This paper presents alternatives based on her own experiences of overcoming psychological alienation that modern people experience from the loss of their souls. First, we are investigating the possibility of a new art to replace postmodernism by traci...
This paper presents alternatives based on her own experiences of overcoming psychological alienation that modern people experience from the loss of their souls. First, we are investigating the possibility of a new art to replace postmodernism by tracing the reasons for this alienation based on its age. This is to explore the direction in which her work will proceed in a comparative analysis of the positive and negative effects of modernism and postmodernism. Specifically, some recent art trends in ' relationship art ' and ' soft modernism ' are examples. Furthermore, it acknowledges the " rationality of communication " of Jürgen Harbermas and aims for an ideal where individuals can form a reasonable community in a free way.
The basic material of his work that expresses the inner image comparing to the nature, is unconscious. To explain his unconscious, Freud's 'Psychoanalysis' and Carl Gustav Jung's 'Analytic Psychology' were applied directly to the analysis. Among them, he is philosophical in verifying the existence of the soul by emphasizing the state of individuality he presented through the self-rounding symbol of Jesus Christ. Along with this, I want to prove the essence of art exploring the spiritual world through the works of modern artists such as Antony Gormley and Bill Viola, who handle souls in art. The life of the soul can be a fundamental alternative to overcoming psychological alienation rather than the conscious lives of man, and the presence of the soul can be experienced through art. I have created a macroscopic view to suggest to the audience that 'the care of the soul' and 'the face to face with the soul'.
A sublime strategy is needed to present the landscape as a place inhabited by the soul. Jean-François Lyotard established 'A negative description of the sublime' as the aesthetics of postmodernism by reinterpreting Immanuel Kant's 'Ideological sublimity'. It reveals the world of nothing by refusing to describe the impossible. However, the original meaning of sublimity has been to point to the fears and awe that people experience when they perceive the superiority of nature. Supersensitive feelings arise from the double action of ' comfort ' when one senses one's security is not threatened in ' annoyance ' that is at risk of dying from an unrecognizable mass. In order to draw such noble feelings out of the audience, I analyzed the works of Barnett Newman and Mark Rothko, who realized their sublime descriptions, and applied them to their own experiences.
Caspar David Friedrich, a representative romantic writer, is an exemplary example of the modern transformation of Christian art as a self-representative writer of the most similar works. Friedrich's landscapes present a sublime beauty, in double contrast to the mighty nature and the weak man in divine revelation. His art, aimed at incorporating inner light into his paintings, forms a streak like the sublime beauty that Newman and Roscoe intend to display. The inner light – developed by the artist - expresses the sublime as a place to meet the soul of a batter and as a process of conversation. Furthermore, he tried to show his face as a light to sympathize with the suffering of others and to soothe their souls.
The flow of this paper, from consideration of the zeitgeism to the unconscious studies to the sublime strategies, is to verify the effectiveness of one's standing and ongoing research in the context of a wide range of contemporary art. In the present mixed aesthetics, the values of painting alone, encompassing reproduction and expression, are still valid and have the physical power to guide the audience into the arena of experience. In addition, through other-oriented art, we can overcome problems of alienation and individualism in modern society, and restore communitariality.