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      A companion to Francois Truffaut

      한글로보기

      https://www.riss.kr/link?id=M13194961

      • 저자
      • 발행사항

        Malden : Wiley, 2013

      • 발행연도

        2013

      • 작성언어

        영어

      • DDC

        791.430233092 판사항(23)

      • ISBN

        9781405198479 (hardback : alk. paper)
        1405198478 (hardback : alk. paper)
        9781118321201 (epub)
        1118321200 (epub)
        9781118321379 (emobi)
        1118321375 (emobi)
        9781118321539 (bro)
        1118321537 (bro)
        9781118321591 (wiley online library)
        1118321596 (wiley online library)
        9781118321300 (epdf)
        1118321308 (epdf)

      • 자료형태

        일반단행본

      • 발행국(도시)

        Massachusetts

      • 서명/저자사항

        A companion to Francois Truffaut / edited by Dudley Andrew and Anne Gillain.

      • 형태사항

        xxii, 615 p. : ill. ; 26 cm.

      • 일반주기명

        Includes bibliographical references and index.
        Includes filmography.

      • 소장기관
        • 국민대학교 성곡도서관 소장기관정보 대출가능권수
        • 명지대학교 인문캠퍼스 도서관 소장기관정보
        • 서강대학교 도서관 소장기관정보 Deep Link
        • 서울대학교 중앙도서관 소장기관정보 Deep Link
        • 이화여자대학교 도서관 소장기관정보 Deep Link
        • 청주대학교 도서관 소장기관정보
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      부가정보

      목차 (Table of Contents)

      • 자료제공 : aladin
      • Acknowledgments viii Notes on Contributors ix Preface xv Filmography xxiii Part I La Planète Truffaut 1 1. Interview with Arnaud Desplechin, Part I: Truffaut and His Position 3
        Anne Gillain and Dudley Andrew 2. Truffaut and His “Doubles” 23
        Martin Lefebvre 3. Aesthetic Affinities: François Truffaut, Patrick Modiano, Douglas Sirk 71
        Anne Gillain 4. Interview with Arnaud Desplechin, Part II: Truffaut and His Methods 105
        Anne Gillain and Dudley Andrew Part II Style and Sensibility 125 5. Flashes of Happiness 127
        Alain Bergala 6. Truffaut and the Photographic: Cinema, Fetishism, Death 137
        Junji Hori 7. The Impasse of Intimacy: Romance and Tragedy in Truffaut’s Cinema 153
        John Orr 8. A Fine Madness: Digressions on Pathologies in Truffaut’s Films 173
        Francis Vanoye 9. The Ecstatic Pan 184
        Phil Powrie 10. The Untimely Moment and the Correct Distance 205
        Adrian Martin Part III The Making of a Filmmaker 219 11. Every Teacher Needs a Truant: Bazin and L’Enfant sauvage 221
        Dudley Andrew 12. Certain Tendencies of Truffaut’s Film Criticism 242
        Richard Neupert 13. Truffaut–Hitchcock 265
        Jonathan Everett Haynes 14. The Paradox of “Familiarity”: Truffaut, Heir of Renoir 283
        Ludovic Cortade 15. Cain and Abel: Godard and Truffaut 300
        Michel Marie 16. Friction, Failure, and Fire: Truffaut as Adaptive Auteur 317
        Timothy Corrigan Part IV Truffaut and His Time 333 17. Growing Up with the French New Wave 335
        James Tweedie 18. Bad Objects: Truffaut’s Radicalism 356
        Sam Di Iorio 19. Between Renoir and Hitchcock: The Paradox of Truffaut’s Women 375
        Ginette Vincendeau 20. Truffaut in the Mirror of Japan 388
        Kan Nozaki Part V Films 401 21. Directing Children: The Double Meaning of Self-Consciousness 403
        Angela Dalle Vacche 22. Jules et Jim … et Walter Benjamin 420
        Dudley Andrew 23. Digging Up the Past: Jules et Jim 434
        Elizabeth Ezra 24. The Elevator and the Telephone: On Urgency in La Peau douce 448
        Michel Chion 25. La Peau douce: A Psychogeography of Silky Cinephilia 454
        Tom Conley 26. La Peau douce: François Truffaut’s Passionate Object 469
        Hilary Radner 27. An Unsettling Passage: From Les Deux Anglaises et le continent to La Chambre verte 489
        Carlos Losilla 28. The Structural Role of Intervals in L’Argent de poche 507
        Alain Bergala 29. To Die or to Love: Modern Don Juans in Truffaut and Oliveira 517
        Luiza Jatobá 30. Film as Literature: or the Truffaldian Malaise (L’Homme qui aimait les femmes) 530
        Lúcia Nagib 31. The Elegist: François Truffaut inside La Chambre verte 546
        Philip Watts 32. La Chambre verte and the Beating Heart of Truffaut’s Oeuvre 561
        Françoise Zamour 33. Le Dernier Métro: An Underground Golden Coach 571
        Jean-Michel Frodon 34. Disillusionment and Magic in La Nuit américaine and Le Dernier Métro 584
        Marc Vernet Index 594
      • 자료제공 : aladin
      • Acknowledgments viii Notes on Contributors ix Preface xv Filmography xxiii Part I La Planète Truffaut 1 1. Interview with Arnaud Desplechin, Part I: Truffaut and His Position 3
        Anne Gillain and Dudley Andrew 2. Truffaut and His “Doubles” 23
        Martin Lefebvre 3. Aesthetic Affinities: François Truffaut, Patrick Modiano, Douglas Sirk 71
        Anne Gillain 4. Interview with Arnaud Desplechin, Part II: Truffaut and His Methods 105
        Anne Gillain and Dudley Andrew Part II Style and Sensibility 125 5. Flashes of Happiness 127
        Alain Bergala 6. Truffaut and the Photographic: Cinema, Fetishism, Death 137
        Junji Hori 7. The Impasse of Intimacy: Romance and Tragedy in Truffaut’s Cinema 153
        John Orr 8. A Fine Madness: Digressions on Pathologies in Truffaut’s Films 173
        Francis Vanoye 9. The Ecstatic Pan 184
        Phil Powrie 10. The Untimely Moment and the Correct Distance 205
        Adrian Martin Part III The Making of a Filmmaker 219 11. Every Teacher Needs a Truant: Bazin and L’Enfant sauvage 221
        Dudley Andrew 12. Certain Tendencies of Truffaut’s Film Criticism 242
        Richard Neupert 13. Truffaut–Hitchcock 265
        Jonathan Everett Haynes 14. The Paradox of “Familiarity”: Truffaut, Heir of Renoir 283
        Ludovic Cortade 15. Cain and Abel: Godard and Truffaut 300
        Michel Marie 16. Friction, Failure, and Fire: Truffaut as Adaptive Auteur 317
        Timothy Corrigan Part IV Truffaut and His Time 333 17. Growing Up with the French New Wave 335
        James Tweedie 18. Bad Objects: Truffaut’s Radicalism 356
        Sam Di Iorio 19. Between Renoir and Hitchcock: The Paradox of Truffaut’s Women 375
        Ginette Vincendeau 20. Truffaut in the Mirror of Japan 388
        Kan Nozaki Part V Films 401 21. Directing Children: The Double Meaning of Self-Consciousness 403
        Angela Dalle Vacche 22. Jules et Jim … et Walter Benjamin 420
        Dudley Andrew 23. Digging Up the Past: Jules et Jim 434
        Elizabeth Ezra 24. The Elevator and the Telephone: On Urgency in La Peau douce 448
        Michel Chion 25. La Peau douce: A Psychogeography of Silky Cinephilia 454
        Tom Conley 26. La Peau douce: François Truffaut’s Passionate Object 469
        Hilary Radner 27. An Unsettling Passage: From Les Deux Anglaises et le continent to La Chambre verte 489
        Carlos Losilla 28. The Structural Role of Intervals in L’Argent de poche 507
        Alain Bergala 29. To Die or to Love: Modern Don Juans in Truffaut and Oliveira 517
        Luiza Jatobá 30. Film as Literature: or the Truffaldian Malaise (L’Homme qui aimait les femmes) 530
        Lúcia Nagib 31. The Elegist: François Truffaut inside La Chambre verte 546
        Philip Watts 32. La Chambre verte and the Beating Heart of Truffaut’s Oeuvre 561
        Françoise Zamour 33. Le Dernier Métro: An Underground Golden Coach 571
        Jean-Michel Frodon 34. Disillusionment and Magic in La Nuit américaine and Le Dernier Métro 584
        Marc Vernet Index 594
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      A Companion to Franois Truffaut

      Although the New Wave, one of the most influential aesthetic revolutions in the history of cinema, might not have existed without him, Francois Truffaut has largely been ignored by American film scholars since his death 25 years ago.

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