中國明代德化窯人物造型研究 = Research on Character Shape of Dehua Kiln in Ming Dynasty

다국어 초록 (Multilingual Abstract)

Dehua kilns played an important role in the whole ancient Chinese ceramic industry. They were once known as the three great porcelain capitals in southern China, together with Jingdezhen in Jiangxi and Lilin in Hunan, especially in the Ming Dynasty Dehua County's porcelain production reached an unprecedented peak, geographical, cultural and technological factors such as Dehua County white porcelain to a new unique historical height. The carrier of this characteristic image is the ceramic character shape. The character shape of the Dehua Kiln in the Ming Dynasty of China has a pivotal position in the history of Chinese ceramics, whether it is the study of Chinese Buddhist art or the study of the development of Chinese ceramics, the character shape of the white porcelain of the Dehua kiln in the Ming Dynasty of China can never be bypassed.
The prosperity of the Dehua Kiln is inseparable from its superior geographical position and its abundant and unique ceramic firing resources. As the starting point of the ancient Chinese sea route of Silk Road, Port of Quanzhou, it has provided a vast trade market for the development and prosperity of Dehua Kiln, thus promoting the development of ceramic handicraft industry and the exchange and integration of Cultures, providing technical support for the development of Dehua Kiln through the technological improvement caused by population migration Unique ceramic materials make Dehua County white porcelain as white and beautiful as snow.
The selection of the subject matter of the character shape of the Dehua Kiln in the Ming Dynasty showed People's belief and culture under the feudal society background at that time. The prosperity of religious belief was bound to have a large number of related derivatives Buddhist and Taoist characters with the same image of different materials and materials are also emerged Dehua Kiln fully utilizes the unique ceramic material to display the religious figure image theme in the religious art and the ceramic art has the unique artistic charm. Theprosperity of overseas trade brought by the sea route of Silk Road made the Western religious figures and street figures of Dehua kiln a new product, adding to the category of Dehua Kiln figures.
Dehua kiln character molding techniques, steps clear and rigorous, is conducive to the character molding firing rate and efficiency improvement. Due to the progress of the times, molding material changed into plaster, but traditional molding techniques are still used nowadays.
The prosperity of Dehua Kiln's character shape is not only the superior geographical position, advanced porcelain-making technology, unique ceramic material and sufficient culture, but also the artists who are engaged in porcelain industry. As the most influential artist at that time, He Chaozong contributed his own strength to the prosperity of the character shape of Dehua Kiln, d.eveloped Dehua Kiln with his unique artistic achievements, left a large number of valuable ceramic art works as people's valuable spiritual wealth.

다국어 초록 (Multilingual Abstract)

德化窯在整個中國古代陶瓷產業中有著舉足輕重的地位，曾經與江西的景德鎮和湖南的醴陵並稱為中國南方的三大瓷都，特別是在明代，德化的制瓷達到了一個前所未有的高峰，地域，文化及工藝等要素把德化白瓷推向了新的獨具特色的歷史高度。而這種特色的形象載體就是陶瓷人物造型，中國明代德化窯的人物造型在中國陶瓷史上有著舉足輕重的地位，不管是研究中國的佛教藝術還是研究中國的陶瓷發展，中國明代德化窯的白瓷人物造型是永遠也不可能繞過的。 德化窯的繁盛與其優越的地理位置及其豐富而獨特的陶瓷燒制資源是分不開的，作為中國古代海上絲綢之路起點的泉州港，為德化窯的發展興旺提供了廣闊的貿易市場，從而帶動了陶瓷手工業的發展，促進了文化的交流與融合，人口遷徙導致的技術改進為德化窯的發展提供了技術支持，獨特的陶瓷材料讓德化白瓷潔白如雪的魅力獨樹一幟。 明代德化窯人物造型題材的選取展現了當時封建社會背景下人們的信仰和文化，宗教信仰的繁榮必定會有大量相關的衍生品出現，不同材質同一形象的佛教及道教的人物形象也展現在人們面前，德化窯充分利用獨特的陶瓷材質所表現的宗教人物形象題材在宗教藝術和陶瓷藝術上有著獨特的藝術魅力。海上絲綢之路帶來的海外貿易繁榮，讓德化窯西方宗教人物題材及市井人物造型成為新品，增添了德化窯人物造型題材的品類。

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