This paper intends to examine the outcomes of the Jinju National Museum’s YouꠓTube channel “The Age of Gunpowder in Joseon” and reasons for its success. It proposꠓes a direction for future productions. “The Age of Gunpowder in Joseon” ch...
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다국어 초록 (Multilingual Abstract)
This paper intends to examine the outcomes of the Jinju National Museum’s YouꠓTube channel “The Age of Gunpowder in Joseon” and reasons for its success. It proposꠓes a direction for future productions. “The Age of Gunpowder in Joseon” ch...
This paper intends to examine the outcomes of the Jinju National Museum’s YouꠓTube channel “The Age of Gunpowder in Joseon” and reasons for its success. It proposꠓes a direction for future productions.
“The Age of Gunpowder in Joseon” channel was created in order to transform reꠓsearch findings on small gunpowder weapons in Korea during the Joseon Dynasty era into online content. The production strategy included a collaboration involving a YouTuber specializing in military matters and a selection of diverse and timely topics made by the museum. This strategy helped expand the production company’s capabilities and enhance the reliability of the videos. Some of the themes of the videos were selectꠓed to promote related special exhibitions and the branding of the content. Moreover, the branding of another subject “‘The Age of Gunpowder in Joseon’ Cinema” was conducted.
According to the analysis of viewers of “The Age of Gunpowder in Joseon,” they appeared to remain loyal to the channel’s postings. When videos were uploaded, viewers were likely to click on them, like them, and add comments. Viewers were predominantly males in their 20s through 50s, and videos related to war history and weaponry were more in demand than historical content. In particular, a high demand was observed from viewers for realistic war scenes. Moreover, the analysis of viewers revealed that catchy titles and thumbnails could attract younger audiences. It also confirmed of the presence of foreign viewers.
In the comments, viewers of “The Age of Gunpowder in Joseon” praised the videos themselves, but expressed mixed feelings about Joseon-era Korea. Furthermore, they articulated a thirst for visual representations of historical narratives of wars and a desire for new knowledge not found in textbooks.
By synthesizing such information, this paper argues for a need to establish strategies for the future production of videos for “The Age of Gunpowder in Joseon.” These strategies include the maintenance of the current framework, the discovery of new topics, the attraction of new viewers through diverse and popular subjects, and the broadening of the content in line with the expansion of the museum brand. The paper also stresses that the achievements of “The Age of Gunpowder in Joseon” can be sustained only if ongoing research precedes the execution of these strategies.
목차 (Table of Contents)
陶磁工藝 展示改編 事業의 成果와 意味 - 國立中央博物館 靑磁室을 中心으로
考古學 展示 方向性 摸索 國立金海博物館 展示改編을 中心으로
東垣컬렉션 日本繪畵 考察 19세기 말~20세기 전반기 작품을 중심으로