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      한국계 미국인 디아스포라의 세대별 양상: 성 노, 줄리아 조, 미아 정의 작품을 중심으로

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      https://www.riss.kr/link?id=A106817899

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      다국어 초록 (Multilingual Abstract)

      The aim of this paper is to examine different aspects of Korean American diaspora in the plays of Sung Rno, Julia Cho, and Mia Chung. Born and raised as second generation Korean Americans, these playwrights delineate how different generations of immigrants exhibit different degrees of assimilation and suffer from the anxieties of identity formation. I discuss the plays of these playwrights through the lens of diaspora paradigm and suggest that even though the degrees of assimilation into American may be different among these generations, the diasporic state of being “suspended between countries of origin and adopted homelands” apply to all of them. The first-generation Korean immigrants were forced to move to America because of war, famine, and economic difficulties. With little educational background in Korea, they could not successfully adapt to American society due to lack of language proficiency and were isolated from their spouses and children, not to mention the community surrounding them. In contrast, the second wave immigrants came over to achieve their American dream, that is, to enjoy affluent living and send their children to prestigious American universities. However, the characters in Cleveland Raining and Durango fail to assimilate into American community or working environment and their failure ultimately leads their family into disfunctional situation. Even with their fluent English and education, their children also suffer from racialized environment and have difficulty constructing subject positions in America. Mia Chung’s You for Me for You is unique in that it deals with a North Korean refugee. Junhee, one of the two sisters, immigrates to America to acquire an American citizenship so that she could rescue her sister held in custody in North Korea. The play contrasts the totalitarian system of North Korea with consumerism of the U.S. on the stage of magic realism. Junhee’s itinerary from North Korea to the US and then to North Korea back again depicts Korean nomad’s diaspora which still continues in the globalized world.
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      The aim of this paper is to examine different aspects of Korean American diaspora in the plays of Sung Rno, Julia Cho, and Mia Chung. Born and raised as second generation Korean Americans, these playwrights delineate how different generations of immig...

      The aim of this paper is to examine different aspects of Korean American diaspora in the plays of Sung Rno, Julia Cho, and Mia Chung. Born and raised as second generation Korean Americans, these playwrights delineate how different generations of immigrants exhibit different degrees of assimilation and suffer from the anxieties of identity formation. I discuss the plays of these playwrights through the lens of diaspora paradigm and suggest that even though the degrees of assimilation into American may be different among these generations, the diasporic state of being “suspended between countries of origin and adopted homelands” apply to all of them. The first-generation Korean immigrants were forced to move to America because of war, famine, and economic difficulties. With little educational background in Korea, they could not successfully adapt to American society due to lack of language proficiency and were isolated from their spouses and children, not to mention the community surrounding them. In contrast, the second wave immigrants came over to achieve their American dream, that is, to enjoy affluent living and send their children to prestigious American universities. However, the characters in Cleveland Raining and Durango fail to assimilate into American community or working environment and their failure ultimately leads their family into disfunctional situation. Even with their fluent English and education, their children also suffer from racialized environment and have difficulty constructing subject positions in America. Mia Chung’s You for Me for You is unique in that it deals with a North Korean refugee. Junhee, one of the two sisters, immigrates to America to acquire an American citizenship so that she could rescue her sister held in custody in North Korea. The play contrasts the totalitarian system of North Korea with consumerism of the U.S. on the stage of magic realism. Junhee’s itinerary from North Korea to the US and then to North Korea back again depicts Korean nomad’s diaspora which still continues in the globalized world.

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. 이민 1세대: 생존을 위한 이주
      • Ⅲ. 이민 2세대: 더 나은 삶을 향하여
      • Ⅳ. 새로운 3세대 이민으로서의 탈북자
      • Ⅴ. 결론
      • Ⅰ. 서론
      • Ⅱ. 이민 1세대: 생존을 위한 이주
      • Ⅲ. 이민 2세대: 더 나은 삶을 향하여
      • Ⅳ. 새로운 3세대 이민으로서의 탈북자
      • Ⅴ. 결론
      • 인용문헌
      • Abstract
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      참고문헌 (Reference)

      1 정병언, "줄리아 조의 '듀랑고', 장소 상실자들의 여행과 꿈" 현대영미어문학회 33 (33): 223-242, 2015

      2 이형식, "유령들의 귀환: 한국계 미국극작가 작품의 새로운 경향" 한국현대영미드라마학회 20 (20): 155-180, 2007

      3 라이브시, 루스, "모빌리티와 인문학" 도서출판 앨피 189-224, 2019

      4 신연주, "대중매체가 아시아계 미국인의 정체성 형성에 미치는 영향: 『변두리』(BFE)와『김치와 곱창』(Kimchee and Chitlins)을 중심으로" 한국영미문학교육학회 19 (19): 45-67, 2015

      5 허성태, "글로벌 디아스포라와 세계의 한민족" 북코리아 2016

      6 McMaster, James, "‘But You Have to Do Something’: The Racialized Holding Environment of Julia Cho’s Office Hour" 22 (22): 133-157, 2019

      7 Williams, Holly, "You for Me for You: New Drama Examines Why Not Every North Korean Wants to Escape the Country’s Brutal Dictatorship"

      8 Chung, Mia, "You For Me For You" Bloomsbury 2015

      9 Marks, Peter, "Theatre Review: You for Me for You"

      10 천선영, "The Quest of Searching for Diasporic Subjectivity in Julia Cho’s Durango" 한국현대영미드라마학회 29 (29): 247-271, 2016

      1 정병언, "줄리아 조의 '듀랑고', 장소 상실자들의 여행과 꿈" 현대영미어문학회 33 (33): 223-242, 2015

      2 이형식, "유령들의 귀환: 한국계 미국극작가 작품의 새로운 경향" 한국현대영미드라마학회 20 (20): 155-180, 2007

      3 라이브시, 루스, "모빌리티와 인문학" 도서출판 앨피 189-224, 2019

      4 신연주, "대중매체가 아시아계 미국인의 정체성 형성에 미치는 영향: 『변두리』(BFE)와『김치와 곱창』(Kimchee and Chitlins)을 중심으로" 한국영미문학교육학회 19 (19): 45-67, 2015

      5 허성태, "글로벌 디아스포라와 세계의 한민족" 북코리아 2016

      6 McMaster, James, "‘But You Have to Do Something’: The Racialized Holding Environment of Julia Cho’s Office Hour" 22 (22): 133-157, 2019

      7 Williams, Holly, "You for Me for You: New Drama Examines Why Not Every North Korean Wants to Escape the Country’s Brutal Dictatorship"

      8 Chung, Mia, "You For Me For You" Bloomsbury 2015

      9 Marks, Peter, "Theatre Review: You for Me for You"

      10 천선영, "The Quest of Searching for Diasporic Subjectivity in Julia Cho’s Durango" 한국현대영미드라마학회 29 (29): 247-271, 2016

      11 Wang, Quan, "The Image of Food in Julia Cho"s The Language Archive" 75 (75): 129-132, 2017

      12 Cho, Julia, "The Architecture of Loss" Dramatists Play Service 2005

      13 Shimakwa, Karen, "On Listening to the Unsaid: Julia Cho’s Durango and Asian American Critique" Center for Pacific and American Studies of The U of Tokyo 9 : 83-93, 2009

      14 정광숙, "Julia Cho’s Durango: Asian American Male Narratives of Frustrated Fantasies" 한국현대영미드라마학회 29 (29): 191-212, 2016

      15 Kim, Ju Yon, "In the Space Made from Separation: Korean American Performance of North Korea in Revision" 20 : 313-343, 2017

      16 Lowe, Lisa, "Immigrant Acts" Duke UP 1996

      17 Shimakwa, Karen, "Ghost Families in Sung Rno"s Cleveland Raining" 52 (52): 381-396, 2000

      18 Cho, Julia, "Durango" Dramatists Play Service Inc 2007

      19 Rno, Sung, "Cleveland Raining. But Still, Like Air, I'll Rise" Temple UP 1997

      20 Roberts, Dmae, "Breaking Glass. But Still, Like Air, I’ll Rise" Temple UP 271-330, 1997

      21 Berson, Misha, "Between Worlds: Contemporary Asian-American Plays" Theatre Communication Group 1990

      22 Cho, Julia, "BFE" Dramatists Play Service Inc 2006

      23 우미성, "Asian American Male Sexuality Torn Between Communal and Self Identities in Julia Cho’s Durango" 한국현대영미드라마학회 26 (26): 197-216, 2013

      24 Lim, Shirley Geok-Lin, "An Interethnic Companion to Asian American Literature" Cambridge UP 289-311, 1997

      25 Popp, Olivia, "A Tale of Two Sisters: ‘You for Me for You’ Questions Truth and Reality in North Korea"

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