‘무선택적 적응’을 요구하는 구조에 대한 해체적 저항 = 김승옥의 <차나 한잔>, <들놀이>, 이청준의 <굴레>, <보너스>를 중심으로

다국어 초록 (Multilingual Abstract)

After the disruptive failure of 4.19 revolution in mid-1960’s and 5.16 military coup, the young generation of Korea could not fully reject the slogans presented by military regime which emphasized economic growth and nationalism. When people knew the substance of the evil and the source of the oppression, ‘the individuals’ tried to find ‘their own world’. After the compressed industrialization and improvement of quality of live, ‘the individuals‘ were demanded to waive their freedom and obey the disciplines.
Kim Seung-Ok’s ‘Chana hanjan’, ‘Deulnori’ and LEE Cheong-Jun’s ‘Gulle’, ‘Bonus’ are the novels captured the ‘the individuals’ driven to a singularity between ‘deliberation of one’s world and existence’ and ‘adaption to no-choice’. The military regime authorized by an election made a choice in ‘precise and perfect’ way in lieu of the people and the choice was that economic growth and improvement of quality of life was the highest good. As a result, the people was demanded to follow the choice and placed on ‘adaption to no-choice’.
The propose of the shoulds and adaption demand was disguised as a cultural achievement of life and the novels seized the mechanism of the shoulds of the time in the frame such as a newspaper publishing company and a magazine house. As closely described in Lee Chung-Jun’s novel, the magazine in the novel changed their editorial keynotes after 5.16 military coup which used be focused on expression of values for a choice.
The scenery of gigantic grey monstrous newspaper publishing company and magazine house provided the structure of a circular prison surveilling employees with time and discipline of arithmetic. In this system, there were steadfast orders and surveillance of letters such as ‘the envelop’ and ‘the test paper’. Instead of physical oppression or violence, the system lured the petty bourgeois with ‘Deulnori – Field Picnic’, ‘a cup of tea – Chana hanjan’ and ‘bonus’, and finally made them to adapt themselves into’Gulle – the bridle’. So it is a synecdoche of violent structure disguised as a cultural manner which identifying the individuals in an indirect and roundabout way.
‘The individuals’ recognized the very existence of the oppressive orders but the orders were disguised as ‘an invitation’ or ‘a rumor’ so they could not catch the hidden intention. This situation made ‘the individuals’ anxious because they could not make their choice for the lack of context awareness. The characters’s emotion, inside and analytical aptitude suspending decision making caused the symptom of deconstruction of words. The purpose of this thesis is to reveal that the symptom hold the deconstructive resistance against the disciplines of the violent uniformity.

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