanization and industrialization, ‘I’ in the novel shows the rapid decline into male prostitution after giving up the dream of becoming a wrestler in the city due to a lack of money. The act of using ‘sex’ as a commodity through ‘money’ shows a facet of sexualized urbanization. In this novel, sex, which has become the object of capital, is commodified, and the body of ‘I’ is portrayed as a sexual dysfunction, representing the impairment of sexuality by the capitalist class.
박경리 『노을 진 들녘』에 나타난 타자화된 여성의 생존과 연대
한국 근대 문예지의 독자 참여 제도 연구 -1910년대를 중심으로
‘세계’라는 사상의 기원과 그 불가능성* -장혁주/野口赫宙의 「협박」(1953)과 『편력의 조서』(1954)를 중심으로