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목차 (Table of Contents)

자료제공 :
Acknowledgements
Preface
1 Meaning, Interpretation, and Picturing
1 Representations and pictures
2 Theories of picturing
3 Intentions and transparency in pictures and photographs
4 Indiscernible counterparts
5 Fine art
2 Art as Expression
1 Overview of expression theories
2 Tolstoy's account of expressive art
3 Collingwood's account of expressive art
4 The expressive persona
5 Expression as arousal
6 Revising the arousal theory
7 Expression as cognitive recognition
3 Meaning and Creativity
1 Plato on creativity
2 Kant on genius
3 Metaphorical exemplification
4 Hegel and Marx
5 Material bases of creativity
6 Feminism and creativity
4 Fakes, Originals, and Ontology
1 Multiples and singularities
2 Abstract objects
3 Problems and implications
4 Fakes and originals
5 Objections and alternatives
5 Authenticity and Cultural Origins
1 Two kinds of contextualism
2 Four kinds of appropriation
3 Moral concerns
4 Culture
5 Authenticity
6 Modernity and authenticity
6 Defining Art
1 Philosophical definition
2 Historical background
3 Functional definitions
4 Institutional definitions
5 Historical definitions
6 The cluster account
7 Aesthetics
1 Aesthetic judgments and properties
2 Supervenience
3 Two complications
4 Aesthetics and nature
5 Formalism and detachment
6 Making special
7 Pleasure and appreciation
8 Beyond the Fine Arts
1 Popular and mass art
2 Standard criticisms of popular art
3 Social consequences of popular culture
4 Gender and race
5 Everyday aesthetics
9 Artistic and aesthetic value
1 Three kinds of value
2 The uniqueness thesis
3 Value empiricism
4 Instrumental value
5 An alternative analysis
6 Appreciation
7 Cognitive value
10 Conclusion
References
Index

자료제공 :
Acknowledgements
Preface
1 Meaning, Interpretation, and Picturing
1 Representations and pictures
2 Theories of picturing
3 Intentions and transparency in pictures and photographs
4 Indiscernible counterparts
5 Fine art
2 Art as Expression
1 Overview of expression theories
2 Tolstoy's account of expressive art
3 Collingwood's account of expressive art
4 The expressive persona
5 Expression as arousal
6 Revising the arousal theory
7 Expression as cognitive recognition
3 Meaning and Creativity
1 Plato on creativity
2 Kant on genius
3 Metaphorical exemplification
4 Hegel and Marx
5 Material bases of creativity
6 Feminism and creativity
4 Fakes, Originals, and Ontology
1 Multiples and singularities
2 Abstract objects
3 Problems and implications
4 Fakes and originals
5 Objections and alternatives
5 Authenticity and Cultural Origins
1 Two kinds of contextualism
2 Four kinds of appropriation
3 Moral concerns
4 Culture
5 Authenticity
6 Modernity and authenticity
6 Defining Art
1 Philosophical definition
2 Historical background
3 Functional definitions
4 Institutional definitions
5 Historical definitions
6 The cluster account
7 Aesthetics
1 Aesthetic judgments and properties
2 Supervenience
3 Two complications
4 Aesthetics and nature
5 Formalism and detachment
6 Making special
7 Pleasure and appreciation
8 Beyond the Fine Arts
1 Popular and mass art
2 Standard criticisms of popular art
3 Social consequences of popular culture
4 Gender and race
5 Everyday aesthetics
9 Artistic and aesthetic value
1 Three kinds of value
2 The uniqueness thesis
3 Value empiricism
4 Instrumental value
5 An alternative analysis
6 Appreciation
7 Cognitive value
10 Conclusion
References
Index

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서점명	서명	판매현황	종이책			전자책 구매링크
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	The Philosophy of Art: An Introduction	판매중	126,470원	103,700원 (18%)	5,190포인트 (5%)
	The Philosophy of Art : An Introduction (Hardcover)	판매중	130,650원	107,130원 (18%)	5,360포인트

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자료제공 :

The Philosophy of Art 양장본 Hardcover (An Introduction)

This title is a highly accessible introduction to current key issues and debates in aesthetics and philosophy of art. Chapters on standard topics are balanced by topics of interest to today's students, including creativity, authenticity, cultural appropriation, and the distinction between popular and fine art. Theodore Gracyk is department chair and professor of philosophy at Minnesota State University. The Philosophy of Art is a highly accessible introduction to current key issues and debates in aesthetics and philosophy of art. Chapters on standard topics are balanced by topics of interest to today's students, including creativity, authenticity, cultural appropriation, and the distinction between popular and fine art. Other topics include emotive expression, pictorial representation, definitional strategies, and artistic value. Presupposing no prior knowledge of philosophy, Theodore Gracyk draws on three decades of teaching experience to provide a balanced and engaging overview, clear explanations, and many thought-provoking examples. All chapters have a strong focus on current debates in the field, yet historical figures are not neglected. Major current theories are set beside key ideas from Plato, Aristotle, Kant, Marx, and Hegel. Ch...