사례 분석을 통한 民國시기 京劇의 치료 가능성 연구― 관객을 중심으로 = A Study on the Therapeutic Possibilities of Peking Opera through the Case Analysis in the Period of Republican China – Around Audience

다국어 초록 (Multilingual Abstract)

This study examined whether Peking Opera has the elements of theatrical therapy through the Republican period of China when Peking Opera was of much prevalence. In the first text, the audiences of Peking Opera during the Republican period of China were classified into four types according to their characteristics. The first type is political figures, the second type is the merchant class, the third type is the literati class, and the fourth type is the general citizen class. Next, the preferences of the different types of audiences for watching Peking Opera were looked into. It was found out that revolutionary dramas and dramas dealing with current events were loved during the period from the late Qing dynasty to the early Republican China, but due to the reflux of revolutionary passion and the emergence and increase of female audiences, story-centered family ethics dramas became popular.
In the second text, the cases were found out from the magazines published during the Republican period of China and the books casting light upon the events during the period that the audiences at that time might have felt emotional comfort by watching Peking Opera. As shown in the cases, it could be said that the emotional comfort felt by the viewers who saw Peking Opera is like their experience of catharsis, through which healing could be associated with theatrical therapy.
The therapeutical possibility of Peking Opera is not limited to the Republican period of China but exists even today. Like other traditional arts, it is necessary to actively promote these therapeutical possibilities of Peking Opera and to establish its systematic therapeutical techniques in order to revive the Peking Opera in crisis and maximize it as a cultural industry.

참고문헌 (Reference)

1 桑咸之, "論京劇與晩淸文化" 19 : 1996

2 박미리, "치료 관점으로 본 공연의 양상" (6) : 2016

3 유진희, "중국 전통극 ‘票友’ 고찰" 중앙사학연구소 (37) : 251-277, 2013

4 로버트 랜디, "억압받는 사람들을 위한 연극치료" 울력 2014

5 김동우, "시적 카타르시스의 이중적 개념과 문학치료" 한국문학치료학회 21 : 65-91, 2011

6 차미경, "상징의 미학 경극" 신서원 2005

7 조득창, "경극을 통한 치료 요소의 발굴과 검토- 청말민초를 중심으로 -" 사단법인 아시아문화학술원 7 (7): 451-464, 2016

8 김학주, "경극(京劇)이란 어떤 연극인가?" 명문당 2009

9 송철규, "경극" 살림 2004

10 쉬청베이, "경극" 도서출판 대가 2008

11 박미리, "감정모델 연극치료" 학지사 2013

12 徐半梅, "話劇創始期回憶錄" 中國戱劇出版社 1956

13 아리스토텔레스, "詩學" 문예출판사 1992

14 許姬傳, "許姬傳七十年見聞錄" 中華書局 2007

15 笠民, "觀賈郞演妻黨同惡報劇記" (2) : 1913

16 薛觀瀾, "薛觀瀾談京劇" 新銳文創 2017

17 梅蘭芳, "舞臺生活四十年" 中國戱劇出版社 1987

18 翁偶虹, "翁偶虹看戱六十年" 學苑出版社 2012

19 厭紜, "星期三丹桂第一臺觀劇記" 1 (1): 1915

20 鐵柔, "新民新劇社之前後本空谷蘭" 1 (1): 1914

21 李石曾, "戱曲之我觀" 1 (1): 1932

22 郝薇莉, "從古老治療儀式到當代戱劇治療" (1) : 2015

23 笠民, "大舞臺觀劇記" (1) : 1913

24 劉文峰, "北京戱劇通史ㆍ民國卷" 北京燕山出版社 2001

25 陳庚, "傳承與新變 : 近代化進程中的北京戱劇市場硏究(1912-1937)" 中國社會科學出版社 2016

26 徐劍雄, "京劇與上海都市社會(1867-1949)" 上海三聯書店 2012

27 曾白融主編, "京劇劇目辭典" 中國戱劇出版社 1989

28 笠民, "丹桂第一臺觀梅蘭芳王鳳卿劇記" (1) : 1913

29 徐中玉, "中國近代文學大系ㆍ文學理論集二" 上海書店 1995

30 北京市藝術硏究所, "中國京劇史(中)" 中國戱劇出版社 1999

31 北京市藝術硏究所, "中國京劇史(上)" 中國戱劇出版社 1990

32 趙得昌, "20세기 전반기 중국 京劇形式의 변모양상 연구" 중국어문연구회 (26) : 317-339, 2004

33 傅謹, "20世紀中國戱劇史(上冊)" 中國社會科學出版社 2016